Written by leading scholars in the field, this collection analyses the notion of travel writing as a genre, while tracing significant examples of Mediterranean travel writing that return us to Ancient Greece, to Medieval pilgrimages, to Venetians diplomatic missions, to an Egyptian's account of Paris in the nineteenth century, to French artistic journeys in North Africa and to contemporary narratives of privileged resettlement, death and dislocation.

Focusing on A Sketch of Sites and Objects in the Imperial Capital, this article examines how the primary author, Liu Tong, created and preserved the cultural memory of Beijing through writing the city’s scenic sites in the waning years of the Ming dynasty. Liu Tong, who sojourned in the capital then situated on the state’s frontier, observed Beijing during a period of comprehensive decay. This temporal and spatial framework affected the way he observed Beijing’s northern landscape features and inspired (...) him to both preserve the city’s literary and historical heritage and report on its current dilapidation. This study addresses Liu Tong’s literary strategies to preserve Beijing’s literary legacy and surviving landscapes, with particular attention to his adaptation of earlier travel writings about Beijing, his development of a new lyrical style of prose, and the portrayal of the immediate reality of his lived experience. (shrink)

Ethics of Description: The Anthropological Dispositif and French Modern Travel Writing follows the development of a minor tradition in French literature where metropolitan authors traveling abroad demonstrate their awareness of the ethical conundrums of representing world peoples. During the colonial-modern era, currents of anthropological thought and representational practice are identifiable throughout society, and across literature, the arts, and the sciences. Collectively, they can be theorized as belonging to a dispositif, the anthropological dispositif. The modernization of anthropology serves as (...) an ambivalent interlocutor for the realizations of the writers studied in this book about the difficulties of describing cultural realities that lie largely outside their ken. Anthropology motivates new literary representational strategies that are, alternatively, in keeping with scientific mandates or operate against them. Forty images are analyzed alongside literary works. A postcolonial chapter shows how the ethical awareness of the colonial-modern authors studied have impacted minority self-representation in contemporary France. (shrink)

Travel writing is characterized by a narrative discourse that describes landscapes, transforms adventure into a mythical journey and reveals the fears of humankind. The sea gathers momentum when the protagonists overcome the fear of death. However, the significance of the tune of sea songs has not been adequately highlighted, being relegated as side special effects that embellish the narration. The aim of this paper is to analyze the symbolical element of the songs to foreground its function in sea (...) travel writing in the English and American fiction from the 18th to the 21st century accounts, and their symbolic implication. (shrink)

The first book of its kind to study the Romantic obsession with the 'antique lands' of Ethiopia, Egypt, India, and Mexico, Curiosity and the Aesthetics of Travel Writing is an important contribution to the recent wave of interest in exotic travel writing. Drawing generously on both original texts and modern scholarship in literature, history, geography, and anthropology, it focuses on the unstable discourse of 'curiosity' to offer an important reformulation of the relations between literature, aesthetics, and (...) colonialism in the period. (shrink)

This study examines the travel writings of the German author Alfons Paquet, specifically his book Li oder Im neuen Osten (1913), which documents his observations during three visits to East Asia in the late Qing Dynasty. The paper begins by contextualizing Paquet's journeys, considering personal, ideological, and social factors that influenced his perceptions and writings. The analysis then delves into Paquet’s portrayal of poverty, rural landscapes, warfare, and the cultural interactions between East and West as described in his (...) class='Hi'>travel notes. Paquet’s reflections reveal a complex interplay of admiration and cultural superiority, where the depiction of an impoverished yet idyllic China serves both as a critique and an exoticization of the other. Despite occasionally succumbing to a sense of Western superiority, Paquet's writings also express a genuine desire for cultural exchange and mutual learning between the East and West. This suggests a pursuit not just of understanding ‘the other,’ but also of exploring potential spiritual and moral growth through cross-cultural engagement. The paper argues that Paquet’s travel writings offer a nuanced perspective on the ethical responsibilities of representing poverty and cultural difference. His work challenges readers to consider the spiritual implications of encountering and narrating the lives of the impoverished, urging a reflective engagement with the other that transcends mere cultural consumption. Ultimately, Paquet's travel notes prompt a reconsideration of how travel literature can influence and reflect our moral and spiritual landscapes, advocating for a more ethically engaged form of cultural interaction. (shrink)

SUMMARYAs the Enlightenment drew to a close, translation had gradually acquired an increasingly important role in the international circulation and transmission of scientific knowledge. Yet comparatively little attention has been paid to the translators responsible for making such accounts accessible in other languages, some of whom were women. In this article I explore how European women cast themselves as intellectually enquiring, knowledgeable and authoritative figures in their translations. Focusing specifically on the genre of scientific travel writing, I investigate (...) the narrative strategies deployed by women translators to mark their involvement in the process of scientific knowledge-making. These strategies ranged from rhetorical near-invisibility, driven by women's modest marginalization of their own public engagement in science, to the active advertisement of themselves as intellectually curious consumers of scientific knowledge. A detailed study of Elizabeth Helme's translation of the French ornithologist François le Vaillant's Voyage dans l'intérieur de l'Afrique [Voyage into the Interior of Africa] allows me to explore how her reworking of the original text for an Anglophone reading public enabled her to engage cautiously – or sometimes more openly – with questions regarding how scientific knowledge was constructed, for whom and with which aims in mind. (shrink)

Classic Edward Said´s term Orientalism was widely applied to those narratives and story-telling oriented to deride, subordinate and domesticate the “Non-Western Other”. Over centuries, Europe has developed an imperial matrix that is finely enrooted in an uncanny long-dormant paternalism where “the Other” was treated as a child to educate. The European expansion was ultimately feasible according to two combined factors. The knowledge productions by the hands of scientists occupied a great position in the entertainment of global readerships, and of course, (...) the literary fiction embodied in the figure of travel writing. This literary genre was mainly marked by the presence of a European adventurer who launched to colonize an unknown world. Travel writings spoke us of the native language of travelers who interrogated furtherly the natives. The present paperwork centers on what Derrida dubbed as “the axiom of hospitality” which means the power of language to control and domesticate the “Other”. The lingua franca not only represents the language of empire but also from the lords. In this way, world Language plays a leading role in giving a great cosmology of the surrounding world as well as legitimating the imperial expansion. (shrink)

This article considers the ways in which eighteenth-century womens travel narratives function as autobiographical texts, examining the process by which a travellers dislocation from home can enable exploration of the self through the observation and description of place. It also, however, highlights the complexity of the relationship between two forms of writing which a contemporary readership viewed as in many ways distinctly different. The travel accounts considered, composed in manuscript form, in many ways contest the assumption that (...) manuscript travelogues will somehow be more self-revelatory than printed accounts. Focusing upon the travel writing of Lady Mary Wortley Montagu, Katherine Plymley, Caroline Lybbe Powys and Dorothy Richardson, the article argues for a more historically nuanced approach to the reading of womens travel writing and demonstrates that the narration of travel does not always equate to a desired or successful narration of the self. (shrink)

This article addresses the critically neglected relation between Baedekers and nationalism, in order to articulate the reasons for the decline of the Baedeker empire in the early twentieth century. Conditions in the First World War undermined the Baedekers' foundational concepts of landscape description. Additionally, the guidebooks emblematized a lost pre-war style of international journey. However, evidence in unexplored archival and fictional sources qualifies our understanding of these changes. This article revisits and reconciles such assessments, by explaining how the war also (...) recast the Baedekers' mediation of international access as a form of nationalist expansionism, and hence a suspect project. (shrink)

Ce livre est, comme le titre l’indique, un objet hybride, à la fois dictionnaire et anthologie. L’auteur n’est pas une historienne professionnelle mais une écrivaine, déjà auteur d’une biographie d’une de ses aventurières, l’Anglaise Adela Breton, qui fut une pionnière des séjours et des relevés archéologiques à travers le Mexique précolombien à la fin du xixe siècle (Albuquerque, University of New Mexico Press, 2005). Chaque notice individuelle est suivie d’une indication de sources (parfois...

Through an analysis of the work of the Yi poets, Aku Wuwu, Jidi Majia, and Jimu Langge, this paper discusses the significance of Yi literature in translation, circulation, and production, with an additional focus on the development of minority literature in the context of world literature. A variety of factors enable the translation of ethnic minority literature, including the content and characteristics of the literature itself, the cultural ideologies and literary values of societies, and the personal motivations of authors and (...) translators. In turn, the translation and distribution process introduce the unique experiences of the minority subject into the realm of world literature. Presenting ethnic minority literature in various forms, including recitation performance and multimedia, these Yi poets enhance the range of sensory experiences for readers while drawing attention to poetic traditions and enriching the ways in which world literature circulates. Moreover, the travels of ethnic minority writers introduce new cross-cultural writing and advances world literature’s ideals of prosperity, equality, and freedom. In sum, Yi literature represents a global development of ethnic minority literature as “anthropological literature” that enriches the content of world literature. (shrink)

Originally published in 1973, this volume documents Bertrand Russell’s travels in America covering the period 1896-1945. It is presented in two halves with the first a biographical account of Russell’s involvement with the United States, with special reference to the seven visits he made there during this time period. Throughout this section the most representative of Russell’s journalistic writings are highlighted and these are presented as full texts in the second half of the book. This collection is assembled to provide (...) an understanding of Russell’s deep and many-sided involvement with the United States during his life. A documented account, it is supplemented with important letters, photographs and newspaper articles. (shrink)

Originally published in 1984, this volume documents Bertrand Russell’s travels in America covering the period 1945-1970. It is presented in two halves with the first a biographical account of Russell’s involvement with the United States, with special reference to the seven visits he made there during this time period. Throughout this section the most representative of Russell’s journalistic writings are highlighted and these are presented as full texts in the second half of the book. This collection is assembled to provide (...) an understanding of Russell’s deep and many-sided involvement with the United States during his life. A documented account, it is supplemented with important letters, photographs and newspaper articles. (shrink)

As one of the most widely read genres of literature, travel writing plays a crucial role in forming popular images and understandings of foreign places and foreign peoples. This essay examines the dominant images of rainforests and rainforest peoples portrayed in accounts of travels in tropical America published in National Geographic. Special attention is paid to the issues of how particular representations are privileged in this magazine's travel accounts and how these representations relate to questions of authority (...) and power. The analysis shows that the prevailing representations of the tropical forests and tropical forest-dwellers in the travel accounts of National Geographic rely on historically changing, but equally categorical distinctions between ‘good’ and ‘bad’, and ‘natural’ and ‘unnatural’. (shrink)

SummaryThe relationship between travel, travel narrative, and the enterprise of natural history is explored, focusing on activities associated with the early Royal Society. In an era of expanding travel, for colonial, diplomatic, trade, and missionary purposes, reports of nature's effects proliferated, both in oral and written forms. Naturalists intent on compiling a comprehensive history of such phenomena, and making them useful in the process, readily incorporated these reports into their work. They went further by trying to direct (...) the course of travel to suit their ends, but the complex story of how travel influenced the direction of study cannot be told without acknowledging the influence of objects acquired in a random fashion, arriving in a miscellany off returning ships. Travel writing complemented the activity of documenting nature's history, supplementing the range of available testimony. Such accounts of travel became an accepted source for information, cross-references, and queries, ostensibly eliminating error and advancing knowledge. The difficulty of identifying and classifying objects added to the importance of these reports; furthermore, the scope for attending to prodigies created the grounds for accepting tales of marvels and monsters. The fluid exchange between travel, narrative, and natural history often masked rather than exposed problems of belief, testimony, and evidence, perpetuating an economy of error in which knowledge was both advanced and retarded. (shrink)

George Perkins Marsh (1801-1882), first US Minister to the Kingdom of Italy, is also known as a father of environmentalism, due to his book, Man and Nature; or, Physical Geography as Modified by Human Action (1864). The book includes environmental changes George witnessed during his New England years and as he and his wife Caroline lived and traveled abroad. Caroline’s diaries written in Italy attest to her partnership in the book’s composition and to its role among their ambassadorial duties.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 633-637 [Access article in PDF] Susan E. Alcock, John F. Cherry, and Jas; Elsner, eds. Pausanias: Travel and Memory in Roman Greece. Oxford: Oxford University Press, 2001. xii + 379 pp. Cloth, $65. As he moves from monument to monument and polis to polis, Pausanias gives the impression that the sun is always shining and the weather fresh and sweet. Beyond the (...) next turn in the road, there might be a grove or spring and maybe a precinct of Demeter, a statue of Artemis, or a little temple of Aphrodite. If they were "worth seeing," we can rely on Pausanias to let us know. Delivering a mixed narrative that weaves together history, myth, and his own style of ekphrasis, his even-toned voiceover makes him a comfortable traveling companion. Or does it? We know that the oaks on Mt. Parnon make the forest dark (they are still there today), but for Pausanias, the land is called Skotitas, "Dark," not for the shadows of the oaks, but for Zeus Skotitas who had his sanctuary nearby. As Ada Cohen points out in her essay, Pausanias does not describe the landscape itself but only the places where it intersects with divinity. As the collaborators here make clear, similar principles of selection operate on other levels. Pausanias may enable us to visualize a lost world, but the view is sanitized. Writing at the peak of Roman wealth, power, and privilege, he gives us old Greece with hardly a trace of Rome. He presents cities without houses, landscapes without agriculture, sanctuaries without worshippers, and the past without the present. Like the cardboard and cellophane 3-D glasses worn by cinema audiences in the 1950s, his text brings into temporary and unstable focus a very specialized scene, but the view is that of a virtual museum, a theme park created for our viewing enjoyment.How did he do it and what are the consequences? I admit that when it comes to Pausanias, I am one of those "seekers after lost religions" whom Elsner classifies with archaeologists surveying the text of Pausanias for possible excavation sites. We will all be a little more careful after reading this book. Yet, where else [End Page 633] could we find the information Pausanias gives? Habicht rehabilitated Pausanias in the 1980s by demonstrating how well his text stands up when compared with the surviving external record. Pausanias did not have a spreadsheet to keep straight the sixty-nine altars at Olympia, but he must at least have taken notes.The arrangement of the articles presented here replicates a familiar academic setting. Structured like a weekend conference, the book divides into three sessions ("The Traveler and the Text," "Studies and Comparisons," and "Nachleben"), with four papers and two comments in each session. Very generally, the topics are: landscape as language (J. Elsner); mental baggage and method (E. Bowie); informants and information (C. P. Jones); pilgrimage and the inspiration of vision (I. Rutherford); selection and cultural choice (M. Torelli); memory and memorization (D. Konstan); identity, monumentality and the recall of mo(nu)ments sublime (J. Porter); representation of space and movement (A. Cohen); archaic text and image on the chest of Kypselos (A. M. Snodgrass); filling the empty map of Messenia (S. E. Alcock); Greek narratives in Roman images (B. Bergmann); other Spartas (P. Cartledge); shaping the genre of travel writing (S. B. Sutton); Leake's Pausanias and Greek topography (J. M. Wagstaff); rearranging Pausanias or Farnell on Greek ritual (J. Henderson); Harrison and Verrall present Pausanias for the hoipolloi (M. Beard); Sparta and the French Enlightenment (S. Bann); and remembering and reforming the past (J. Cherry).There isn't space enough here to do justice to every argument, but I will take a sentence to praise the editors for inspiring the synergy of so many specialties. Archaeologists talk about texts; literary scholars talk about places and objects; and art historians discuss the relation between the two. The section entitled Nachleben surveys the nineteenth-century efflorescence of Pausanias and from four very different vantage points evaluates his influence on... (shrink)

In this article, I want to ponder one particular aspect of Michel Serres as a writer: the peculiar impression that his texts are written as if “in many tongues.” Serres’s ambition with writing was to “travel light,” and indeed “lightning fast.” His style, I will argue, is characterized by a chiastic crossing of light and time whose proportioning is cosmic and architectonic, and figures canons of how embodied knowledges can cohabit in a domain of wisdom and ethical respect.

Definition in the genre of travel writing has a special status: the discovery of otherness leads to a new relationship between language and the world. In this genre, written by lexicologists who are often amateurs, the definition of an absent reality evolves between analogy, approximation and invention.

In lieu of an abstract, here is a brief excerpt of the content:Introduction to Creative Writing ContributionsAlexis Pauline Gumbs, Akasha Gloria Hull, Cheryl Clarke, doris diosa davenport, Cheryl Boyce-Taylor, Asha French, Sharon Bridgforth, Omi Osun Joni L. Jones, Alexis De Veaux, and Sokari Ekinewhen i first began to dream of creative writing contributions for this special issue of Feminist Studies celebrating the fortieth anniversaries of This Bridge Called My Back: Writings by Radical Women of Color and All the (...) Women Are White, All the Blacks Are Men, But Some of Us Are Brave: Black Women's Studies, I imagined a wealth of examples of the world and the work made possible by these two groundbreaking anthologies. I wondered what their editors and contributors were writing now. I wondered about the work of their students and people like me: those of us who understand everything we write as indebted to the path-making, silence-clearing, generative, and bodacious work of the participants in the miracles that are This Bridge Called My Back and But Some of Us Are Brave.But today as I reread the contributions that actually emerged from this process, I realize that my dream was too small. I imagined writing that would provide evidence of the ongoing impact made by these two anthologies. Instead, the creative writing in this special issue offers something more crucial and beautiful than I had imagined. These works are not mere evidence of a transformed world; these works are continuing to transform the world in urgent and visionary ways. As repeated again and again by participants in the 2022 celebration for the fortieth anniversary celebration of This Bridge Called My Back, the work that inspired these anthologies is not over. The writings featured in this issue not only show [End Page 198] how this work continues, but they feed, nurture, and provoke us as we honor our responsibility to transform this world.For example, when Akasha Gloria Hull, coeditor of But Some of Us Are Brave, shares her daily early morning meditative writing in "Writing and Rebirth: A Set of Journal Poems," we remember not only her fundamental work excavating the daily lives of Black women writers from the nineteenth century—most notably in Give Us Each Day, her edited book based on the diaries of poet Alice Dunbar Nelson—but also our own imperative. Hull's reflections on health challenges, interpersonal conflict, resurrection, collaboration, and writing itself remind us that our feminist praxis is impactful because of its dailyness. Those of us who wake up tomorrow will need to ask the same critical questions the editors of But Some of Us Are Brave asked of the fields of Black studies and women's studies. We will find surprises and repetitions in the days we meet, and then we will have to do it again.When we read two new prose poems by Cheryl Clarke, an original contributor to This Bridge Called My Back, we have an opportunity to time travel. In "Living as a Lesbian in the Archive of Style," we venture into a critical engagement with the term "hardcore lesbian," displacing the desires of the person who needs to classify others using that term with those of someone who has been hailed by it. Clarke's poem is a reminder that as we work in literary traditions and fields of study made possible by the revolutionary identity politics of an earlier era, we are still responsible for centering the experiences of those most impacted by our fluent and fluid naming practices. In "History," Clarke offers us a timely Black lesbian feminist lens on many iterations of responding to police violence, centering the perspective of a lesbian, her lover, and her lover's husband.The poem "On Being an hbcu Graduate, Teacher, Professor-Scholar at Stillman College, Tuscaloosa, AL, in May 2015" by doris diosa davenport—an original contributor to But Some of Us Are Brave—highlights the intimacy, hilarity, and poignancy of the daily work of intergenerational critical and creative praxis. In particular, she considers the context of institutions and regions that are sometimes excluded from the imaginary of how and where feminist work happens. davenport transmits the lessons and energy gained through her practice of thinking and gathering otherwise... (shrink)

Our journeys are never only to the exterior: the interior journey of the traveller has a long tradition, witnessed in travel writings of authors like Montaigne and Unamuno, and in the history of literature as a whole understood as a hodoeporics. We ceaselessly pursue things which give us pleasure and fulfil our needs, including the specific kind of enjoyment that travel and tourism afford. The desire to travel is closely tied to an original kind of nostalgia, the (...) desire for self-discovery. Hailing from Heraclitus, Socrates, and the sayings of the Seven Wise Men of Delphi, this desire manifests itself as a fundamental motivating force of travel and tourism. Although we humans tend to “grow our desires big,” like the tyrant in Plato’s Republic, the pursuit of tourism is not to be equated with mere self-indulgence. The tension between a life of physical enjoyment and the life of the mind, a life of action and a life of contemplation, is decisive for proper understanding of the phenomenon of tourism, and in the history of Western philosophy is perhaps most pronounced in Plato and the philosophy of Platonism. Plato and Plotinus recommend an integrative view of their relationship – while gently steering us away from the tyranny of unbounded pursuit of our every drive and lust. To achieve proper balance in tourism, it is necessary to take account of humans’ natural drives. Properly fostered and cultivated, these can provide the basis upon which our second, higher nature can begin to unfold. (shrink)

Cristina Pantoja Hidalgo, Professor Emeritus of English & Comparative Literature at the University of the Philippines (UP) and one of the foremost contemporary Filipina scholars on travel studies, once wrote: -/- All travel writing is, in a sense translation. Travelers come to an unknown place and try to “translate” it, i.e. to make it comprehensible, for themselves first, and then for their readers (Hidalgo 2020). -/- Travel writing as an act of translation is not only (...) personal (i.e., making the unknown known through personal experiences) but also cultural. When we travel and write about these travels, we are not looking at the foreign places and peoples simply as they are (or in Kantian terminology, “noumenon” or “thing-in-itself”). We always. (shrink)

This article is devoted to presenting the intermedia journalistic project called Out of Eden Walk and launched by American reporter Paul Salopek. Based on values such as journalistic reliability and the in-depth view of the reality, the project can be situated within the framework of the popular strands of slow journalism and slow travel. Salopek’s intention was to present Out of Eden Walk as an alternative to the rapidity of mass media communication and popular travel writing. The (...) purpose of this paper is to demonstrate the way in which Salopek uses media convergence mechanisms for creating an intermediary journalistic message, which is then distributed via various communication platforms based on both new media and traditional media. (shrink)

The Algerian writer Malika Mokeddem embeds her novels in the geography of a desert that belongs ever more to the past of the nomadic immediate ancestors of her main characters. Object of nostalgic yearning, this desert past and the nomads peopling it also necessitate flight, especially for women, trapped there in a patriarchal culture and society whose violence has been perpetuated into that of contemporary Algeria - also often aimed against women. Besides a few strong older women able to take (...) advantage of their age and status to help their juniors, these novels principally set on stage young women or girls whose accidental or perilously self-willed access to education and - above all, writing - frees them from binding traditions even while, for most, such writing is akin to the nomadic traveling of their ancestors (as `writing' on the desert's very body). Even so, because it is a revolt against such traditions, their writing is the site and actuality of fraught struggle and pushes them into the `nomadism' of literal exile, across seas themselves often envisaged as wider deserts. (shrink)

In the winter of 1859, the Boston poet Julia Ward Howe sailed for Cuba; and in the winter of 1860, Ticknor and Fields published an account of her travel. A Trip to Cuba appeared only months after the same firm had published Richard Henry Dana's story of his ???vacation voyage,??? To Cuba and Back . These two narratives responded to a burgeoning American interest in the Caribbean island that promised recuperation to American invalids and adventure for military ???filibusters.??? Howe's (...) narrative demonstrated a self-conscious familiarity with antebellum travel writing more broadly, however, as she playfully resisted yet ultimately upheld various conventions of a genre that had become a staple of the American literary marketplace. ???I do not know why all celebrated people who write books of travel begin by describing their days of seasickness,??? she noted, before discussing her own shipboard illness. She followed similar cues as she blended elements of autobiography, the social sketch, nature writing, and political and social commentary. Across 250 ???sprightly??? pages, readers were offered a familiar melange of humorous portraits, detailed descriptions of ???foreign??? institutions, and extensive commentary on local customs and social mores. (shrink)

This book explores the way in which, working within the investigative tradition associated with the Royal Society, the philosopher John Locke (1632-1704) used ...

For the past three decades, notebooks and note?taking practices have elicited growing interest in various fields of research: anthropology, media and literature studies, history of the book, history of science. In this renewal, however, scientific travelers? notes have not received all the attention they deserve. To be sure, historians of discovery and exploration are used to considering travel diaries and field notes as a principal resource, on the basis of which they can assess a traveler?s accomplishment or document his (...) itinerary. From a different perspective, field journals offer rich material to literary scholars, critics, and specialists of travel writing. Notebooks of well?known travelers like Bougainville or Humboldt are thus scrutinized in their poetic and aesthetic dimensions, from the perspective of the genesis of travel writing. Still, few studies have taken up the task, a rather mundane and down?to?earth endeavor, to look at travel notebooks for their own sake, as material objects, made of paper and cardboard, and meant to store observational data and to insure their availability through time and space. The paper sets out to do just that: to take a set of manuscript notebooks written by eighteenth? and early nineteenth?century French, German, and Swiss naturalist travelers and scientists on the move together with the techniques at work in their writing, as the focus of a historical investigation. (shrink)