This work represents Murray Bookchin's riposte to the antihumanism, mysticism and antirationalism which are influencing many people's attitudes to environmental problems. Bookchin offers a critique of, among others, social Darwinists, deep ecologists, new agers, technophobes, Foucault, Derrida and Baudrillard.

The mad scientist stories of fiction and film are exercises in antirationalism, particularly its Gothic horror variant. As such, they convey the argument that rationalist secular science is dangerous, and their principal device for doing so is to invest the evil of science in the personality of the scientist. To understand this cultural critique of science, it is necessary to understand how the symbols of the scientist's personality are manipulated. This article argues that mad scientists become increasingly amoral as (...) nineteenth-century texts are adapted to twentieth-century films. The consequence is that this cultural critique is becoming even more severe, due to external reasons independent of the glories or the crimes of real scientists. (shrink)

Reason, religion, and public culture have been of significant interest recently, with critics reevaluating modernity's conception of secularism and calling for a “postsecular” public discourse. Simultaneously, one sees rising religious fundamentalisms and a growing style of antirationalism in public debate. These conditions make a reconceptualization of public reason necessary. The main goals of this article are to establish agnostic public reason as the conceptual guide and normative ethic for public debate in liberal democracies by considering the secular/religious reason boundary (...) explicitly and to argue that this ethic of public reason requires a commitment to reason giving and a particular epistemic attitude but that it does not, nor should it, take precedence over first-order judgments. An ethics of citizenship based on the process of reason giving with the appropriate epistemic stance might be one step toward rectifying the problem of an increasing separation between enclave publics, even if, by design, it cannot solve fundamental disagreement. (shrink)

Romanticism fabricated a poet of vast oracular powers largely from superstitious notions and suspicious philosophies which the Renaissance had gathered up somewhat by chance with the rational part of the Graeco-Roman legacy. The model was surely an imposture and, historically considered, a scandal. Seer, sage, prophet, mage—the pretensions varied, but all were titles to transcendent disclosure in times increasingly committed, at least officially, to a unified scientific view. That the poet could be confirmed to any degree in this anachronistic role (...) was probably owing to the circumstance that the general cultural reflex following the Enlightenment reawakened widespread interest in those dark and excluded passages of the human spirit which mystics and seers were thought to frequent. Poets who pretended to voyance benefited from the muffled but persistent rumor of profound mysteries accessible to the high priests of Kabbala and the Corpus Hermeticum, to Illuminists, Rosicrucians, and Neopythagoreans. Western Europe had never ceased to acknowledge, even in such unlikely periods as the later Middle Ages, the aboriginal priestly and prophetic functions of the poet; but romanticism contrived—out of occultism and neoplatonism, antirationalism and anticlassicism—such a warrant for unabashed oracular saying as Antiquity had scarcely imagined. While perhaps none of the romantic was actually prepared to grant the poet his ancient powers in full measure, few seemed inclined to diminish the stature of the heroic abstraction, who symbolically contested the claims of naturalism and positivism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 75-86 [Access article in PDF] Defending Logocentrism Clive Stroud-Drinkwater Postmodernists sometimes seem to think that they can find,support for their antirationalism and anti-objectivism in the work of Wittgenstein, Davidson, and Kuhn. 1 Even opponents of postmodernism occasionally see its central assumptions as allied somehow to the ideas of these three philosophers. 2 Given the revolutionary character and general difficulty of the thought of (...) these three philosophers, it would be hard to prove that all postmodern readings of their works are ungrounded. Davidson 3 does claim that the concept of reference is merely a "theoretical construct" and, at best, an "inscrutable" one within a holistic Tarski-style theory of a language. Wittgenstein 4 does suggest that rules are not like rails that guide us, but rather that they are holistic constructs out of rule-following action. And Kuhn 5 does argue that revolutionary changes in scientific outlook are not determined by rational scientific method.Elsewhere 6 I have expressed doubt about some of these specific views, but in this paper I shall not be directly concerned with either the validity of these ideas themselves, or the possible support such views offer for postmodern attacks on reason and objectivity. My concern will be to show that other, quite central ideas of these thinkers are directly inimical to the postmodern campaign against reason and objectivity. Since postmodernism accords with the poststructuralist assimilation of all language to literature, I shall begin with some remarks on literary criticism itself, setting out the foundation for a Wittgensteinean perspective on traditional issues in the field. [End Page 75] I The New Critics wished to regard a literary text as an object with secondary qualities in it. This theoretical assumption was regarded by some metacritics as hopelessly naïve, partly because different readers find different secondary qualities in the same text, and because it was thought that relativity to a subject is incompatible with externality. However, Einstein's theory of the relativity to a point of view of the primary properties of mass and length, which are clearly external properties, shows that externality and relativity are not necessarily incompatible properties. That purely logical point helps to prepare the conceptual ground for a theory of the externality of certain secondary qualities that exist only relative to a subject. Once the general logical compatibility of externality and relativity is established, what is then needed is a reason for thinking that the relevant secondary qualities in certain texts not only could be but also actually are outside us.Elsewhere 7 I have argued in favor of the externality of the secondary qualia of color by appealing to Grice's causal theory of perception, 8 but my argument there also appeals to the phenomenological givenness of the qualia of color, and hence it would not apply to the aesthetic secondary qualities that concern literary critics. There is, however, another sort of reason to suppose that certain aesthetic qualities not only could be but actually are outside us and in texts. The argument is Wittgensteinean; I believe that it supplies for certain aesthetic qualities that which my argument supplies for certain phenomenological qualities. Very roughly, my argument says that the qualia of color are in objects because that is where the causal story of their existence locates them, and therefore there is no better place to locate them; and, very roughly, the Wittgensteinean argument says that an aesthetic quality such as beauty is in a text because that is where the language game of literary criticism locates it, and there is no better place. For example, we say things like "There is dramatic irony in chapter 4," or "Line 37 is particularly lovely," and if a metaphysician asked, "Where is the loveliness or the irony really?," with special emphasis on the words "really" and "where," then we should answer, "I have already said--it is in chapter 4 and in line 37." If the metaphysician then said, "But different readers find different qualities in the same work--how can there be different aesthetic or literary qualities in the same text?", then we should... (shrink)

Contrary to what has been stated in most accounts that Hume intends to make arguments against the existence of God, he aims to attack the claim that religious propositions can be argued; not completely reject these propositions. He considers these propositions epistemologically outside of human knowledge but ontologically accepts the existence of God. With such a view, we can dismiss atheistic-agnostic interpretations and relate him to a kind of mysticism. The key to deciding whether or not Hume is a mystic (...) is to determine what criteria we have to consider someone a mystic. Two very influential components here are (1)the belief in the existence of God; (2) the belief that the existence of God is far from our usual reasoning (antirational or irrational).And the second component is enough to call someone like Wittgenstein a fideist. We claim that there is clear evidence of these components in Hume’s works; therefore, what reason do we have to remove Hume from the circle of fideism and mysticism? In this study, after an introduction to the concept and types of fideism, we show that Hume, based on his works, surpasses skepticism and manifests a special kind of fideism.While there is an emphasis on the mystery of the proposition that God exists, he combines Christian faith, in aform that is inseparable from illogical and mysterious propositions such as the incarnation of God. Thus, Hume can be called a Christian mystic. (shrink)

Walter Benjamin called Felix Noeggerath (1885-1960) the “universal genius” or simply “genius.” In his 1916 treatise “Synthesis and the Concept of System in Philosophy,” Noeggerath offered a reading of Kant’s concept of synthesis in an original and radical manner. He dares to confront thought with the incommensurability of atheoretical Being. The linkage between logic and incommensurability is what he calls rationalism. In contradiction to this claim, any attempt to exclude atheoretical Being from the realm of logic is anti-rationalism. Noeggerath elaborates (...) on this in a penetrating discussion and modification of epistemological positions, especially those of the Marburg School and Hermann Cohen. Noeggerath constructs a notion of the philosophical system with the help of Kant’s three tables of transcendental judgements, categories, and principles in the Critique of Pure Reason. Each of these tables is known to contain 12 individual elements in four groups of three each. For the systematic division, the third group under the title “Relation” is decisive. Noeggerath assigns one systemic part to each kind of relation: “For it is to be connected: the categorical relation with ethics, the hypothetical with logic, and the disjunctive with aesthetics.” As a result the classical sequence, beginning with logic, is changed. “The order of the limbs is: a) ethics, b) logic, c) aesthetics.” In Noeggerath’s logical outline, specific mathematical concepts of meta-geometry play a decisive role. According to him, philosophy can resemble their preciseness in building a viable concept of the infinite. The prerequisite is that philosophy does not itself behave mathematically but proceeds along its own path in critical distance to the “specialized, act-kindred thinking” of the mathematician. (shrink)