In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Sermon on the Mount and Moral Theology: A Virtue Perspective by William C. Mattison IIIRebekah EklundThe Sermon on the Mount and Moral Theology: A Virtue Perspective William C. Mattison III NEW YORK: CAMBRIDGE UNIVERSITY PRESS, 2017. 290 pp. £75.00Undergirding this book is a principle from the Catechism of the Catholic Church: the "analogy of faith" or "the coherence of the truths of faith among themselves" (241). the (...) "truths of faith" under consideration are Matthew's sermon on the Mount (sM) and the virtue ethics of thomas aquinas. Mattison aims to restore the sM to a more prominent place in Catholic moral theology by demonstrating the convergence between the teachings of the sM and thomistic virtue ethics.In this endeavor, the book largely succeeds, even if it occasionally over-reaches—that is, the sM is always shown to be in perfect harmony with thomas's teachings on virtue ethics, in which some readers might see points of tension. For example, Mattison uses thomistic action theory to argue that the beatitudes (Mt 5:3–12) and the sM's concluding exhortations (Mt 7:13–29) both demonstrate an "intrinsic relationship" between action and eternal reward; that is, the "qualifying condition" (e.g., meekness) is itself constitutive of happiness and is thus an activity that continues in eternal life (22–25, 209, 221). Purity of heart works well in this framework, but Mattison struggles to make mourning fit. the thomistic lens determines the sense of the text: Whatever mourning is, it is an activity that must persist in heaven, limiting the options for interpretation.Mattison also aligns the seven virtues—faith, hope, love, prudence, justice, temperance, and fortitude—with the seven beatitudes (following augustine's reduction of the beatitudes from eight to seven), with the seven petitions of the Lord's Prayer, and with sections of the sM as a whole. these latter, broad pairings are not always easy to find. Mattison matches the beatitudes with the virtue of faith, and the six antitheses with the virtues of temperance and fortitude. the virtue of love pairs with Matthew 6:1–6, 16–18 (teachings on prayer, alms-giving, and fasting, sans the Lord's Prayer); prudence, with Matthew 6:19–34 (worry and money); justice, with Matthew 7:1–12 (judging, asking, the golden rule); and hope, with Matthew 7:13–29 (concluding warnings and exhortations).similarly, a virtue is assigned to each beatitude (47) and to each petition of the Lord's Prayer (252). In the case of the Lord's Prayer, Mattison insists on a particular order of the virtues, following aquinas's ordering (but reversing [End Page 207] temperance and fortitude). But he does not use the same order of virtues for the Beatitudes or for the broader alignments with the whole SM (the orders are completely different for all three lists), raising the question of why Aquinas's order matters for one set but not for the others.Mattison's alignments show both his indebtedness to patristic and medieval tradition and his innovation. Medieval commentators commonly matched sets of sevens (Beatitudes, virtues, vices, gifts of the Spirit), but (rather remarkably) none of them ever appears to have understood the seven petitions of the Lord's Prayer as requests for the seven virtues, as Mattison does. Likewise, Mattison's alignment of the Beatitudes with the virtues follows the practice but not the substance of previous lists; his pairings match neither Ambrose's nor Aquinas's. I would have found a discussion of the differences helpful.The question is whether Mattison's alignments are fruitful or merely forced, and here readers may find the results to be mixed. Some are illuminating, such as the vice of presumption in relation to Matthew 7:21–23; others, such as the alignment of the six antitheses with the seven sacraments, "appear a bit of a 'stretch,'" as even Mattison admits (110).Overall, scholars and graduate students interested in Thomistic virtue ethics, and in the relationship between scripture and Catholic moral theology, will find much food for thought here.Rebekah EklundLoyola University MarylandCopyright © 2018 Society of Christian Ethics... (shrink)

In medieval universities, preaching formed an essential part of the curriculum of theology. Though we know next to nothing about how the subject was formally taught and studied, we are well informed about its requirement and exercise. As early as the end of the twelfth century Peter the Chanter stated that the graduate in theology had to show proficiency in three areas: in lecturing, disputation, and preaching . How and when in a student's career such preaching was to be (...) done is set out in the statutes of major universities, such as Paris, Oxford, Cambridge, and others. In 1253, for instance, the statutes of Oxford University declared that “no one shall incept in theology in this university unless he has first been regent in the arts …, and unless he has lectured on some book from the biblical canon or a book of the Sentences or Histories, and preached in public before the university.” The three-fold requirement was still in place in the fourteenth century and later: “Those who are about to incept in theology, before they are admitted to inception, must throughout all theology schools oppose in public, preach in public, and read in public some book from the biblical canon or the Sentences.” The times and places of such required public preaching, as well as the order in which theologians would give their public sermons, were all regulated in similar statutes and have been discussed in Hastings Rashdall's history of medieval universities and, with particular focus on Oxford, by A. G. Little and F. Pelster. (shrink)

This third volume completes the text of the cycle of 294 English Wycliffite sermons; the first two volumes appeared in 1983 and 1987 respectively. The 120 sermons here were intended to provide material for all the weekday occasions for which the Sarum rite offers a separate gospel reading; such complete coverage of ferial days is unparalleled in English medieval homiliaries, and seems unknown elsewhere in contemporary European cycles of sermons. The introduction to the present book, which (...) is intended to be used along with the material in the previous volumes, describes the state of the text in these manuscripts and their relation to each other. Two further chapters consider questions relating to the whole cycle: the fidelity of the biblical translation in the sermons to the Vulgate texts; and the complicated issue of the relation between these English sermons and the Latin sermons of John Wyclif himself. A fourth volume will provide a commentary on the individual sermons, consider the recurrent issues discussed within them, and offer suggestions concerning the origins of the collection. (shrink)

This resourceful book presents an extensive approach to Mariology in the Middle Ages unifying Medieval, Franciscan and Marian reflections on the Virgin Mary as presented in the catholic tradition in Theology, Meditation, Art and Sermons.In the introduction, the General Editor of the Collection: The Medieval Franciscans, Steven J. McMichael, introduces Vol. 16, Medieval Franciscan Approaches to the Virgin Mary, Mater Misericordiae Sanctissima et Dolorosa. First, McMichael presents a perceptive résumé of each of the five sections of (...) the book, which he identifies as five different disciplines: early foundations of the Order, sermons and theological reflections, meditations, medieval art, and Franciscan preaching. He... (shrink)

The main object of this study is to find out whether the differences between classical and medieval thinking about work, occupations and technology are so significant that we are justified in speaking of a real break between Antiquity and the Middle Ages in this connection; or whether there is a possible continuity of ideas. From a comparative perspective five themes are being researched to shed light on this ques-tion. In the first two chapters the author looks into the traditional (...) view of negative ideas about work in Antiquity. Chapter three subsequently deals with monks and their attitude towards labour. In chapter four the place of the so-called artes mechanicae in medieval classifications of knowledge is being studied. In chapter five we find an analysis of twelfth-century sermons ad status. These three chapters principally deal with the question whether Christianity brought about a change in attitude towards work. (shrink)

This essay contends that God created humanity as His co-creators to bring Him glory with one’s entire being, including imagination and creativity. Throughout Scripture, YHWH is depicted as the artistic Creator of all that is beautiful, true, and transcendent. The Bible attests the creation of humanity in the imago Dei--sharing God’s innate creativity--and divine gifting of Spirit-inspired artisans utilizing their talents for God’s glory. Yet, over the centuries, “art” was oft misunderstood and grossly neglected in Christ’s church. Philip Ryken explains (...) how medieval skeptics began removing and destroying art believed to violate the Decalogue. Imbalanced suspicions toward art in Christendom still persist, despite the positive, inspirational effects of icons in Catholic and Orthodox traditions and scientific research that shows the therapeutic value of art across a broad spectrum of mental and physical challenges, including isolation and depression. Makoto Fujimura posits that Christian creatives possess a common faith as “border-walkers,” and can affect phoenix-like positive cultural and ecclesial change by reintroducing beauty as a visible “sermon” into a fragmented, post-pandemic world. (shrink)

In this volume, Randall B. Smith provides a revisionist account of the scholastic culture that flourished in Paris during the High Middle Ages. Exploring the educational culture that informed the intellectual and mental habits of Thomas Aquinas and Bonaventure, he offers an in-depth study of the prologues and preaching skills of these two masters. Smith reveal the intricate interrelationships between the three duties of the master: lectio (reading), disputatio (debate), and praedicatio (preaching). He also analyzes each of Aquinas and Bonaventure's (...) prologues from their student days to their final works, revealing both their artistry and their instructional character. Written in an engaging style, this book serves as an invaluable resource that will enable scholars and students to read thirteenth-century sermons, prologues, and biblical commentaries with greater understanding and ease. (shrink)

The abbot and apocalyptic theorist Joachim of Fiore (c. 1135–1202) created many enigmatic medieval diagrams. His Liber figurarum, produced in Cosenza and based on now-lost prototypes, consists of painted figurae that concretized the central tenets of his many apocalyptic treatises, sermons, hymns, and letters. These diagrammatic images are attributed to his hand or to the first generation of followers, and, collectively, they constitute a subcategory of apocalyptic art that elides narrative norms. This essay explores a single figura that (...) features a chromatic seven-headed dragon inspired by the twelfth chapter of the Book of Revelation. Analysis of the diagram and comparison to painted content in a contemporary polemical text reveals the figura’s pivotal role in the pictorial formation of anti-Islamic content in the twelfth and early-thirteenth centuries. (shrink)

It has been 140 years since a full biography of William of Auvergne (1180?-1249), which may come as a surprise, given that William was an important gateway of Greek and Arabic thought and philosophy to western Europe in the thirteenth century, and one of the earliest writers in the medieval Latin west on demonology. Lesley Smith's aims in this book are two-fold: first, to take a closer look at William, the human being, how he saw the world and his (...) place in it; and to uncover William's interactions with his Parisian congregation through the nearly 600 sermons he left after his death. Smith has mined these writings, unremarked in previous scholarship, to give us a different perspective on the schoolmaster, bishop of Paris, and strict theologian we have come to know: a preacher who spoke and ministered not just to the powerful and elite, but also to commoners, to the poor, and to the less fortunate. Through a study of the sermons, Smith creates a broader landscape of William's thought and life, highlighting his attention to the importance--and limits--of language, and his attempts to find a way to address the concerns of the larger populace. In his preaching, we get a sense of the balance William achieved, in the way he communicated religious teachings, in his understanding of the concerns of ordinary Parisians, and in his awareness of the ebb and flow of daily life in a medieval city. The book will interest scholars of intellectual history and philosophy, religion, and literary studies more broadly for Smith's innovative method of excavating the sermons in pursuit of William the person, and his humanity. An altogether "new" William for the twenty-first century. (shrink)

The Bible in the Middle Ages, much like the Bible today, consisted for the laity not of a set of texts within a canon but of those stories which, partly because of their liturgical significance and partly because of their picturesque and memorable qualities, formed a provisional “Bible” in the popular imagination. Even relatively devout and educated moderns may be surprised by what is, and what is not, biblical. The medieval popular Bible took shape within an encyclopedic tradition largely (...) responsible for the variety of materials now associated with the Bible. Prior to and even after full-scale Reformation translations, biblical material was disseminated in the vernaculars through sermons, homilies, commentaries, universal histories, picture Bibles, the drama, and a large corpus of biblical paraphrases. Each of those literary forms owes debts to the others, but a significant influence on them all, and especially those produced in thirteenth- and fourteenth-century France and England, is Peter Comestor's Historia scholastica. (shrink)

Writing on the heart is a frequent and often vivid image in medieval literature and art. Saints' legends describe martyrs receiving divine inscriptions in hearts that are later opened and read by others. Sermons and poems liken the heart to a book where the believer writes God's commands or where Christ writes the story of his own Passion. In the secular lyric and romance a different passion inscribes itself on lovers' hearts, sometimes by way of love letters and (...) usually anticipating the bodily writing of sexual intercourse. In the realm of visual art medieval painters depict hearts as books , and late-medieval scribes actually produced heart-shaped manuscript codices, examples of which still survive. (shrink)

« Rythmes et Croyances au Moyen-Âge » Journée d'études organisée par Marie Formarier et Jean-Claude Schmitt 23 juin 2012 – Paris Présentation : Cette journée d'études a eu pour objectif de faire dialoguer les diverses disciplines concernées par le rapport entre rythmes et croyances au Moyen-Âge. Elle a accueilli des historiens, des anthropologues, des sociologues, des philologues et des linguistes. Présents dans la langue latine et les langues vernaculaires, dans la rhétorique du sermon, la prière et (...) - Histoire – (...) NOUVELLE JOURNÉE d'ÉTUDES. (shrink)

One of the Eckhart’s most challenging reflections is his analysis of the Biblical passage of beatitude of poverty, developed in Sermon 52. What we seek here is the interpretation made by Eckhart of another Biblical passage, where he tries to think of which way wealth is the fundamental characteristic of God. What interests us here is elucidate the use of Liber de Causis in his interpretation of such passage and to understand how in both passages one can relate the truly (...) wealth with the truly poor. (shrink)

Este artículo analiza los aspectos retóricos y rituales de la exhortación piadosa (wa,z) practicada en al-Andalus y el Magreb, tomando como base documental dos fuentes homiléticas. Los textos se analizan a la luz de noticias hagiográficas y jurídicas con el fin de determinar el papel social de los wu,,az y el impacto de sus sermones. El poder seductor del sermón se halla en función del carisma del predicador, sus dotes de oratoria y su afán en involucrar activamente a su auditorio (...) en su propia experiencia carismática. Los textos hagiográficos examinados presentan al wa,iz como testigo de la omnipotencia divina, propiciando la conversión religiosa, incluso de individuos situados al margen de la sociedad. (shrink)

This article examines two medieval sermons that examine philosophic and halakhic issues: the Passover sermon of Hasdai Crescas, which discusses the laws of Passover, and a sermon of Zerahia Halevi Saladin, a disciple of Crescas, which probes an aspect of the laws of vows ( nedarim ). In the analysis of Zerahia's sermon, a comparison is made between his discussion and Thomas Aquinas's examination of vows in his Summa Theologica . The comparison establishes the dependency of Zerahia on (...) Aquinas regarding this issue. Likewise, Zerahia's sermon is compared with Crescas's, and the relationship between the legal theories of Crescas and Zerahia is investigated. The articles concludes with a brief examination of the significance of the analysis these sermons for understanding of the impact of scholastic sources on Spanish-Jewish philosophy and the relationship between law and philosophy in the writings of Hasdai Crescas and his students. (shrink)

Cerkveni očetje so bili v srednjeveških pridigah med najbolj pogosto navajanimi avtoritetami, takoj za Svetim pismom. Citati so se uporabljali na različne načine: kot eksegeza prebranega, kot komentar moralnega nauka ali kot močan argument za določeno izjavo. Hieronim je sodil v srednjem veku med najpomembnejše avtoritete, njegove odlomke in citate je najti v številnih zbirkah pridig. Prispevek predstavi recepcijo svetega Hieronima v zbirki pridig iz 15. stoletja, znani kot Sermones Discipuli de tempore et de sanctis cum Promptuario exemplorum et de (...) miraculis Beatae Mariae Virginis, ki jo je napisal nemški dominikanec Johannes Herolt (†1468). V tej zbirki so citati iz različnih Hieronimovih del, večinoma iz njegovih pisem. Kljub poudarku Hieronimovih besedilih analiza vključuje tudi odlomke iz t. i. psevdo-Hieronima. (shrink)

Rather surprisingly, Calvin's consideration of angels provides a window into his attitude to divine and human righteousness, divine power, human merit, and the Fall. It reveals his indebtedness to mediaeval discussions of angels, and also the originality of aspects of his treatment. The Chapter considers these topics chiefly by the use of material from Calvin's monumental Sermons on Job.

Ramon Llull (1232-1316), born on Majorca, was one of the most remarkable lay intellectuals of the thirteenth century. He devoted much of his life to promoting missions among unbelievers, the reform of Western Christian society, and personal spiritual perfection. He wrote over 200 philosophical and theological works in Catalan, Latin, and Arabic. Many of these expound on his "Great Universal Art of Finding Truth," an idiosyncratic dialectical system that he thought capable of proving Catholic beliefs to non-believers. This study offers (...) the first full-length analysis of his theories about rhetoric and preaching, which were central to his evangelizing activities. It explains how Llull attempted to synthesize commonplace advice about courtly speech and techniques of popular sermons into a single program for secular and sacred eloquence that would necessarily promote love of God and neighbor. Llull's work is remarkable testimony to the diffusion of clerical culture among educated lay-people of his era, and to their enthusiasm for applying that knowledge in the pursuit of learning and piety. This book should find a place on the shelf of every scholar of medieval history, religion, and rhetoric. (shrink)

Este artigo intenta apresentar como a pregação de Santo António de Pádua está conectada com a cidade. Através de alguns exemplos tomados das legendas hagiográficas e sermões, o autor reconstrói as mudanças de atitudes de hagiógrafos e pregadores ligados a António algumas vezes a um contexto urbano geral e, em última medida, a cidade de Pádua. Em particular, o artigo se detém sobre alguns textos que destacam o efeito da pregação de Santo António no seu público-alvo, ou seja, a população (...) da cidade em que falava. O período da análise é primariamente compreendido durante a canonização do santo, em meados do século XIV. Apesar disso, algumas referências a autores da época posterior serão feitas como comparação e aprofundamento da panorâmica oferecida. No final da Idade Média, santo António acabaria por ser, em certa medida, o modelo para os frades mendicantes, talvez atraídos pelos santos mais próximos no tempo. (shrink)

El corpus de manuscritos árabes de los musulmanes de los territorios cristianos de la península ibérica medieval y temprano-moderna (mudéjares y moriscos) ha sido generalmente estudiado en menor medida que sus escritos en romance en caracteres latinos o árabes (aljamiado). Este artículo discute los nuevos datos en el códice misceláneo Árabe 1668 (El Escorial), copiado en 928 (=1522) probablemente por musulmanes en los territorios cristianos. MS Escorial Árabe 1668 no es totalmente desconocido por los estudiosos, pero han sido pocos (...) los intentos por investigar sus extraordinarios contenidos, que hasta ahora han permanecido en gran medida sin identificar. Destacable es la copia en árabe de la historia universal de ʿAbd al-Malik ibn Ḥabīb (s. IX), el Kitāb al-Taʾrīkh [La historia], considerada como el ejemplar más antiguo de literatura árabe en al-Andalus y que se preserva solamente en un único manuscrito árabe en Oxford. Además, MS Escorial Árabe 1668 contiene un número importante de narrativas adaptadas en aljamiado que ya se conocían, pero de las cuales aún no se habían identificado los originales árabes en circulación entre los musulmanes peninsulares. Estos materiales amplían los datos ya existentes de la producción tardía de manuscritos árabes de los musulmanes peninsulares y la preservación dentro de sus comunidades de originales provenientes de al-Andalus, el norte de África y el oriente islámico, algunos de los cuales contienen miniaturas. En el MS Escorial Árabe 1668 también encontramos un sermón árabe-Aljamiado (waʿẓ) que arroja luz sobre las reuniones de musulmanes que a veces se celebraron de forma clandestina debido a las crecientes restricciones impuestas a sus comunidades por los cristianos. (shrink)

This volume presents fourteen of William E. Mann's essays on three prominent figures in late Patristic and early medieval philosophy: Augustine, Anselm, and Peter Abelard. The essays explore some of the quandaries, arguments, and theories presented in their writings. The essays in this volume complement those to be found in Mann's God, Modality, and Morality. While the essays in God, Modality, and Morality are primarily essays in philosophical theology, those found in the present volume are more varied. Some still (...) deal with issues in philosophical theology. Other essays are aporetic in nature, discussing cases of philosophical perplexity, sometimes but not always leaving the cases unresolved.All the essays display, directly or indirectly, the philosophical influence that Augustine has had. His Confessions is a rich source for philosophical puzzlement. Individual essays examine his reflections on the alleged innocence of infants, which raises questions about cognitive, emotional, and linguistic development; his juvenile theft of pears and its relation to moral motivation; and his struggle with and resolution of the problem of evil. One essay presents the rudiments of an Augustinian moral theory, rooted in his understanding of the Sermon on the Mount. Another essay illustrates the theory by discussing his writings on lying. Mann argues that Abelard amplified Augustine's moral theory by emphasizing the crucial role that intention plays in wrongdoing.Augustine bequeathed to Anselm the notion of. (shrink)

Engaging Eriugena, Eckhart and Cusanus contains two new essays and nine others published between 2005 and 2019. The essays explore Eriugena, Eckhart and Cusanus as bold thinkers deeply engaged with their times and culture. John Scottus Eriugena, Meister Eckhart and Nicholas of Cusa are key figures in the medieval Christian Neoplatonic tradition. This book focuses on their engagement with practical, experiential issues and controversies. Eriugena revises Genesis' Adam and Eve narrative and makes sexual difference and overcoming it central to (...) his Periphyseon. Eckhart's Annunciation sermons urge his hearers to give birth to God's son within their lives, and he develops a distinctive approach to pain and suffering. His radical preaching on the Eucharist and mystical union was judged heretical, but was later taken up by Nicholas of Cusa. Coins and banking became key symbols in Cusanus' exploration of humanity as created in God's image, and he used mechanical clocks in reflecting on time and eternity. 'Engagement' also describes these thinkers' reception of their predecessors and how later readers appropriated their works. Eriugena struggled with the legacy of Augustine and the Greek Fathers. Eckhart's theology of suffering provoked varied responses from his students Henry Suso and Johannes Tauler, and the twentieth-century therapist Ursula Fleming. Cusanus provides the volume's lynchpin as two articles analyse his reading of Eriugena and Eckhart, and a third discusses how he deftly countered Johannes Wenck's accusations of heresy. The book will be of interest to students of Medieval Philosophy, Theology, Spirituality and their place within Cultural History. (shrink)

This essay explores the implications of a commonly held ancient and medieval belief that human memory and invention are, if not exactly the same, the closest thing to it. In order to create, in order to think at all, human beings require both a well-provisioned stock of memory-held knowledge and some mental tool or machine, an engine which lives in the intricate networks of their own memories. In the verbal arts of the trivium students learned the basic principles of (...) memory training: the need for divisio, the need to make a clear, distinct location for each piece of memorized content, and the need to mark items uniquely for secure recollection. Frequently these mental structures took the form of images. Evidence for such memorial and compositional images is common: I focus on a few representative types, including the sermon-related “Cherub” figure of the later Middle Ages, and accounts by Cassiodorus and others of scholars, even when blind, using their highly structured memories to compose new work. (shrink)

Cognitive approaches to early medieval texts have tended to focus on the mind in isolation. By examining the interplay between mental and physical acts deployed in Old English poetry and prose, this study identifies new patterns and offers new perspectives. In these texts, the performance of right or wrong action is not linked to natural inclination dictated by birth; it is the fruit of right or wrong thinking. The mind consciously directed and controlled is open to external influences, both (...) human and diabolical. This struggle to produce right thought and action reflects an emerging democratization of heroism that crosses societal and gender boundaries, becoming intertwined with socio-political, soteriological, and cultural meaning. In a study of influential prose texts, including the Alfredian translations and the sermons of Ælfric, alongside close readings of three poems from different genres – The Seafarer, The Battle of Maldon, and Juliana –, Ponirakis demonstrates how early medieval authors create patterns of interaction between the mental and the physical. These provide hidden keys to meaning which, once found, unlock new readings of much studied texts. In addition, these patterns of balance, distribution, and opposition, reveal a startling similarity of approach across genre and form, taking the discussion of the early medieval conception of the mind, soul, and emotion, not to mention conventional generic divisions, onto new ground. (shrink)

A vernacular fifteenth-century sermon tells us, in order to warn of the threats to spiritual welfare posed by dance, that cyclic motion and centering of sensory impressions – amongst them intimate conversation – are essential elements of dance. When blending out the parenesis, implicit poetics of medieval dance can be distilled from that sermon. The way how these essential elements of dance are used for generating disruptions within literary plots will be demonstrated in three literary texts dating from the (...) thirteenth to the fifteenth century: Disruptions in connection with dance occur when contrary concepts of motion clash with each other, for example the linearity of the chivalrous way through the Other World with the cyclicity of round dances. ‚Der Württemberger‘, however, collides two contrary concepts of time which can be paraphrased as spatial metaphors, namely the linearity of earthly life which collides with the cyclicity of eternal damnation, a collision symbolized by the expulsion of life out of the dance of the death. Finally in ‚Ritter Sociabilis‘, dance generates a virtual space which subverts the courtly society. The protagonists of all these texts differently manage to resolve disruptions, namely by redemption, by repentance, or by continuing disruptions which they have caused themselves. (shrink)

In the field of medieval studies, principia or inaugural sermons, sermons delivered at the ceremony which inaugurated a new master of theology, have recently received focused attention.1 The new masters at the University of Paris preached these sermons in two parts. The first part typically offered a praise of Scripture and is known as a commendatio or commendation. When the master later resumed his preaching in a second part known as a resumptio or resumption, he often (...) divided the canon of Scripture. Together these two parts form a sermon united at least by the occasion, if not also by topic, and known as a principium.One newly discovered and edited inaugural sermon is Omnium artifex docuit me sapientia, delivered... (shrink)

Airuijiena is a medieval philosophy in the ninth century AD, the rise of a peak, it is the essence of mystical experience with God or with God, God included two adults and people of God into history. This article focuses on the Gospel of John describes Airuijiena Introduction sermons, also known as "Eagle Spirit Music," which contains the secret Qisi think, to be explored, but also involves its philosophy, theology and intellectual history of some of the relevant problem. (...) This article will first discuss the Airuijiena inherited traditions, such as the Irish spirit, Seven Arts in humanities education, Augustine Xing Greek Fathers, etc., and in "On the distinction between natural" will include them in a large integrated system. His "Gospel of St. John preaching preamble", or "Eagle Spirit Music," is a delicate little synthesis, which contains a wealth of secret Qisi want. This article will focus on St. John that he admired the mystical soul, show the people must continue to run away, until all finite things out, into the infinite God. This is a "self out of the" meaning of "extrapolation" of the most extreme, the most profound example. Then this paper to discuss Airuijiena by Zhu Zhong Jing's knowledge of God, to God and experience God together with their philosophical significance, particularly to understand the basis of the theory of divine light and darkness, which indicates not only the Word is the light itself, and all things even one grain of sand stone, they are the beacon. However, their theory of the divine darkness, God is also revealed that he is the ultimate person. In short, Airuijiena extrapolation of ideas and filled with the spirit of comparison, the system's deep and majestic, worthy I inspired. In the development of mediaeval philosophy, Johannes Scotus Eriugena stood like a "lofty rock in the midst of a plain", as Copleston puts it. His mysticism emphasized the union of God and Man in the double process of incarnation and deification. This paper will focus on his mysticism and its philosophical and historical implications in his Homily on the Prologue to the Gospel of St. John, also know as Vox Spiritualis Aquilae. We will discuss, first of all, what Eriugena had received from his Irish tradition, Neo-Platonism as interpreted by Greek fathers and St. Augustine and how he synthesized them into his Periphyseon. His Homily, as a marvelous work of synthesis in miniature, is very rich of mystic insights. We'll focus fist on his understanding of St. John's speculative mind, as a mind always going beyond itself that finally reaches the divine and thereby becomes deified in order to know God in himself. For me this is an extreme case of strangification. Then we will proceed to discuss Eriugena's mystic and philosophical concept of gnosis and theosis, and also his understanding of Logos as Light and that all things, even so tiny and low, are lights too. By contrast, his notion of Darkness of God leads us to the concept of God as totally Other , or the Ultimate Other. In sum, Eriugena's system of mystical philosophy is always deep and magnanimous, enough to inspire more generations to come. (shrink)

The immediate source of Grotius’s etiamsi-claim (natural law would be valid even if there were no God or human affairs were no concern for him) has never been convincingly identified. This paper argues that Grotius’s formulation of the claim derives from a very similar sentence of Bartolomé de Medina (1527–1580), a Spanish scholastic and eminent member of the School of Salamanca, whose work Grotius quotes in De iure belli ac pacis. Medina ascribes the sentence to Seneca, but there is apparently (...) no such proposition in Seneca’s extant works. Nevertheless, related propositions were attributed to Seneca in the medieval period, not least in sermons and pastoral writings, even in vernacular languages. This shows that, even outside academic debates, counterfactual reasoning involving God’s non-existence or indifference to human affairs was not considered illicit or dangerous in the Middle Ages. (shrink)

This book offers an introduction to the thought of Robert Holcot, a great and influential but often underappreciated medieval thinker. Holcot was a Dominican friar who flourished in the 1330's and produced a diverse body of work including scholastic treatises, biblical commentaries, and sermons. By viewing the whole of Holcot's corpus, John T. Slotemaker and Jeffrey C. Witt provide a comprehensive account of his thought. Challenging established characterizations of him as a skeptic or radical, they show Holcot to (...) be primarily concerned with affirming and supporting the faith of the pious believer. At times, this manifests itself as a cautious attitude toward absolutist claims about the power of natural reason. At other times Holcot reaffirms, in Anselmian fashion, the importance of rational effort in the attempt to understand and live out one's faith. Over the course of this introduction the authors unpack Holcot's views on faith and heresy, the divine nature and divine foreknowledge, the sacraments, Christ, and political philosophy. They also examine Holcot's approach to several important medieval literary genres, including the development of his unique. (shrink)

The backdrop for this thesis is provided by Troeltsch's far more detailed and extensive studies of the social doctrines of various Christian churches and groups. According to Troeltsch's interpretation, the reception of the Stoic concept of natural law is as crucial to Christian ethics as the reception of the concept of logos is to Christian dogmatics. Just as the concept of logos mediates between the truth of revelation and the truth of reason, so the concept of natural law mediates between (...) the moral demands of the gospel and the principles of a worldly ethos. Since there is a distinction between an absolute natural law, which is identical with the radical ideal of the Sermon on the Mount, and a relative natural law, substantially corresponding to the Ten Commandments and to political and social reality, such a mediation--which must be oriented on the relative natural law--must qualify the original radical Christian claim. Whereas the old church allowed both forms of the natural law to stand alongside each other without mediation and was therefore unable to overcome their estrangement within the surrounding social reality, the Christian Middle Ages succeeded in uniting both forms by replacing the distinction between the gospel and the world with a distinction between the natural and the supernatural, interpreting each as a level of a metaphysical whole. When this idea of a metaphysical hierarchy of reality, attached to the concept of natural law, became linked to the notion of society as a structured organism, as taught by Aristotle and Paul, the concept of natural law assumed a virtually fundamental status: it grounded both moral and social philosophy and enabled the rise of the "unified culture" characteristic of the Christian Middle Ages, from which the Reformation later departed in order to regain the radicalism of the gospel. By linking the concept of natural law to the organic interpretation of-the social, the Christian Middle Ages could also assign a central role to the church: just as the divine law is the bracket that binds together the levels of moral laws, so the church is the bracket that holds together the members of the social organism. Its interpretation as the "boundless, comprehensive, and guiding institution of salvation," together with the strong attachment of natural law to eternal and immutable principles, must, in the last consequence, lead to a "conservative, organically patriarchal natural law." Consequently, those elements that were already contained in the medieval form of the natural law but not in the Platonic interpretation of the social order, and which in its later secular form gave it its progressive, even revolutionary, power, remain repressed: the idea of the dignity of the person, the associated freedom and autonomy of individual reason, the-resulting responsibility of personal conscience, and the significance of one's vocation, which stems from the place of the individual within the whole. (shrink)

The aim of the article is to define the tendencies of elaboration of ethical problems in early medieval exegetical texts - treatises of post-canonical Abhidharma. Ethics as a specific philosophical discipline concerning morals was not specifically developed because of cosmological character of Buddhist philosophy. Explication of the ethical discourse presented in treatises of eminent early medieval Indian Buddhist exegetics Vasubandhu, Asaṅga and Yaśomitra showed that specific for ethics questions on the highest good, sense of human life, the nature (...) and sources of morals, freedom of will etc. were solved in post-canonical period. According to the religious doctrine they interpreted the highest good as the benefit of liberation from the fetches of suffering. The Buddha’s moral instructions known as prātimokṣa is aimed at the attainment of the highest good. Therefore the essence of morality has nothing to do with saṃsāra, and human society forming and perishing in cosmic cycles cannot be the source of moral norms. According to historiosophical myth, human beings get the first instructions on righteous behavior in deep antiquity from charismatic Universal ruler coming to the world as the forerunner of the Buddha. He explains ontological contrariness of the good and the evil but is not the Teacher of the truth. Freedom of will cannot manifest itself spontaneously in a human being attached affectively to saṃsāra. Such an individual falsely takes his ignorant self-will for the freedom of will. Hearing the sermons of salvific teaching is the condition for the rising of free will impulse. (shrink)

This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. What does it mean to do art history after the material and sensory turns? What is an image, if it is not purely visual phenomenon, and how does it prompt non-visual sensory experiences? The multi-sensoriality of the image was a less challenging concept before the occularcentric modern (...) age, and so this volume brings together a global array of scholars from multiple disciplines to explore these questions in pre-modern or non-western contexts, ranging from Minoan palace frescoes, to Roman statues, early church sermons, tombs of Byzantine saints, museum displays of Islamic artefacts of scent, medieval depictions of the voice, and Stuart court masques. Each chapter presents a means of appreciating images beyond the visual, demonstrating the new information and understanding that can consequently be gleaned from their material. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches that can be applied to appreciate the multi-sensoriality of images in any context, as well as prompts for reflection on future directions in the study of images and its application. The Multi-Sensory Image thus illustrates that it is not only possible to explore the non-visual impact of images, but imperative. (shrink)

Out of the broad variety of Cusanus' work, this book discusses six of his writings, careful not to isolate them from the whole of his work. It instead presents them against the maturation of Cusanus' thinking as it developed from his first sermons up to his shortest philosophical text De apice theoriae. The texts in question are De docta ignorantia, De coniecturis, Idiota de mente, De beryllo, Trialogus de possest and De apice theoriae. In the search for God, or (...) rather in Cusanus' lifetime eff orts to have his spirit touch the fi rst principle and the basis of all things, new perspectives on the world and man within would open up for Cusanus. Respecting this basic intention of Cusanus' thinking, the author primarily deals with Cusanus' ontotheological (metaphysical) claims and, in their context, turns his attention to the cosmological, or anthropologico-gnoseological opinions. (shrink)

This paper refers to the 700th anniversary of the death of Dante Alighieri in commemoration of which Pope Francis released a special apostolic letter highlighting the genius and significance of the Italian poet. We should praise his genius, the Pope writes, because it is he who was able to express, much better than most of the others, the depth of the mystery of God and His love. The Commedia is the fruit of deep religious inspiration. This is why Francis repeats (...) after Benedict XV – „Dante is our own!” Why is it so? Because there breathes in Alighieri the devotion that we too feel and his faith resonates with ours. Dante’s work continues to be a meaningful and valid exemplar for Christ’s followers. However, in today’s pop culture Dante is mainly seen through his depiction of hell – the artistically described eternal punishment. The truth about hell which Dante made the subject of his narrative does not find acceptance even between Christians. Many people are really outraged and scandalized because hell is for them the symbol of sadism and distorted image of God – a vengeful tyrant who condemns human souls to eternal perdition. But hell is present in the biblical message. The early Church Fathers spoke of hell in their sermons, wrote about it in treatises, disputed the dwelling place of the condemned souls, the position of Satan and other demons, and the imminence of God’s judgement. In this way in the Catholic dogmatic theology consolidated the truth of the reality of hell and eternal punishment. This was also in accord with the views of the prominent medieval theologians. Therefore, why the ancient and well-known truth about hell is rejected today as outrageous and Dante’s vision does not gain recognition? The heart of the matter is the understanding of the idea of justice and atonement. In their denial expressed through the notion of the empty hell and rejection of eternal punishment for angels’ and people’s sins, we have to do with misunderstanding of the significance of human intellect and will. The refusal to accept responsibility for our free choices entails the uninhibited rejection of seriousness of our earthly life. If we believe that our fate, and what is more, out eternal fate – the salvation or damnation – depends on what we were able to do in our lifetime, Dante’s poetic vision strongly illustrates this standpoint. The power of free will is deeply and inalienably present in The Comedy’s stanzas. In the Dante’s poem the essence of hell lies in the ultimate rejection of the goal that man longs to achieve from his very nature – the happiness which is the union with the infinite Good – God, the Creator and the Redeemer of the world. How is it possible? It happens due to the existence of free will which is innate to all people and no one can deprive them of it or minimise it. This rejection of the sublime happiness is the result of human free decision – the condemned did not say to God: “Thy will be done!” but “my will be done!”. The existence of hell becomes the guarantee of human dignity, the evidence that a perfectly Good and Omnipotent God treats the man whom He had created seriously and preserves him for the eternity in the same state in which he wanted to remain in his earthly life. (shrink)

This remarkable work shows Meister Eckhart the thirteenth-century western mystic, as the great teacher of the birth of God in the soul, who shatters the dualism between God and the world, and the self and God.

This contribution focuses on some of the latest advances in Eckhart Studies concerning the German sermons, the edition of the Quaestiones Parisienses and the dating of the Opus tripartitum. Though not adressed by Josef Quint's edition, the the liturgical order of the German sermons has been gaining prominence, shading new light on their interpretation: in this respect, considering the order of the medieval Dominican liturgy enables to approach the communicative circumstances of the sermons doing justice to (...) Eckhart's homiletic effort. Moreover, four new Quaestiones Parisienses collected in the Codex Vaticanus latinus 1086 have been recently reconsidered, providing evidence about the attribution to the Dominican master. Lastly, due to the re-examination of the Cod. Amplon. F 181, the recent suggestions for backdating the Opus tripartitum reveal a different overview of Eckhart's intellectual activity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Portraits of Buddhist WomenLucinda PeachPortraits of Buddhist Women. By Ranjini Obeyesekere. Albany: State University of New York Press, 2001. 231 pp.This book is a translation of part of the Saddharmaratnavaliya (Jewel Garland of the True Doctrine; hereafter SR ), a thirteenth-century Sinhala translation of the Dhammapada (hereafter DA ), a fifth-century Buddhist text. Out of the entire collection of 360 stories contained in the SR, this book includes (...) twenty-six that have women as central characters.The author succeeds in part with her stated purpose to "illuminate the position of women in the early-medieval Buddhist worlds of India and Sri Lanka" as well as to "provide insights into shifting stances over time on issues of sexuality and gender" (p. 1), despite the lack of any necessary correlation between gender images and the actual status of women in a particular social location. As Obeyesekere points out, although the stories themselves are not focused on gender, their contexts in the "everyday world" of their fifth- and thirteenth-century authors do shed light on women's lives and social status. The stories she has selected for the volume portray women in a wide range of roles, including not only the ideal normative ones of wives and mothers, but also those of daughters, courtesans, servants, queens, nuns, and wandering ascetics.Obeyesekere claims that the particularities in these narratives "reflect the status, intelligence, management, and organizational skills of women that were permitted full play in the social worlds to which they belonged" (p. 11). This claim is borne out by several passages in the text, such as the narrative of Kundalakesi, which has a deity state that "it is not men who always have the best stratagems.... [In] certain situations women too know what to do" (p. 120).Furthermore, women's capabilities and talents are sometimes recognized by the men in the narratives. Visakha's grandfather chooses her to escort the Buddha and arrange accommodations for the enormous entourage that accompanied her betrothed. Samavati's adopted father, Ghosaka, unquestioningly accepts her advice on how to organize an alms-hall (to prevent quarreling) and how to deal with the King's (unreasonable) demands. After she has "shed the three evils of belief in self, doubts, and erroneous beliefs and practices," Khujjuttara preaches a sermon "exactly as the Buddha has done" (p. 63) and becomes the teacher of Samavati and her five hundred attendants.However, Obeyesekere also notes the antifeminist elements that are sprinkled throughout the text. The statements in the narrative of Visakha that "women who run are most unattractive" and will meet with criticism and ridicule for having no feminine grace and acting in a manner not befitting for a woman (pp. 84-85) reveals how restrictive gender-role norms were in thirteenth-century Sri Lanka. A woman's body is described as a polluted lump of flesh in the Udeni cycle (a collection [End Page 289] of five related narratives); here the Buddha is said to describe woman's body as a "container with its nine orifices filled with feces and urine" that "I would be disgusted even to wipe my feet on... as I would on a door mat" (p. 12; see also p. 54). Comparisons to women are used to criticize men, as when King Udeni tells King Candapajjota's guards (after the latter king has locked up the former seemingly indefinitely after capturing him) that "Your kind does what even women would not do..." (p. 48). This comparison indicates that women are not honorable and trustworthy, but willing to impose extended and unnecessary suffering on their victims.Other antifeminist elements in the SR include the backhanded compliment to Visakha that "though born a woman (and women are of limited vision), and though forced to associate with people who were of the right caste but held wrong beliefs, yet she herself did not lack vision" (pp. 14, 79). This sentiment about women in general is consistent with the widespread belief in popular Buddhism that men are more highly evolved on the cosmic chain than are women.This view is illustrated in the narrative of Soreyya, who transforms from a male to a female form when he... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Sighs and Tears:Biological Signals and John Donne's "Whining Poetry"Michael A. WinkelmanPhebe: Good shepherd, tell this youth what 'tis to love. Silvius: It is to be all made of sighs and tears...—Shakespeare, As You Like It (5.2.83–84)ISighs and tears permeate John Donne's poetry, as well they should. Crying in particular functions as a costly signal in biological terms: a blatant, physiologically-demanding, involuntary indicator of hurt feelings. "Tears dim mine eyes," (...) laments Donne's Sappho ("Sappho to Philaenis," l. 56); they are "Fruits of much grief" in "A Valediction of Weeping" (l. 7).1 The theory of costly signaling, related to the handicap principle, was developed fairly recently by Israeli zoologists Amotz and Avishag Zahavi. As the Zahavis explain: "in order to be effective, signals have to be reliable; in order to be reliable, signals have to be costly."2 Initially their idea was resisted, but it has since become widely accepted and it has proven very helpful in making sense of both animal and human behavior. Wasteful conspicuous consumption among upper-class Americans, as noted a century ago by sociologist Thorstein Veblen, exemplifies this handicap principle in action. Like gazelles jumping in place or stotting rather than running away when wolves appear, it indicates fitness by flaunting excess resources.Shedding tears when feeling sad is an evolved human adaptation that broadcasts unhappiness. The wailing of infants demands attention, and crying does something similar for grown-ups: among other things, it tests the commitment of hearers to appease the distressed. For instance, in Chaucer's tragic medieval romance Troilus and Criseyde, Pandarus advises [End Page 329] Troilus to provoke a suitable reaction from Criseyde by embellishing his billet-doux: "Towchyng thi lettre... Biblotte it with thi teris ek a lite" (touching thy letter... Be-blot it with thy tears a little).3 Early modern authors also knew their importance. In the words of Robert Herrick, "tears are tongues," while Claudius suspects that "There's matter in these sighs, these profound heaves" (Hamlet, 4.1.1).4As a case in point, Donne was overwhelmed by the death of his dear wife Anne in 1617. As his contemporaneous biographer Izaak Walton reported: "his very soul was elemented of nothing but sadness; now, grief took so full a possession of his heart, as to leave no place for joy."5 Donne even hoped to be literally entombed with her soon: "as the grave is become her house, so I would hasten to make it mine also; that we two might there make our beds together in the dark" (Walton, p. 51). His miserable mood was revealed in his initial sermon after her demise:His first motion from his house was to preach, where his beloved wife lay buried (in St. Clement's Church, near Temple-Bar, London) and his text was a part of the Prophet Jeremiah's Lamentation: "Lo, I am the man that have seen affliction."And indeed, his very words and looks testified him to be truly such a man; and they, with the addition of his sighs and tears expressed in his Sermon, did so work upon the affections of his hearers as melted and molded them into a companionable sadness; and so they left the Congregation.(Walton, p. 52)Listeners responded in kind to his honest confessions, a textbook illustration of the empathy generated by crying. (A related issue—how and why literature affects audiences so strongly—is currently generating some very interesting work from New Humanists investigating the question from an evolutionary perspective.)These qualities make sighs and tears fundamental to love poetry. In other words, writers deploy them because they reflect universal states of mind, rather than originating as some arbitrary, socially-constructed literary device. The copious opening sonnet of Petrarch's magnificent Rime sparse codifies the theme:6You who can hear in scattered rhymes the soundof all that sighing which once fed my heartin my first youthful error, when in partI was a person of a different kind—my changing manner as I weep and reason, [End Page 330] between vain aspirations and vain grief,leads everyone who has known... (shrink)