The focus of my article is a unique place, the Yiddish Book Center in Amherst, Massachusetts, which connects Yiddish culture with the American one, the experience of the Holocaust with the descendants of the survivors, and a modern idea of Jewishness with the context of American postmodernity. Created in the 1980s, in the mind of a young and enthusiastic student Aaron Lansky, the Yiddish Book Center throughout the years has become a unique place on the American cultural (...) map. Traversing the continents and crossing borders, Lansky and his co-workers for over thirty years have been saving Yiddish language books from extinction. The Center, however, has long stopped to be merely a storage house for the collection, but instead has grown into a vibrant hub of Yiddishkeit in the United States. Its employees do not only collect, distribute, digitalize and post online the forgotten volumes, but also engage in diverse activities, scholarly and cultural, that promote the survival of the tradition connected with Yiddish culture. They educate, offering internships and fellowships to students interested in learning Yiddish from across the world, translate, publish, and exhibit Yiddish language materials, in this way finding new users for the language whose speakers were virtually annihilated by the Holocaust. To honour their legacy, a separate project is aimed at conducting video interviews that record life testimonies of the speakers of Yiddish. Aaron Lansky’s 2004 memoir, Outwitting History, provides an interesting insight into the complexities of his arduous life mission. Today, the Center lives its own unique life, serving the world of academia and Yiddishkeit enthusiasts alike. (shrink)

Yizkor books are memorial books commemorating Jewish communities destroyed in the Holocaust, which are also the result of communal activity. The books have been published since 1943, mostly in Israel. Based on a qualitative and quantitative survey of 613 books, the largest survey of Yizkor books done to date, this article repositions the books linguistically and geographically. It demonstrates that contrary to previous research, Yizkor books are a significantly more heterogeneous phenomenon that began in the Yiddish­-speaking world but quickly (...) changed into an Israeli­- and Hebrew­-based phenomenon, which also included Jews from non­-Yiddish­-speaking Ashkenazi, and even Sephardic, communities. Especially since the 1980s, the phenomenon further evolved to include more English­-language books, published in the USA. Against this geographical and linguistic backdrop, I also show that the producers of the books were a diverse array of groups and individuals from varying backgrounds. The publishers were not only Yiddish­-speaking landsmanschaftn (Jewish mutual­-aid societies consisting of individuals originating from a particular place and their descendants) but a variety of organizations of different kinds, individuals, and even schoolchildren. Finally, I present examples of Yizkor books that were presented in previous research as landsmanschaft literature produced by Holocaust survivors and show that these assumptions regarding the authors are partially or wholly erroneous and that those books were, in fact, produced by a different set of actors. (shrink)

When introducing a collection of essays on Yiddish, Joseph Sherman asserted, among other things, that: Although the Nazi Holocaust effectively destroyed Yiddish together with the Jews of Eastern Europe for whom it was a lingua franca, the Yiddish language, its literature and culture have proven remarkably resilient. Against all odds, Yiddish has survived to become a focus of serious intellectual, artistic and scholarly activity in the sixty-odd years that have passed since the end of World (...) War II. From linguistic and literary research in the leading universities of the world to the dedicated creativity of contemporary novelists and poets in Israel and America, from the adaptation of Yiddish words and phrases to the uses of daily newspapers in English to the elevation of Yiddish as a new loshn koydesh by Hasidic sects, from the publication of new writing to the translation of its established canonical works into modern European languages, Yiddish is continually reminding the world of its vibrancy, relevance and importance as a marker of Jewish identity and survival. (shrink)

This article focuses on the cultural world of Jewish women in Eastern Europe between the 16th century and the beginning of the 19th century. It reveals the extent to which Yiddish language and literature were a means of gaining knowledge for such women. This is because Yiddish - a Jewish language that developed around 1000 years ago among the Jews living in Ashkenaz - was the language of the people, of ordinary life, of business and (...) social relations, and also of the home and the kitchen. It was the language of female spaces, stigmatized by its ‘humble’ associations with women and uncultivated persons. In turn, Yiddish literature was closely associated with women and a female readership. (shrink)

ArgumentThis article discusses a number of heterogeneous Yiddish monographs on Einstein's theory of relativity. It presents background information on Einstein's relationship with the Yiddish language, with the cultural movement, Yiddishism, and with its leading institution, YIVO. Although Einstein avoided taking sides in the conflict between Yiddishism and its rival Zionism, his Zionist friends were successful in establishing at least a “primacy of palestinocentric Zionism” in his thinking. Of special interest are two books by philosophic writers and one (...) by an author trained in mathematics and physics, Tuvia Schalit, an acquaintance of Einstein's assistant Jacob Grommer. This article describes the underlying motivations and the philosophical horizon of these authors, in particular with respect to their view on the relationship between Kantianism and the theory of relativity. In contrast to many German academic philosophers, the Yiddish authors thought it possible to reconcile Kantianism with the new physics. (shrink)

TRYING to trace the ancient roots of a modern language is always a maddeningly ambiguous and uncertain enterprise. With Yiddish, the language of the Ashkenazic Jews of Central and Eastern Europe, the task is even harder because of the horrifying fact that most of the speakers were exterminated in the Holocaust.

ArgumentBer Borochov, the Marxist Zionist revolutionary who founded the political party Poyle Tsien, was also one of the key theoreticians of Yiddish scholarship. His landmark 1913 essay, “The Tasks of Yiddish Philology,” was his first contribution to the field and crowned him as its chief ideologue. Modeled after late nineteenth-century European movements of linguistic nationalism, “The Tasks” was the first articulation of Yiddish scholarship as a discrete field of scientific research. His tasks ranged from the practical: creating (...) a standardized dictionary and grammar, researching the origins and development of the language, and establishing a language institute; to the overtly ideological: the “nationalizing and humanizing” of the Yiddish language and its speakers. The essay brought a new level of sophistication to the field, established several of its ideological pillars, and linked Yiddish scholarship to the material needs of the Jewish people. Although “The Tasks” was greeted with a great deal of skepticism upon its publication, after his death, Borochov became widely accepted as the “founder” of modern Yiddish studies. (shrink)

Leon Pinsker’s pamphlet Autoemancipation! (1882), a seminal text of early Jewish nationalism, arguably established Zionism as a movement functioning in the German language. Soon after its publication, the renowned Yiddish writer Sh. Y. Abramovitch produced a Yiddish language version (1884). Abramovitsh’s rendering is above all an adaptation of German or Western European political and cultural concepts and vocabulary to the Jewish, Eastern European Yiddish-speaking milieu, with changes in vocabulary, rhetorical strategies, and cultural references. Abramovitsh reworked (...) the pamphlet according to his own thinking on the plight of Jews in the Russian Empire and a possible nationalist solution, as exemplified in his contemporary novels. In the article, I compare the language in which several socio-political concepts are expressed in the two texts in order to determine whether Abramovitsh, in his ideological skepticism, also subtly adapts the content of the nationalist thesis. (shrink)

The paper investigates a light verb construction in Yiddish in which the light verb combines with a verbal stem to produce a special aspectual meaning, the exact nature of which depends on the event type denoted by the stem. Though the specific interpretations associated with the stem construction vary, I show that they have in common the property of denoting an event which is minimized in time. I analyze the semantics of the stem construction in terms of an aspectual (...) operator (located in an inflectional head) which modifies the properties of the event argument of the stem, yielding an appropriately truncated event in each case. (shrink)

I Westjuden, Ostjuden, and the Place of Yiddish During the First World War, the young Gershom Scholem published a typically forceful critique of three recent works of translation from Yiddish into German. His article, “Zum Problem der Übersetzung aus dem Jidischen [sic]” [On the Problem of Translating from Yiddish], reveals important dimensions of the cultural place of Yiddish in this period. Of general importance for understanding the development of Scholem's conception of language, the article and (...) the exchange that it inspired also show in particular how, even within the camp of those sympathetic or devoting themselves to greater understanding of the Ostjuden, in some cases also converting their sympathy into practical action, there were widely differing approaches to the correct means and method by which this should be achieved. (shrink)

The field of modern European Jewish history, as I hope to show, can be of great interest to those who deal with conceptual history in other contexts, just as much as the conceptual historical project may enrich the study of Jewish history. This article illuminates the transformation of the Jewish languages in Eastern Europe-Hebrew and Yiddish-from their complex place in traditional Jewish society to the modern and secular Jewish experience. It presents a few concrete examples for this process during (...) the nineteenth and early twentieth centuries. The article then deals with the adaptation of Central and Western European languages within the internal Jewish discourse in these parts of Europe and presents examples from Germany, France, and Hungary. (shrink)

This essay connects Kafka's German and his Jewish linguistic sources, and explores the trans-national perspective on literary tradition they helped him create. I begin with a critique of Deleuze and Guattari's view of Kafka as a minority writer, showing how their cold war nationalism scants the positive contributions that Yiddish and Hebrew made to his work. I continue with an examination of the "twilight of containment," when this postcontemporary Kafka began to break through his cold war canonization after 1989. (...) Other sections include: "German-Jewish Traditions: The Echoes of Yiddish," on Kafka's cultural politics; "Hebrew: Zionism in a Transnational Key"; and "Goethe's Jewish Voices," on Yiddish as a model for Kafka's new conception of national writing. I conclude by considering the Jewish and other sources of Kafka's "linguistic turn," and the general, transnational focus on tradition that Jewish languages brought to his classic texts. (shrink)

The volume starts with the paper of Lynn Maurice Ferguson Arnold, former Premier of South Australia and former Minister of Education of Australia, concerning the Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) that was held from 25 May to 25 November 1937 in Paris, France. The organization of the world exhibition had placed the Nazi German and the Soviet pavilions directly across from each other. Many papers are devoted (...) to the interpretation of this opposition. Arnold’s paper considers the differences in the two totalitarian states’ architectural and design discourse styles. Although each of them communicated a totalitarian language of purposes, permissions, and boundaries, they essentially differed in the styles of discourse represented by the architecture and design of their respective pavilions. They were opposites of each other and the liberal ideals they contested. The internationalist viewpoint reflecting the multi-ethnic mix of the USSR is contrasted to the ein Volk homogeneity represented in the German pavilion. The Soviet pavilion opted for a utopian future to be arrived at by “benign” leadership, whereas the German pavilion anchored itself in the myth of Teutonic history with the nostalgic pride protected by the swastika-bearing eagle. Jean-Yves Béziau is best known as a logician and founder of Universal Logic. However, in this paper, he poses a new philosophical question: why philosophical discourse does not use images? The paper begins with a general analysis of different types of philosophical discourses. Then, he focuses on why images have been and are still rejected in philosophical discourse. He explains various ways to use images in a fruitful way to develop philosophical thinking and discourse and illustrates his view by providing several examples. He concludes with a promising programmatic declaration about founding a new journal entitled World Journal of Pictorial Philosophy to stimulate the usage of images for developing philosophical thinking. Although complaints about the obscurity of many philosophers’ discourse are widespread, Tatiana Denisova, ex-professor of the Surgut University and a research associate of the University of the Aegean undertakes a positive attitude to this problem. She explains that the reasons for the obscurity of philosophical texts, the subsequent complexity in communicating philosophers’ meanings and their eventual incomplete understanding is not a sign of their inferiority. On the contrary, it is a sign of the fruitfulness of philosophical discourse, which can generate new meanings. Thus, the darkness of philosophical discourse is like the life-giving chaos, and the obscurity that it inevitably contains can be the keeper of implicit meanings and even their generator. Katarzyna Gan-Krzywoszyńska and Piotr Leśniewski, authors of a monograph on Polish philosopher Kazimierz Ajdukiewicz (1890 – 1963), make a comparative analysis of his educational style with that of Paulo Reglus Neves Freire (1921 – 1997). The authors highlight that these scholars have distinctly different backgrounds. The former was an educator, philosopher and a leading advocate of critical pedagogy connected with the dialogical Latin-American tradition. The latter was a philosopher and logician, a notable representative of the Lwów–Warsaw school of logic with significant contributions to semantics, model theory and the philosophy of science. Despite their apparent difference, the authors identify some striking similarities regarding their attitudes towards education; notably, their approaches are essentially dialogical. Gilah Yelin Hirsch is a multidisciplinary artist who works as a painter, writer, curator, educator, and filmmaker. In her experiential paper, he explains how and why she uses four channels of communication in her creative expression: writing, painting, filmmaking, and teaching, as dialogic inquiry. She considers that these channels compose a continuum of discourse styles, each reaching a different facet of kaleidoscopic consciousness. She claims that her choice of medium is prompted by a need to communicate her insights profoundly. Thus, for instance, she created painted allegories to express narratives based on dreams and visions emerging from her subconscious. Art and healing is another Tibetan-rooted type of discourse practised by the author. Creating and observing a healing image produces a positive psychophysiological change in both the artist and the viewer. The discourse here is tripartite between creator, image, and viewer. Filmmaking is another type of discourse she practices between the filmmaker/artist as shaman or healer and the viewer as respondent or participant. These films are meant to be experienced frame by frame, physically and emotionally in both the body and mind. Jocelyn Ireson-Paine is a cartoonist and programmer. His paper offers an original attempt to use category theory in cartooning. Category theory is a branch of mathematics that provides concepts and methods to describe general abstract structures in terms of a labelled directed graph called category, whose nodes are called objects, and whose labelled directed edges are called arrows (or morphisms or transformations or mappings). The author explores different ways to define “style” in art using category theory and a relational view of art. Moreover, he examines how “translation” (transformation) between styles could be defined and reveals the difficulties of how it could be implemented in a computer using special software. Jens Lemanski is a philosopher who has revived research in Arthur Schopenhauer’s legacy by exploring his work on mathematical evidence, logic diagrams, and problems of semantics. In this paper, he advances a new approach to eristic as an art of protecting oneself from the one who deliberately violates norms of discourse ethics to win an argument. The author attributes the origins of this view to Schopenhauer, suggesting a new reading of his work. According to the author, eristic is a prohibitive technique that takes effect when the norms of discourse ethics are transgressed and violated. Thus, eristic is viewed as a discipline of Enlightenment philosophy and a correlate of discourse ethics. Roshdi Rashed is an authority on the history of Arabic mathematical sciences. Proceeding from Gilles-Gaston Granger’s definition of mathematical style, he studies the question of whether a mathematical work can be characterized by a single style or by a multitude of styles. This question is explored within the style of a single work, namely Menelaus’s Sphaerica, and through the study of the development of a single problem over time, namely the isoperimetric problem. He indicates Menelaus’s divergence from the Euclidean style of (plane and stereometric) geometry caused by the drop of the Parallel Postulate, which associated it with hyperbolic geometry. Hence, the author concludes that Menelaus’s Sphaerica incorporates the well-known Euclidean style with a variation of the non-Euclidean one. On the other hand, examining the isoperimetric problem reveals another interesting historical picture. A succession of different styles (cosmological, geometric, infinitesimalistic, style of the calculus of variations, of synthetic geometry) can be observed due to the transformation of the research object over time. Boris Shalyutin, a Russian social philosopher, and Ombudsman for Human Rights in the Kurgan Region, explores the origins of discourse in combination with the birth of society and law. He claims that legal discourse marks the historical emergence of discourse in general. Homo Juridicus generated Homo Sapiens, which have created new spheres of discourse, notably moral discourse and further philosophical, political, and scientific discourse. Petros Stefaneas, a logician, computer scientist and novelist, suggests an alternative to the traditional narratology approach for studying (interactive) social media discourse. He claims that style describes how the parts of a narrative are blended into a whole. The author relies upon Goguen’s and Harrel’s concept of style as a choice of blending principles and transfers to the study of the social media narratives elements from the methodology of studying Web-based collaborative search for mathematical proofs like those implemented within the Polymath project. The last paper belongs to Ghil‘ad Zuckermann, a linguist, language revivalist, and proponent of a model of the emergence of Israeli Hebrew, according to which Hebrew and Yiddish were the primary sources of Modern Hebrew. This paper explores the fascinating and multifaceted Yiddish language and its survival in Israeli. Yiddish is characterized by a unique style that embeds psycho-ostensive expressions throughout its discourse. The author highlights the cross-fertilization between Hebrew and Yiddish as it manifests itself in any aspect of the Israeli language. He claims that Yiddish survives beneath Israeli phonetics, phonology, discourse, syntax, semantics, lexis, and even morphology, although traditional and institutional linguists have been most reluctant to admit it. (shrink)

The subject of our article is the identification of cultural codes of Eastern European shtetl towns in the play by Grigory Gorin "Memorial Prayer", the libretto of which was written by the author based on the works of the famous Yiddish writer Sholom Aleichem. The author of the article describes the history and conditions of localization of Jewish culture in Eastern Europe and the Russian Empire, the peculiarities of its transformation, the tragic history of the Jewish theater in the (...) first third of the twentieth century. After the disappearance of the towns and the disuse of the Yiddish language, the preservation of the history of the characteristic everyday and philosophical way of life of the shtetls became the goal of museum figures, historians, writers, playwrights, and artists. In the work, using the example of Tevye the milkman, his family and environment, characteristic images of the inhabitants of small towns, their habitat, types of thinking and actions are revealed. The article uses the methods of historicism in the retrospective of the culture of Shtetl towns, the method of analysis in the identification of Shtetl archetypes, the method of synthesis in the generalization of a set of characteristic cultural codes. The main conclusions of the study are: 1. Eastern European Jewish shtetl towns are small urban-type settlements with a predominantly Jewish population, whose unique culture was determined by the Jewish faith, everyday and religious traditions, the Yiddish language, as well as the localization of residence in a small area. 2. During the period of large-scale social upheavals of the early twentieth century and the subsequent expansion beyond the boundaries of the towns, their unique culture became a mythologeme, the foundation for writers, artists, musicians, and theater figures who emerged from it. One of the milestones in the preservation of this culture was the Jewish theater GOSET, whose existence was tragically cut short in the middle of the twentieth century. 3. The play "Memorial Prayer", written by Grigory Gorin based on the works of Sholem Aleichem and staged at the Lenkom Theater by Mark Zakharov, became the quintessence of the characteristic images of the shtetl, and at the same time the revival of authentic Jewish culture. The author's special contribution is to highlight in the play the images-the archetypes of the Shtetl, which have become cultural markers, or codes of Jewish Yiddish culture. (shrink)

ArgumentThis article explores the relationship between ideology and statistical knowledge in Soviet Yiddish scholarship during the first Five-Year Plan and Cultural Revolution. Specifically, it examines the political status of Yiddish-language socioeconomic research as a tool of state building in the shtetls of the former Pale of Jewish Settlement. Historically, many Jewish inhabitants of the shtetl worked as economic middlemen between city and countryside, a function that became politically untenable after 1917. The Soviet regime sponsored Yiddish socioeconomic (...) data collection in order to monitor its efforts to transform the occupational structure of shtetl Jewry. Accordingly, this data was expected to demonstrate the steady self-disintegration of the shtetl as an obsolete artifact of the old regime. In fact, these Soviet Yiddish narratives inadvertently highlighted the endurance of the shtetl in Soviet life at both the concrete and discursive levels. A close reading of these sources provides insight into how a segment of the Soviet Jewish intelligentsia attempted to align itself within the new state's scientific establishment by fusing modern Jewish social scientific knowledge with Marxist-Leninist principles. In the polemics of the “shtetl problem” we find an example of how Soviet yidishe visnshaft registered the constantly shifting perceptions of ideological orthodoxy and deviation among Jewish Communists, and provoked international debate among Jewish demographers and economists as to the political use and abuse of statistics. (shrink)

A recurrent issue in linguistic theory and psychology concerns the cognitive status of memorized lists and their internal structure. In morphological theory, the collections of inflected forms of a given noun, verb, or adjective into inflectional paradigms are thought to constitute one such type of list. This book focuses on the question of which elements in a paradigm can stand in a relation of partial or total phonological identity. Leading scholars consider inflectional identity from a variety of theoretical perspectives, with (...) an emphasis on both case studies and predictive theories of where syncretism and other "paradigmatic pressures" will occur in natural language. The authors consider phenomena such as allomorphy and syncretism while exploring questions of underlying representations, the formal properties of markedness, and the featural representation of conjugation and declension classes. They do so from the perspective of contemporary theories of morphology and phonology, including Distributed Morphology and Optimality Theory, and in the context of a wide range of languages, among them Amharic, Greek, Romanian, Russian, Saami, and Yiddish. The subjects addressed in the book include the role of featural decomposition of morphosyntactic features, the status of paradigms as the unit of syncretism, asymmetric effects in identity-dependence, and the selection of a base-of-derivation. The Bases of Inflectional Identity will interest linguists and cognitive scientists, especially students and scholars of phonological theory and the phonology-morphology and mind-language interfaces at graduate level and above. (shrink)

Applying an ecocritical lens to Holocaust literature, this paper explores the connection between the natural world and the seemingly unnatural machinations of the Holocaust by placing two writers in conversation: Abraham Sutzkever and Vasily Grossman. For Sutzkever, the famed Yiddish poet of Vilna, poetry was linked to survival and to the environment, sometimes emerging from a bog, wilderness, or mutilated landscape but shining all the more brightly for its mired origins. Grossman, another important documenter of the Holocaust, was a (...) Soviet-Jewish writer known for his reportage, fiction, and compilations of Jewish documents from the Second World War. Like Sutzkever, Grossman was occupied in his work with the earth and its animate and inanimate inhabitants, from the crying stones and soil of Treblinka to the red sunset of a humanity ravaged by genocide. When faced with the almost unnarratable desolation and loss encountered during the Holocaust, both authors turned to their environment as a literary tool, a means of conveying that which could not be conveyed through traditional or accepted language. Nature and the nonhuman world became vehicles for an exploration of trauma and violence that in many ways extended beyond human comprehension, and therefore required a mode of imagining that similarly extended beyond human experience alone. At the same time, both Sutzkever and Grossman can be seen attempting to allow nonhuman nature to speak in its own voice, however inflected by human perspectives the hearing and translation of that voice may be. This paper therefore reveals and highlights the importance of addressing the interactions between human and nonhuman nature in Holocaust literature. (shrink)

The article offers a panoramic view of the tropes of “space” and “place” in the poetry of Avot Yeshurun, and explores the radical transformation they underwent throughout the years – from the early poems of the 1930s, to the last volume of poems published before the poet’s death in 1992. I contend that the shift in the nature of the Yeshurunian space, caused by the catastrophe of the Shoah, the foundation of the State of Israel, and the Palestinian Nakba that (...) proceeded it, can be viewed through the prism of what I call “the problem of transference”. Struggling to re-connect the now insurmountably severed worlds – the pre-catastrophe world of the golah, and the new, post-catastrophe, Israeli world – Yeshurun’s poetry exhibits an ever-growing tendency to transfer language-materials from one side of the abyss to the other, desperately attempting to both salvage the remains of the ruined home, and establish the new world as a proper dwelling place. This back-and-forth movement of traumatic transference, I argue, is a powerful interpretive tool by which to understand the poet’s entire poetic project and to account for its peculiarities, and above all - its famous “clash of languages” which consists of Hebrew, Yiddish, and Arabic. (shrink)

In the summer of 1991, the first issue of the Israeli journal Teoria Ubikoret published an essay of mine on Anton Shammas, a Palestinian citizen of Israel, who wrote the Hebrew novel Arabeskot .1 In this essay I traced Shammas's subversion of the Jewish ethnocentrism of the Hebrew literary canon.2 Shammas's novel reveals how the Hebrew canon in Israel, in the guise of the apparently neutral term Hebrew Literature, which only apparently bases itself on the Hebrew language as the (...) common literary language of Jews and Arabs, has in fact imposed an exclusionary policy. That is, in order to enter its realm, those who write in Hebrew must be Jewish. Shammas, I argued, sought to de-Judaize the Hebrew language and turn it into a language shared by all Israelis, Jews and Arabs alike.Now, twenty years later, Teoria Ubikoret has published a different essay of mine, this time on Tuvya haholev , Dan Miron's Hebrew translation of the great Yiddish writer Shalom Aleichem's novel Tevye der Milhiker. I claim that while Miron's Hebrew indeed Hebraicizes Aleichem's Yiddish, it also moves in the opposite direction; it Yiddishizes Hebrew, giving Yiddish a prominent presence in the Hebrew translation and thus decentering Israeli subjectivity and undermining the cohesive force of Hebrew.3 · 1. See Anton Shammas, Arabeskot ; trans.Vivien Eden under the title Arabesques.· 2. See Hannan Hever, “Ivrit be-eto shel aravi,” Teoria Ubikoret 1 : 23–38, “Hebrew in an Israeli Arab Hand: Six Miniatures on Anton Shammas's Arabesques,” The Nature and Context of Minority Discourse, ed. Abdul R. JanMohamed and David Lloyd , pp. 264–93, andProducing the Modern Hebrew Canon: Nation Building and Minority Discourse , pp. 175–204.· 3. See Hever, “Tuvia haholev beivrit,” review of Tuvya Haholev by Shalom Aleichem, trans. Dan Miron,Teoria Ubikoret 36 : 227–30. (shrink)

An interesting asymmetry in syntactic change is that OV base order is commonly replaced by VO, whereas the reverse development is quite rare in languages.1 A shift to VO has taken place in several branches of the Indo-European family, as well as in Finno-Ugric. The Germanic languages conform to this trend in that the original OV order seen in its older representatives, and (in more rigid form) in modern German, Dutch, and Frisian, has given way to a consistently head-initial syntax (...) in English, Scandinavian, and Yiddish. (shrink)

The study addresses the issue of the Christian scholarly interest in the Hebrew language since the rise of Humanism. Though the main focus of that interest in Hebrew grammar and vocabulary was to get a better understanding of the “Old Testament”, the subsequent reformation fostered the notion that a better knowledge of both the Hebrew language and the Jewish culture, can promote the conversion of Jews to Christianity. The article inspects possible other underlying motives and discourses behind the (...) translation of Hebrew and Old Yiddish blessings into Latin as the most important lingua sacra, taking into account twentieth century theories about power and hegemony by Michel Foucault and Antonio Gramsci. The study examines the chapter about Jewish greetings and blessings in the original dictionary Šemot Devarim – Nomenclatura Hebraica Autore Helia Levita (Isny, 1542) and the revised translation as Nomenclator Eliae Levitae Germani by Johannes Drusius and son (Franeker, 1652). Also included are transliterated editions of both texts, with translations. (shrink)

ArgumentIn the 1920s the Soviet Union invested a group of talented, mostly socialist, occasionally Communist, Jewish writers and thinkers to use the power of the state to remake Jewish culture and identity. The Communist state had inherited a multiethnic empire from its tsarist predecessors and supported the creation of secular cultures for each ethnicity. These cultures would be based not on religion, but on language and culture. Soviet Jews had many languages from which to choose to be their official (...) Soviet language, but Yiddish, the vernacular of eastern European Jewry, won the battle and served as the basis of secular Soviet Jewish culture. Soviet Jewish scholars, writers, and other cultural activists remade Jewish culture by creating a usable Jewish past that fit the socialist present, reforming the “wild” vernacular of Yiddish into a modern language worthy of high culture, and transforming Jews into secular Soviet citizens. (shrink)

This article reports a study conducted with a rarely studied minority group, the Jewish ultra-Orthodox community in Jerusalem, Israel, an extremely religious group that endorses patterns of voluntary segregation. The segregation of the group explored in the present study involves also a linguistic component: this group uses only Yiddish for daily communication and relates to Hebrew, Israel’s official language, mainly as a sacred tongue. The sample consisted of 56 girls, 20 4th graders and 36 7th graders, who were (...) asked to write a story in Hebrew about a good thing that had happened to them. Analysis revealed developmental changes in most of the linguistic measures examined — text length, language productivity measures, and lexicon. In contrast to baseline studies on mainstream L1 groups, Optional Bound Morphology usage also increased with age. Global structure analysis shows that, beside canonic narratives, the girls’ stories also include script-like reports, eventive narratives, and retellings of traditional Hasidic stories. These findings intertwine in interesting ways with the linguistic and socio-cultural findings of the study to reveal how lexical and syntactic categories develop in a second language in the context of narrative text production. (shrink)

This article offers a preliminary analysis of Vygotsky’s theatrical reviews from his Gomel period against the background of Russian theatrical history. For several years Vygotsky published theater reviews of performances by local and travelling companies in the local newspaper. His writings show him to have been a very knowledgeable and demanding theater critic who knew both the Russian-language and the Yiddish theater perfectly well. Some parallels with his later psychological works are suggested.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Discourses of Jewish Identity in Twentieth-Century FranceEllen S. FineDiscourses of Jewish Identity in Twentieth-Century France, edited by Alan Astro; Yale French Studies 265pp. New Haven: Yale University Press, 1994, $17.00.Ever since France became the first European country to grant Jews equal rights as citizens with the enactment of the Declaration of the Rights of Man in 1791, the question of identity has been a central preoccupation of French (...) Jews. Their emancipation brought about assimilation to the universalist principles of the French Republic and led them to detach themselves from their own traditions, generating conflicting emotions about what it meant for a Jew to be French. The topic of French-Jewish identity has been reflected upon by writers ranging from Sartre, Memmi, and Misrahi to Levinas and Finkielkraut, none of whose discourses are included in this volume but whose ideas are discussed in Seth Wolitz’s pertinent article, “Imagining the Jew in France: From 1945 to the Present.”Divided into two main sections, “Literary Texts” and “Cultural Contexts,” this collection contains articles written by authors not familiar to English speaking readers. They are excellently translated, mainly by the editor, Alan Astro. In his introductory essay, Astro notes that his aim is to portray the cultural and ethnic diversity of French Jews of different origins and to show their part in the formation of Jewish identity. The focus is on how French Jews feel about their own identity, and not on how others see them.The first section, “Literary Texts,” represents a variety of genres, generally fiction. Over half of the thirteen texts date from the 1970s to the present, and are mostly personal narratives, anecdotal in nature. The tone often conveys “a certain humor or self-irony,” described by Rachel Ertel in her essay, “A Minority Literature” (in the second section) as identifiable traits of a Jewish work.With no logical sequence to the presentation of the texts, a multiplicity of perspectives is clearly the objective. For example, Bernard Frank, whose ancestors have lived in France since the Revolution, feels “as French as anyone else,” yet recognizes that Jews are different, “because they’ve been made to be different.” Wolf Wieviorka in 1936 exalts his “noble pedigree,” being a naturalized French citizen; he was later murdered by the Nazis.North African Jews who emigrated to Paris in the 1950s and early 1960s, studied sociologically by Michel Abitbol, are portrayed in Gil Ben Aych’s novel, The Chant of Being (Algerian), and in Paula Jacques’s novel, Aunt Carlotta’s Legacy (Egyptian). Jews of Eastern European descent are depicted in the short stories by Cyrille Fleischman, one of which recounts how a Sorbonne professor of sixteenth-century French literature renounces his eminent career and like his father, opens up a delicatessen in the Jewish quarter of the Marais, thus returning to his roots. Henri Raczymow returns imaginatively to a pre-war Poland in Tales of Exile and Forgetfulness, recreating in French the intonations of Yiddish, the language of his grandparents who died in the Holocaust. In an [End Page 378] outstanding essay, “Memory Shot Through With Holes,” Raczymow articulates urgent questions posed by the second generation: “By what right could I speak, I who was not a victim, survivor or witness?”If the first section is multicultural, the second, “Cultural Contexts,” is interdisciplinary. Annette Wieviorka (granddaughter of Wolf Wieviorka) studies accounts by survivors, revealing the impact of Vichy’s imposing a Jewish identity on its citizens. Wieviorka also evokes the importance of the Six-Day War which compelled assimilated French Jews to proclaim their Jewish allegiance, a pivotal event transforming their sense of identity.Other significant contributions are Gérard Haddad’s exploration of the importance of Judaism in the life and work of Jacques Lacan, an outsider who seemed more concerned with Jewish identity than his fellow psychoanalysts. Ora Avni analyzes Patrick Modiano’s repudiation of his Jewish patrimony in his seminal novel, La Place de l’étoile. Elizabeth de Fontenay comments on how the quant-à-soi (“keeping to oneself”), the reserve characteristic of the French, becomes the quant-à-nous (“ourselves”) for the French Jew who is linked to a community beyond the... (shrink)

First published in 1982. Routledge is an imprint of Taylor & Francis, an informa company.

Recent scholarship on the philosophy of time in pre-Qin Daoist thought has not yet produced a thorough examination of dao’s relationship to time. This essay resolves this omission through a systematic study of the concept heng 恒 in pre-Qin Daoist literature. While principally expressing the ‘constancy’ of dao, heng also significantly presupposes dao’s ability to change. This change is characterized in the texts as a cyclical movement of ‘return’ and identified with the universe’s circular metanarrative of generation and reintegration. The (...) essay turns to examine pre-Qin Daoist literature’s use of primal wu 無 metaphors to describe dao. It concludes that they present dao as undifferentiated infinitude, liberating dao as heng from the tense structure of past-present-future that divides life in time. These metaphors further associate the movement of dao with the flow of time, reformulating time’s relentless ever-greater advancement into an endless cycle of creative transformation. (shrink)

Covers first-order language in method appropriate for first and second courses in logic. CD-ROM consists of a new book, 3 programs,and an Internet-based grading service.

Today, large language models are very powerful, informational and analytical tools that significantly accelerate most of the existing methods and methodologies for processing informational processes. Scientific information is of particular importance in this capacity, which gradually involves the power of large language models. This interaction of science and qualitative new opportunities for working with information lead us to new, unique scientific discoveries, their great quantitative diversity. There is an acceleration of scientific research, a reduction in the time spent (...) on its implementation – the freed up time can be spent both on solving new scientific problems and on scientific creativity, which, although it may not necessarily lead to a specific solution to a particular scientific problem, but is able to demonstrate the beauty of science in various disciplinary areas. As a result, the interaction of large language models and scientific information is at the same time a research for solutions to scientific problems, scientific problems, and scientific creativity. Solving scientific problems requires the ability to efficiently process big data, which cannot be done without an effective method – one of the significant methods was the Transformer architecture, introduced in 2017 and comprehensively integrated into the GPT‑3 model, which, as of September 2020, was the largest and most advanced language model in the world. Therefore, GPT‑3 can be called the basis of most scientific developments carried out in the context of using large language models. The interaction of science and large language models has become a factor in the emergence of a large number of questions, among which are: «Is the result of data analysis new knowledge?», «What are the prospects for scientific creativity in the era of big computing?». Currently, these issues are extremely important, because they allow us to develop the foundations for effective human‑computer interaction. Therefore, this study analyzes the issues presented. (shrink)

Recent literature has revealed the upsurge of populism in political and media discourses across the world. However, few studies have acknowledged the importance of cultivating critical language awareness among citizens in democracies. Drawing on Halliday’s Systemic Functional Linguistics and Fairclough’s Critical Discourse, this study critically analyzes Trump’s populist meaning-making choices in his inaugural address through both genre and register analysis to raise the urgency of cultivating citizens’ critical language awareness through language education. To better illustrate Trump’s genre (...) moves and rhetorical strategies, this study sometimes analyzes Trump’s inaugural address in comparison with other presidents’ inaugural addresses. The findings indicate that Trump employs a combination of populist rhetorical style, which includes anti-establishment, anti-elitism rhetoric; collectivist rhetoric; pro-nationalist sentiments; and linguistic choices of simplicity and repetition to appeal to both supporters and opponents in an attempt to build solidarity. The implications of this study center on raising educators’ and social scientists’ awareness of the urgency to cultivate critical language awareness among citizens through language education. Equipped with critical language awareness, citizens can understand how politicians use linguistic resources to engage, persuade, and manipulate their audiences to achieve their political goals, and thereby can make informed choices about political leaders in the future. (shrink)

This book examines Heidegger's controversial relation to politics as it grows out of his understanding of his predecessors in German Idealism, most notably, Hegel. This way of developing a dialogue between Heidegger and Hegel on the issue of politics provides an important context for questioning the former's link with National Socialism. Yet the book does not simply condemn Heidegger for his Nazi involvement nor claim that his thinking is free from dangerous political implications. On the contrary, a second level of (...) questioning asks whether Heidegger's philosophy can be appropriated in alternative contexts which permit the affirmation of democratic principles. Thus the book concludes by examining the import which Heidegger's thought has on cultivating such democratic motifs as freedom of speech and civil disobedience. The book is especially of interest to advanced undergraduates, graduate students, and scholars in the areas of German idealism, phenomenology, social and political philosophy, and the history of philosophy. (shrink)

To begin with the familiar: Piers Plowman is loaded with Latin. There are Latin verses, Latin proverbs, and quotations from the Latin Bible. There are allegorical characters like Concupiscencia Carnis, one of Fortune's daughters, whose very names are in Latin, and there are scattered Latin words and phrases. Even the structural divisions of the poem, according to manuscript rubrication, bear the Latin title passus and not the native fit.