Excerpt from The Esthetic Basis of Greek Art of the Fifth and Fourth Centuries B. C The bibliography of my subject is very nearly negligible. One debt (outside of Greek archaeology altogether) is, however, a heavy one; and I wish to acknowledge great obligation to the keen and serious dialectic which distinguishes Geoffrey Scott's of Humanism. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of (...) an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

To begin with, can we possibly call esthetic activity a cognitive function , that is, do the products of esthetic activity possess, along with their other characteristics, a certain cognitive value?

In the Report of the Central Committee of the Communist Party of the Soviet Union to the Twenty-sixth Party Congress we find emphasized the importance of the idea "that everything surrounding us shall bear the impress of beauty, of good taste" . The shaping of good taste, of esthetic taste in particular, is one of the most important conditions for the development of mental and emotional culture in our society.

Study of the social determinants of consciousness is one of the more timely problems of contemporary philosophy. It requires a complex study of various factors determining the social nature of human consciousness and the cultural-historical mediation of humankind's reflection of the world. Esthetics, which studies the phenomenon of esthetic consciousness, has a place among these scientific disciplines.

1. Introduction: the three parts of the essay: reply to criticism of attempts at esthetic measure, a glance at the pioneers, and the development of a new approach.