_A passionate and moving tribute to the captivating power of dance, not just as an art form but as a language that transcends barriers__ “[A] smart, bracing book of reflection, analysis, memoir and history.”—Willard Spiegelman, ___Wall Street Journal___ “A veritable master class.”—Anne Doventry, _Booklist__ Mindy Aloff, a journalist, an essayist, and a dance critic, analyzes dance as the ultimate expression of human energy and feeling. From her personal anecdotes, her engaging collection of stories about dance from around the (...) world, or her description of the captivating photograph by Helen Levitt of two children dancing, which she sees as one embodiment of the mystery and joy that dancing can evoke, Aloff’s exploration of the aesthetic, social, and spiritual impacts of dance will prove spellbinding. Aloff takes us on a journey through various forms of dance—rituals, religious observances, storytelling, musical interpretations—to show why dance matters to human beings. Interlaced with personal experiences, this book builds on analysis to reveal the intimate relationship we have with dance—personal, spiritual, soul-searching, medicinal, and entertaining. The ideas speak to both specialist and general readers. (shrink)

This volume consists of the first of the John Dewey Lectures delivered under the auspices of Columbia University's Philosophy Department as well as other essays by the author. Intended to clarify the meaning of the philosophical doctrines propounded by Professor Quine in 'Word and Objects', the essays included herein both support and expand those doctrines.

Willard Van Orman Quine begins this influential work by declaring, "Language is asocial art.

La Logique elementaire est a la fois une introduction a la logique et une introduction a la pensee de Quine, son but ayant ete de condenser le sujet de la logique traditionnelle en le traitant par les moyens de la logique contemporaine, afin de rendre plus intelligibles les constructions logiques de base et les raisonnements impliques dans le langage usuel. Le lecteur trouvera ici tous les elements necessaires a la comprehension du symbolisme logique, mais aussi et surtout le role de (...) la logique formelle comme instrument d'analyse du langage usuel. (shrink)

Several of these essays have been printed whole in journals; others are in varying degrees new. Two main themes run through them. One is the problem of meaning, particularly as involved in the notion of an analytic statement. The other is the notion of ontological, commitment, particularly as involved in the problem of universals.

Modern empiricism has been conditioned in large part by two dogmas. One is a belief in some fundamental cleavage between truths which are analytic, or grounded in meanings independently of matters of fact, and truth which are synthetic, or grounded in fact. The other dogma is reductionism: the belief that each meaningful statement is equivalent to some logical construct upon terms which refer to immediate experience. Both dogmas, I shall argue, are ill founded. One effect of abandoning them is, as (...) we shall see, a blurring of the supposed boundary between speculative metaphysics and natural science. Another effect is a shift toward pragmatism. (shrink)

The qualities that distinguished him in any discussion are on clear display in this volume, which features him in dialogue with his predecessors and peers, his ...

Provides comprehensive coverage of logical structure as well as the techniques of formal reasoning.

Erich Hatala Matthes’s (2021)Drawing the Line is about what we ought to do when we discover that an artist whom we love has committed a great moral wrong. As it turns out, Matthes and I agree almost entirely on the moral obligations of the individual consumer. We both agree that it is necessary to ascertain whether the life of the artist affects the aesthetic quality of their work, and that we should attend to how continuing to engage with their work (...) publicly expresses our ethical values. Both of us wind up with a morally permissive stance, according to which individuals can, in some contexts, continue to engage with the artwork of immoral artists.There is one distinct difference in how we approached the problem. Matthes took up the question of the role and responsibility of institutions in his third chapter, a question I set aside almost entirely. In this article, I want to delve more deeply into the question of art institutions and their responsibilities to reform themselves. I will argue that the nature of aesthetic practice means that it is harder for an institution to tread the desirable middle ground between uncritically endorsing an immoral artist and cancelling them. (shrink)

" This is a key book for understanding the effort that a major philosopher has made a large part of his life's work: to naturalize epistemology in the twentieth ...

For the faithful there is much to ponder. In this short book, based on lectures delivered in Spain in 1990, Quine begins by locating his work historically.

Drawing inspiration from the notion of evocation employed in inferential erotetic logic, we defend an ‘evoked questions norm’ on inquiring attitudes. According to this norm, it is rational to have an inquiring attitude concerning a question only if that question is evoked by your background information. We offer two arguments for this norm. First, we develop an argument from convergence. Insights from several independent literatures (20th-century ordinary-language philosophy, inferential erotetic logic, inquisitive epistemic logic, and contemporary zetetic epistemology) all converge on (...) the evoked questions norm. Second, we show that suitably interpreted, the evoked questions norm correctly predicts several underappreciated kinds of bad questions. It does this, in part, by recovering versions of previously defended ignorance and knowledge norms. Some of those bad questions cannot be predicted by either norm singly, but only when corporately taken to reflect a common normative category. We identify this category as evocation. (shrink)

A compact, coherent introduction to the study of rational belief, this text provides points of entry to such areas of philosophy as theory of knowledge, methodology of science, and philosophy of language. The book is accessible to all undergraduates and presupposes no philosophical training.

This is an extensively revised edition of Mr. Quine's introduction to abstract set theory and to various axiomatic systematizations of the subject. The treatment of ordinal numbers has been strengthened and much simplified, especially in the theory of transfinite recursions, by adding an axiom and reworking the proofs. Infinite cardinals are treated anew in clearer and fuller terms than before. Improvements have been made all through the book; in various instances a proof has been shortened, a theorem strengthened, a space-saving (...) lemma inserted, an obscurity clarified, an error corrected, a historical omission supplied, or a new event noted. (shrink)

A respected Harvard logician and philosopher gathers together twenty-nine writings dealing with the foundations of mathematics, Rudolf Carnap, lin-guistics, ...

Quine's areas of interest are panoramic, as this lively book amply demonstrates.

Now much revised since its first appearance in 1941, this book, despite its brevity, is notable for its scope and rigor.

These essays, along with several manuscripts published here for the first time, offer a more complete and highly defined picture than ever before of one of the ...

A growing number of epistemologists have endorsed the Ignorance Norm for Inquiry. Roughly, this norm says that one should not inquire into a question unless one is ignorant of its answer. I argue that, in addition to ignorance, proper inquiry requires a certain kind of knowledge. Roughly, one should not inquire into a question unless one knows it has a true answer. I call this the Knowledge Norm for Inquiry. Proper inquiry walks a fine line, holding knowledge that there is (...) an answer in the left hand and ignorance of the answer in the right. (shrink)

Selected Logic Papers, long out of print and now reissued with eight additional essays, includes much of the author's important work on mathematical logic and ...

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists. In Why It's OK to Enjoy the Work of Immoral Artists, Mary Beth Willard argues for a more nuanced view. Enjoying art is part of a well-lived life, so we need good reasons to give it up. And it turns out good (...) reasons are hard to find. Willard show that it's reasonable to believe that most boycotts of artists won't succeed, so most of the time there's no ethical reason to join in. Someone who manages to separate the art from the artist isn't making an ethical mistake by buying and enjoying their art. She then considers the ethical dimensions of canceling artists and so-called "cancel culture," arguing that canceling is ethically risky because it encourages moral grandstanding. Willard concludes by arguing that the popular debate has overlooked the power of art to change our lives for the good. It's of course OK to decide to give up the artwork of immoral artists, but--as Willard shows in this provocative little volume--it's OK to continue to enjoy their art, as well. Key Features Offers accessible discussions of complicated philosophical topics like aesthetic value, collective action problems, and epistemic justice Provides a unique perspective and underexplored argument on the popular issue of cancellation Explores the role of aesthetic value in our lives, including its relation to our ethical decisions and our well being. (shrink)

With his customary incisiveness, W. V. Quine presents logic as the product of two factors, truth and grammar-but argues against the doctrine that the logical truths are true because of grammar or language. Rather, in presenting a general theory of grammar and discussing the boundaries and possible extensions of logic, Quine argues that logic is not a mere matter of words.

"As a distinctive philosophy, religious humanism emphasizes man's place in an unfathomed universe, reason as an instrument for discovering the truth, free inquiry as a condition for discerning meaning and purpose, and happiness as a fundamental value. "Man's uniqueness emerges partly from homo sapiens' capacity to employ symbols effectively. For this reason, Willard's provocative book is not a celebration of controversy but a sophisticated study exploring the grounds of man's knowledge. Drawing upon phenomenologists such as Alfred Schultz, psychologists such (...) as George Kelley, and argumentation philosophers such as Stephen Toulmin, Willard makes a genuine contribution to intellectual inquiry by extending essential consideration about human knowledge. The [author] demonstrates how 'secular sources' provide a fundamental resource in developing religious understanding from argumentative interactions. "Highly insightful and intellectually refreshing... _Argumentation and the Social Grounds of Knowledge_ provides thought-provoking reading for humanists concerned with rational inquiry, communication theory, religious philosophy, and liberal education." _--Religious Humanism_. (shrink)

The current literature on norms of inquiry features two families of norms: norms that focus on an inquirer’s ignorance and norms that focus on the question’s soundness. I argue that, given a factive conception of ignorance, it’s possible to derive a soundness-style norm from a version of the ignorance norm. A crucial lemma in the argument is that just as one can only be ignorant of a proposition if the proposition is true, so one can only be ignorant with respect (...) to a question if the question is sound. (shrink)

"Some Pow'r did us the giftie grant/ To see oursels as others can't." With that play on Burns' famous line as a preface, Willard Van Orman Quine sets out to spin the yarn of his life so far. And it is a gift indeed to see one of the world's most famous philosophers as no one else has seen him before. To catch an intimate glimpse of his seminal and controversial theories of philosophy, logic, and language as they evolved, (...) and to hear his warm and often amusing comments on famous contemporary philosophers.From his beginnings in Akron, Ohio in the early 1900s, Quine takes us on a tour of over 100 countries over three-quarters of a century, including close observations of the Depression and two world wars. Far from a philosophical tract, it is an ebullient, folksy account of a richly varied and rounded life. When he does dip into philosophy, it is generally of the armchair sort, and laced with a gentle good humor: "There is that which one wants to do for the glory of having done it, and there is that which one wants to do for the joy of doing it. One can want to be a scientist because he wants to see himself as a Darwin or an Einstein, and one can want to be a scientist because he is curious about what makes things tick.... In normal cases the two kinds of motivation are in time brought to terms.... In me the glory motive lingered......In this book, Quine approaches the details of his life the way he has always approached them with a sharp sense of interest, adventure and fun. And he has a skill for picking a word that is just off-center enough to pull an ordinary event out of the humdrum of daily life and evoke its personal meaning. The result is a book of memories that is utterly mesmerizing.Willard Van Orman Quine is the author of numerous books, including Word and Object, published by The MIT Press in 1960.A Bradford Book. (shrink)