Cognitive archaeologists attempt to infer the cognitive and cultural features of past hominins and their societies from the material record. This task faces the problem of _minimum necessary competence_: as the most sophisticated thinking of ancient hominins may have been in domains that leave no archaeological signature, it is safest to assume that tool production and use reflects only the lower boundary of cognitive capacities. Cognitive archaeology involves selecting a model from the cognitive sciences and then assessing some aspect (...) of the material record through that lens. We give examples to show that background theoretical commitments in cognitive science that inform those models lead to different minimum necessary competence results. This raises an important question: what principles should guide us in selecting a model from the cognitive sciences? We outline two complementary responses to this question. The first involves using _independent_ lines of evidence to converge on a particular capacity. This can then influence model choice. The second is a broader suggestion. Theoretical diversity is a good thing in science, but is only beneficial over a limited amount of time. According to recent modelling work, one way of limiting diversity is to introduce extreme priors. We argue that having a broad spectrum of views in the philosophy of cognitive science may actually help cognitive archaeologists address the problem of minimum necessary competence. (shrink)

A critically acute summary of the main theories about the 'State', from Greek antiquity to the present. The authors highlight the importance of archaeology to our knowledge of how the first States were formed and how they functioned. They also ask what conditions of social production led to the State arising as the self-interested regulator of social relationships.

Musical flutes constructed from bird bone and mammoth ivory begin to appear in the archaeological record from around 40,000 years ago. Due to the different physical demands of acquiring and working with these source materials in order to produce a flute, researchers have speculated about the significance—aesthetic or otherwise—of the use of mammoth ivory as a raw material for flutes. I argue that biological signaling theory provides a theoretical basis for the proposition that mammoth ivory flute production is a (...) signal of increasing social differentiation in Upper Palaeolithic human life. (shrink)

In the last decades, many changes have occurred in scientific publishing, including online publication, data repositories, file formats and standards. The role played by computers in this process rekindled the argument on forms of technical determinism. This paper addresses this old debate by exploring the case of publishing processes in prehistoric archaeology during the second part of the twentieth century, prior to the wide-scale adoption of computers. It investigates the case of a collective and international attempt to standardize the typological (...) analysis of prehistoric lithic objects, coined typologie analytique by Georges Laplace and developed by a group of French, Italian, and Spanish researchers. The aim of this paper is to: 1) present a general bibliometric scenario of prehistoric archaeology publishing in continental Europe; 2) report on the little-known typologie analytique method in archaeology, using publications, archives, and interviews; 3) show how the publication of scientific production was shaped by social (editorial policies, support networks) and material (typography features and publication formats) constraints; and 4) highlight how actors founded resources to control and counterbalance these effects, namely by changing and improving publishing formats. (shrink)

Recent archaeological theory has show that images of the past have carried a particularly strong resonance within modern social groups. This volume explores the immeasurable impact that the phenomenon of archaeology has had on the representation of the past in the modern world. Modern society’s ‘archaeological imagination’ conceives of archaeology as a producer of images of the past which become representations of modern group identities. If archaeology is utilized by public groups to construct and represent identities, then what are archaeologists (...) to do with that public? The very fact that the public is interested in the past and in archaeological research is an opportunity for archaeology to engage that public. Participation in the public’s modern interest in archaeology, however, puts archaeology at risk. The growing role of archaeology and heritage within the economics of tourism, has led to a commodification of archaeological knowledge and experience for consumption. This volume begins a discourse on the implications of performing archaeology in a world dominated by modern trends of mass production, mass replication and representation of cultural forms and mass consumption of images of the past. The contributors explore to what extent we are experiencing a crisis of representation of the past due to contemporary consumption of mass-produced replicas, simulations, images and experiences of the past. To work through this crisis the contributors in this volume are exploring opportunities for development within archaeological thought and practice. Their arguments illustrate a move towards active, participatory and poetic archaeological thought and practice. Rather than focusing on what is produced through process (artifacts, monuments, interpretive centers, etc.), they are concerned with what they are doing, about taking part, about participating reflexively in the tradition of understanding and expressing understanding of the past. This volume does not conjure up romantic beliefs about the project of archaeology, but rather, it signals a fundamental revision of archaeology - not what it is, but what it can do. (shrink)

This paper explores the interplay between cinema and archaeology, focusing on how films interpret and represent historical and theological narratives. Initially, it reviews the evolution of film as a medium that not only entertains but also serves as a conduit for historical education, emphasizing the creation of new cinematic forms that enhance the depiction of archaeological findings. This study then assesses the accuracy of historical representations in film, analyzing the production processes to determine their fidelity to archaeological evidence. Specifically, (...) it examines two historical films, "The Building of the Army" and "The Last Emperor", evaluating how they reconstruct historical events and convey the philosophical ideas of the screenwriters. The analysis reveals that these films achieve a high degree of historical accuracy, with scene layouts and locations corroborating archaeological records with approximately 90% accuracy. Furthermore, the films significantly enhance viewers' historical understanding, increasing it from 67% to 91%, as evidenced by their engagement and the perceived authenticity of the recreations. This paper argues that the fusion of cinematic and archaeological methodologies not only fosters interdisciplinary integration but also deepens the audience's engagement with historical and theological themes. By enhancing the viewer’s appreciation for history through accurately depicted and philosophically rich narratives, films contribute to both educational outcomes and the broader discourse on the intersection of film, archaeology, and theology. (shrink)

Much writing on, first, analogue and, later, digital archives has focused on related power-dynamics and the structuring effects of archives and their technologies on discursive freedom and cultural dynamics. In recent years, however, work within the media archaeology domain, especially by Wolfgang Ernst, has addressed how the specific materialities of digital archives, and the nature of their algorithms and particular functions, could be seen to facilitate dynamics in cultures. This article sets this work in dialogue with the cultural semiotics of (...) Juri Lotman, whose late work focused on how communicative processes between and within different subsystems of culture facilitate their dynamic change and the production of new forms and cultural systems. The article suggests further interdisciplinary dialogue between media archaeology and cultural semiotics in order to understand the role of archives in facilitating communicative processes and interlinking in culture and the emergence of novelties – that is, for understanding the ‘creativity’ of archives. (shrink)

Between 1968 and 1975, international and multidisciplinary rescue excavations were undertaken in Eastern Turkey before the construction of the Keban Dam. This article focuses on three specific visual techniques (the artifact typology, the trench shot, and the gridded map) found in the site reports of this salvage project, in order to analyze the way archaeology visually defines its object(s) of study. While scientific excavations make discoveries of the past visible, their representations in the discipline’s final publications conceal the human agents (...) responsible for them. In other words, as tools of visualization foreground archaeological knowledge, the conditions of its production are concurrently sidelined. By relegating the messy process of “digging” to the background, archaeology’s techniques of visualization allow its practitioners to see the past, and all of its objects, from a distant present located “nowhere.”. (shrink)

In evolutionary cognitive archaeology, the school of thought associated with the traditional framework has been deeply influenced by cognitivist intuitions, which have led to the formulation of mentalistic and disembodied cognitive explanations to address the emergence of artifacts within the archaeological record of ancient hominins. Recently, some approaches in this domain have further enforced this view, by arguing that artifacts are passive means to broadcast/perpetuate meanings that are thoroughly internal to the mind. These meanings are conveyed either in the form (...) of a Language of Thought, constituted by sub-personal, content-bearing mental representations, or in that of a natural language. In both cases, however, material culture stands as the physical derivative of computations run over representations, which include abstract concepts, semantic relationships, and meta-representations about intensional states, a conception hereby indicated as “representational apriorism”. In this paper, I will argue that such mentalistic models are plagued by the fundamental problems of content, substance, and origin, which affect the representational substrates required for the production of artifacts. At the same time, these models fail the criterion of minimalism at the crux of conditional cognitive archaeology, because they propose overly costly explanations which are insufficiently constrained by material evidence. An alternative proposal, based on the principles of radical enactive cognitive science, is hereby introduced in order to counter this mentalistic drift. It is concluded that a radical enactive cognitive archaeology is able to dissolve the deep problems confronting the mentalistic paradigm, while providing minimalistic cognitive explanations about the emergence of Paleolithic artifacts. (shrink)

This paper briefly examines the concept of the ancient mode of production as expressed in Karl Marx’s Formations. It looks at how twentieth-century Marxist historiography picks up this concept in its characterisation of the Greco-Roman city-state. It explores the feasibility of the use of the concept in relation to the advancement of knowledge of the city-state, especially through the development of archaeology. It examines how social classes are structured and relations of exploitation are presented. And it analyses the need (...) for politics in the organisation of this socio-economic form in terms of how it is joined up with the social relations of production. (shrink)

In The Order of Things, Michel Foucault describes the task of the philosophical archaeologist: to study the incommensurable breaks and disruptions in a given history of systems of thought. Akin to the distinctive layers of soil one finds digging into the earth, Foucault analyzes what he calls an episteme: a distinctive cultural and intellectual order that shapes the character and limits of knowledge production and the parameters of experience as such.1 Where archaeology sees radical breaks between epistemes, Foucault's later (...) genealogical method goes to work upon these breaks, engaging them in their contingencies, decentering and denaturalizing those things—madness, criminality, sexuality—that we take to be... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in IndiaDan ArnoldBones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in India. By Gregory Schopen. Honolulu: University of Hawai'i Press, 1997. Pp. xvii + 298.For over twenty years now, Gregory Schopen has prolifically been producing articles on the archaeology, epigraphy, and texts that pertain (...) to Indian Buddhist monasticism. Schopen's treatment of this material has been extremely insightful and original, and his work has been instrumental in overturning many of the cherished convictions that had long constituted the "received wisdom" of Buddhist studies. In particular, his articles have prompted significant revision in thought regarding the development of Mahāyāna and regarding the role of the monastic religious in Buddhist cultic life.With the publication of this collection of Schopen's essays, Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in India (the first of two such volumes, according to the Preface by Donald Lopez), Schopen's work stands to receive a wider hearing, and so to extend its already significant influence in the field of Buddhist studies. This is as it should be; for all scholars in the field are very much in Schopen's debt for the illuminating interpretations and conclusions that he has distilled from monumental amounts of epigraphical data. While Schopen has devoted care to the edition, translation, and interpretation of manuscript remains from Gilgit (chiefly, the Vinaya of the Mūlasarvāstivādins), his most characteristic and original interpretations have been of the kind of "donative inscriptions" attached to the material remains of Indian Buddhist cultic life—a task that requires, among other things, a rare expertise across the range of Middle Indic dialects. In deploying such expertise, Schopen has presented compelling evidence, for example, that it was in fact monks and nuns who sponsored the kinds of practices typically associated with the rise of Mahāyāna—a conclusion that counters the long-unchallenged view that it was Buddhist laypeople who initiated this movement. It would be good indeed if such conclusions, as well as the exemplary scholarship that warrants them, were to have influence in proportion to their originality and importance.Still, it must be said that the presentation of the essays collected in this volume also reveals one important problem, and it is to be hoped that this feature does not become entrenched as part of Schopen's influence. For particularly when reading these essays all at once, one is struck by the recurrent statement of a specious dichotomy between what religious people "actually did," and what canonical texts say they should have done. Overcorrecting the biases of his philological predecessors, Schopen insists on this dichotomy in a way, it seems to me, that reflects a problematic view of how canonical texts must have been used—a view according to [End Page 620] which, if attested behavior contradicts such texts, they must simply not have been used.The influential essay "Two Problems in the History of Indian Buddhism: The Layman/Monk Distinction and the Doctrines of the Transference of Merit" (reprinted as chapter 2 of this volume) clearly exemplifies the pattern of Schopen's work. He starts by arguing (contra the presupposition of many of his predecessors) that there is little basis for taking the Pāli canon as reflecting anything like the state of practice at an early point in history. He then goes on to show (on the basis of donative inscriptions that are much more reliably datable indicators of what was happening on the ground) that, contrary to what the "canon" would lead us to expect, it was in fact chiefly monks and nuns who sponsored the production of cultic images. This evidence calls for the recognition that "from its first appearance in inscriptions, the Mahāyāna was a monk-dominated movement" (p. 32); that "not only was the image cult overwhelmingly a monastic concern, it was also, on the basis of the available information, a monastically initiated cult" (p. 32); and that, "All of... [the] monks [involved] were doctrinal specialists... (shrink)

We used optical neuroimaging to explore the extent of functional overlap between working memory (WM) networks involved in language and Early Stone Age toolmaking behaviors. Oldowan tool production activates two verbal WM areas, but the functions of these areas are indistinguishable from general auditory WM, suggesting that the first hominin toolmakers relied on early precursors of verbal WM to make simple flake tools. Early Acheulian toolmaking elicits activity in a region bordering on Broca’s area that is involved in both (...) visual and verbal WM tasks. The sensorimotor and mirror neurons in this area, along with enhancement of general WM capabilities around 1.8 million years ago, may have provided the scaffolding upon which a WM network dedicated to processing exclusively linguistic information could evolve. In the road map going forward, neuro-archaeologists should investigate the trajectory of WM over the course of human evolution to better understand its contribution to language origins. (shrink)

Wynn shows that intentionally standardized artifacts (handaxes) provide evidence of the ability to conceptualize form (symmetry). However, such conceptual ability is not sufficient for the actual production of these forms. Stone knapping is a concrete skill that is acquired in the real world. Appreciation of its perceptual-motor foundations and the broader issues surrounding skill acquisition may lead to further important insights into human cognitive evolution.

Two contrasting approaches to the genesis of the Luzūmiyya rhymed in Ṭasmu serve as entry points into Abū l-ʿAlāʾ al-Maʿarrī’s double-rhymed diwan, Luzūm mā lā yalzam. The first takes the seventh/thirteenth-century litterateur Ibn al-Qifṭī’s account of the Umayyad caliph al-Walīd’s Mosque of Damascus excavations, which was read before al-Maʿarrī, as the inspiration for the poem. This reading elicits the metaphorical connection, through the ubi sunt topos of the Arabic nasīb, between the extinct Arab tribe Ṭasm and the long-lost civilization unearthed (...) in Damascus, and, further, the high irony with which the poem predicts the ineluctable annihilation of Islam itself. The second reading interprets the poem as the product of the extreme double-rhyme strictures al-Maʿarrī has imposed on himself—here the rhyme in -smu. The use of Ṭasm/ṭasm inexorably drives the poem from the lore of tribal extermination to the lexical and motival world of the nasīb. (shrink)

The ambition of “scientific creationism” is to prove that science actually confirms religion. This is especially true in the case of Muslim creationism, which adopts a reasoning of a syllogistic type: divine revelation is truth; good science confirms truth; divine revelation is henceforth scientifically proven. Harun Yahya is a prominent Muslim “creationist” whose website hosts many texts and documentary films, among which “Evidence of the true faith in historical sources”. This is a small audiovisual production which, starting from some (...) archeological files, seeks to demonstrate that Qur’an truth precedes science but is equally proven by it. In this paper, we examine the organization of the scientific and religious argumentative repertoires and, in particular, what in each of them is taken as evidence and gets access to an authoritative status. It leads us to show how much this type of Muslim creationism constitutes a kind of scientism. (shrink)

The first traces the production of numerous stone tools from the period of the Plio-Pleistocene represent a deep antiquity technical processes in the context of human evolution. Determining cognitive ability needed to convey the first hominids manufacture of stone tools is a challenge for the cognitive archaeology. Currently, thanks to archaeological discoveries and the development of cognitive science we can try to restore all the necessary treatments aimed at the production and use of stone tools along with a (...) broad understanding of their underlying cognitive processes. Analyses based on empirical data derived from Lokalalei – one of the oldest archaeological sites – indicate that the hominids comprehensive understanding of the principles of producing stone tools already at their very beginning. (shrink)

Kant's revolution in methodology limited metaphysics to the conditions of possible experience. Since, following Hume, analysis—the “method of discovery” in early modern physics—could no longer ground itself in sense or in God's constituting reason a new arché, “origin” and “principle,” was required, which Kant found in the synthesis of the productive imagination, the common root of sensibility and understanding. Charles Bigger argues that this imaginative “between” recapitulates the ancient Gaia myth which, as used by Plato in the Timaeus, offers a (...) way into this originary arché. Since it depends on myth and the “likely story” rather than on a self-certain apprehension of Being, this facilitates an imaginative approach to the natural sciences which, through its synthetic a priori formations, can claim to be Kantian. Bigger explores Kant's ethics as an alternative to metaphysics that holds open the prospect of a Good beyond Being—and phenomenology—whose traces nevertheless appear in original synthesis. Though wary of its reductive implications, Bigger uses Derrida's difference, a medial, feminine arché, as a way into this creative and procreative metaxu. As Emmanuel Levinas suggests, this is Plato's gap [chaos] between being and becoming, whose possibility, beyond both, lies in chora and the Good. This Open also presents the possibility for a new, yet still Kantian, understanding of the formal and material conditions for the natural sciences. (shrink)

Like any science, archaeology relies on trust between actors involved in the production of knowledge. In the early history of archaeology, this epistemic trust was complicated by histories of Orientalism in the Middle East and colonialism more broadly. The racial and power dynamics underpinning 19th- and early 20th-century archaeology precluded the possibility of interpersonal moral trust between foreign archaeologists and locally hired labourers. In light of this, archaeologists created systems of reward, punishment, and surveillance to ensure the honest behaviour (...) of site workers. They thus invented a set of structural conditions that produced sufficient epistemic trust for archaeological research to proceed—a system that continues to shape archaeology to the present day. (shrink)

Since the 1970s, archaeology has been very rapidly professionalized with the evolution of the French administration and the explosion of preventive archaeology positions. The benefits of this rapid evolution must now take into account the non-professional actors whose diversity has also evolved. Indeed, the distance taken by professionals towards the latter is increasing a little more every day. Yet, for a long time, learned societies and associations have fuelled scientific production. Some have even led to the creation of research (...) centres, sometimes associated with the creation of a museum. These large-scale initiatives from legal entities may also be found in the case of individuals. To very different degrees, many other volunteer archaeologists, sometimes defining themselves as independent researchers, have contributed to knowledge about human beings through an archaeological approach. Some have even become professionals. Through the presentation of the contributions and limitations of the various non-professional research actors, we highlight the importance of strengthening the link between professionals and non-professionals for tomorrow’s archaeological research in mode3 science 4.0. (shrink)

This paper outlines an approach for comparing Edmund Husserl’s late historical-teleological reflections in the Crisis of the European Sciences with Michel Foucault’s archaeology of discursive formations in his Archaeology of Knowledge, with a particular emphasis on the notion of an “historical apriori.” The argument is that each conception of historical reflection complements the other by opening up a depth dimension that moves beyond the traditional limits of the philosophy of history. In Husserl, the concept of the lifeworld fixes the parameters (...) of a “deep history” as the horizon of anonymous subjective comportment, while in Foucault the concept of the archive delimits an alternative deep history of the anonymous production of discursive formations. Together, Husserl and Foucault represent two important moments of the radicalization of the theme of history in twentieth century philosophy, one seeking to extend the limits of transcendental philosophy, the other contesting the domain of the transcendental altogether. (shrink)

This essay is concerned with some of Michel Foucault's writings on art. The author talks about the analyses of painting Foucault conducted during the period in which Foucault was developing the philosophical methodology known as archaeology. Despite archaeology's strong epistemological orientation, that methodology gives rise to a form of seeing that suspends the imperatives for the production of meaning that accrue around works of art. Some of the consequences of this suspension are explored in the final section of this (...) essay where the author describes archaeology as giving rise to an artistic‐philosophical thought that operates outside of the bounds of truth and falsity. The author contends that it is particularly well suited for approaching the artistic products created during and after the breakup of mimesis, the European cultural paradigm that articulated strong connections between art – considered as representation – and reality. (shrink)

Based on the observation of a loss of thickness in archaeological ethics – “ethical-washing” by which ethics is restricted to the production of records of archaeological data on the one hand, and to corporate social communication on the other – this article examines the evolution of the archaeological profession and its loss of subjective meaning. Based on a concrete case of contract work experience in rescue archaeology in the United Kingdom, and interviews with professionals in preventive archaeology in France, (...) this article questions the influence on this dynamic of a managerial rhetoric linked to neocapitalism. It concludes by proposing for archaeology and archaeologists, some means to resist submission to the development imperatives of planners, discussed with the public at the “Archaeo-Ethics” conference. (shrink)

Research in archaeology and anthropology on the evolution of modern patterns of human behavior often makes use of general theories of signs, usually derived from semiotics. Recent work generalizing David Lewis’ 1969 model of signaling provides a better theory of signs than those currently in use. This approach is based on the coevolution of behaviors of sign production and sign interpretation. I discuss these models and then look at applications to human prehistoric behavior, focusing on body ornamentation, tools, and (...) other artifacts. (shrink)

An epochal archaeology of the labor power that has been cultivated in the human body over the last two thousand years. If Marx's opus Capital provided the foundational account of the forces of production in all of their objective, machine formats, what happens when the concepts of political economy are applied not to dead labor, but to its living counterpart, the human subject? The result is Alexander Kluge and Oskar Negt's History and Obstinacy, a groundbreaking archaeology of the labor (...) power that has been cultivated in the human body over the last two thousand years. Supplementing classical political economy with the insights of fields ranging from psychoanalysis and phenomenology to evolutionary anthropology and systems theory, History and Obstinacy reaches down into the deepest strata of unconscious thought, genetic memory, and cellular life to examine the complex ecology of expropriation and resistance. First published in German 1981, and never before translated into English, this epochal collaboration between Kluge and Negt has now been edited, expanded, and updated by the authors in response to global developments of the last decade to create an entirely new analysis of "the capitalism within us.". (shrink)

This article uses Egyptian burials of the Roman period as an entry point for considering aesthetics in relation to archaeology, ancient art, and human remains. Although some archaeologists and Egyptologists reject or ignore the concept of aesthetics, this article argues that it complements questions of ontology, materiality, and social practice that concern much contemporary archaeological thought. Moreover, engaging with aesthetics in the study of the ancient world requires archaeologists to reflect critically on the relationship between disciplinary histories and knowledge (...) class='Hi'>production, and to recognize the influence that earlier aesthetic models, such as racial science, continue to exert in current aesthetic encounters with ancient Egypt and its dead. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Vexed Pharmacopeia: Musings on Two Thousand Years of Scholarship Regarding the Ancient Spice Trade ROGER MICHEL ALEXY KARENOWSKA GEORGE ALTSHULER MATTHEW COBB Alice went back to the table. She found a little bottle on it, and round the neck of the bottle was a paper label, with the words “DRINK ME” beautifully printed on it in large letters. It was all very well to say “Drink me,” but (...) the wise little Alice was not going to do that in a hurry. “No, I’ll look first,” she said, “and see whether it’s marked ‘poison’ or not.” However, the bottle was not marked “poison,” so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast), she very soon finished it off. “What a curious feeling!” said Alice. —Lewis Carroll, Alice’s Adventures in Wonderland (1865) যে ব্যামোর দেখবেন সাতান্ন রকমের ওষুধ, বুঝে নেবেন, সে ব্যামো ওষুধে সারে না।1 —Syed Mujtaba Ali, চাচা কাহিনী (1955) introduction Mankind’s fascination with spice dates back at least 8,000 years—both culinary and medicinal herbs are referenced in the Vedas, Hinduism’s oldest religious text. Spice is also peppered throughout the Old Testament.2 The Song of Solomon recites: “Thy plants are an orchard of pomegranates, with pleasant fruits; camphire, with spikearion 28.1 spring/summer 2020 2 a vexed pharmacopeia nard and saffron; calamus and cinnamon, with all trees of frankincense; myrrh and aloes, with all the chief spices.”3 Every one of these fruits, plants and spices remained popular in the West throughout antiquity, into the Middle Ages, and beyond. As early as 3000 bc, trade routes had connected the Mediterranean to the near east. Courtesy of this “Spice Road,” ancient Mediterranean civilizations had access to a wide range of horseradishes, mustards, peppers, gingers and other spices. The Greeks and Romans had a special relationship with black pepper—so much so that four out of five recipes in Apicius’s famous 1st century cookbook4 called for a sprinkling of this sometimes-costly commodity. It is perhaps not coincidental that black pepper contains heat-producing alkaloids very similar to those found in New World chili peppers. Much has been written about the important role of chilis in South and Central American culture—a region that, by the Middle Ages, was in many respects the equal of Europe in “artistic sensibility, social complexity, and political organization.”5 The habanero and its capsainoid cousins were at the heart of the culinary and ceremonial customs of Mesoamerica, their biting heat and florid livery an apt metaphor for the “extravagant feats of human butchery”6 —very much in the tradition of the spectacular venationes of ancient Rome—for which the Aztecs at least were well known. To what extent was hot spice also a significant part of the culinary, medical and cultural landscape of the Old World? At a conference hosted by the Institute for Digital Archaeology at the University of Oxford last December, experts from Europe and North America examined the literary, historical, archaeological and scientific evidence around these questions. Their inquiry received a boost from new and rapidly developing techniques for examining the physical evidence of ancient diet and food production—laboratory techniques not available even five years ago. There was also fresh medical evidence to consider: significant research is being done in the area of chemosensation in the context of spicy foods. This Roger Michel, Alexy Karenowska, George Altshuler, Matthew Cobb 3 includes trying to understand how different so-called “TRP channels” in the nervous system process spice information— in particular, the connection between spice and endorphin levels. It appears that many of the hot spices available in antiquity could potentially trigger the same TRP channels as the capsaicin-charged Mesoamerican peppers. This creates a nice connection between old and new world spice that helps to explain and contextualize both. However, in the end, firm conclusions at the Oxford conference were scarce. It quickly became clear that more work, a greater diversity of viewpoints, better refined questions, and a change of venue were required to make additional progress. To paraphrase William Boot, the accidental protagonist of Evelyn Waugh’s autobiographical Scoop (wherein events around... (shrink)

Exploring materialism and social relationships in modern culture Material Culture and Mass Consumption offers an in-depth exploration of objects, objectification, ideology, and materialism in modern society. Drawing from Hegel, Marx, Munn, and Simmel, the discussion delves into the physicality of the material world and attempts to understand materialism as a form of cultural expression. Targeting mass production as the root of mass consumption, rather than the result, this book positions material goods at odds with genuine social interaction and questions (...) these relationships from the abstract to the intensely specific. (shrink)

A study of the shaping of the blocks of the temple of Aphrodite necessitates a revision of the question of the geometrie definition of the so-called "Nabatean" capitals and an examination of their possible links with the contemporay models with acanthus leaves. Experimental archaeology applied to the carving of a stone example on a quarter scale makes it possible to put forward concrete and confident suggestions in this matter. It can be shown that, starting with a capital of this type, (...) it is possible to continue shaping it so as to produce a model with acanthus leaves, but the production of the latter does not involve the same geometrie precision in its roughly hewn phase. The first from the start is conceived and carved to be presented definitively in this state, while the dressing of the second is generally too rough and imprecise for it to be later transformed into a capital of Nabatean type. The experiment has also made it possible to define clearly the different practical stages in the carving of this member. (shrink)

This article is concerned with the affective relationship among bodies and film technologies in the process of building and using filmmaking instruments, taking as its object the early Rotoscope, a device patented by the legendary American animator Max Fleischer that entailed the projection of live-action film for use as a template in the drawing of animated figures, to which the live-action trace was thought to impart life-like, normative patterns of movement. Drawing from media archaeology, psychoanalytic theories of repetition, projection, and (...) condensation, and object relations theory, this article offers an interpretation of some of the kinds of psychic interactions offered in animated film through traces of the Rotoscope’s production history found in the device’s patent drawings, its patent embodiments, and its published family legend. It is proposed that the device was the locus of a collective fraternal performance, serving as a shared ground for an array of condensations and displacements and enactments of repetition compulsion among the multiple bodies engaged in the production of the device, as well as among the multiple animated and live-action film bodies that crossed its production screens and patent pages. One objective of this article is to shift the interpretive and analytic focus in film studies from the filmstrip and the projected screen image to the relationship between bodies and technologies in the experience of making films, and making the filmic apparatus. A secondary objective of this article is to suggest that the approach to bodily movement embedded in the design of the Rotoscope was hardly normative. The device offered a means to stretch and distort both norms and stereotypes of human expression through movement. The rotoscoped body sometimes performed in ways that pushed the limits of viewer expectations about how a given body will, or should, move, in space or across the screen. (shrink)

When translated into concrete policy, any allocation of emissions leads to the attribution of emissions rights based on distributive justice. Consequently, the distributive justice approach legitimizes the corresponding amount of emissions. If a certain level of emissions can receive emissions rights, provided they are compatible with a certain emissions budget, to allocate emissions rights when the dangerous concentration level has been overshot could understate the need to preserve the functioning of a “balanced” climate system. From the perspective of Foucault’s archaeology (...) of knowledge, and with the purpose of assessing the epistemology of climate justice, it will be possible to question the possible importation of the mode of production of norms of social law into climate mitigation justice. Additionally, it will be questioned whether the amount of anthropogenic emissions rights can be provided by “the laws of nature” and whether and how the no‑harm principle can contribute to the epistemological relevance of the narrative of climate justice. (shrink)

ABSTRACT This essay examines drawings of antiquities in the context of the history of early modern scientific illustration. The role of illustrations in the establishment of archaeology as a discipline is assessed, and the emergence of a graphic style for representing artifacts is shown to be closely connected to the development of scientific illustration in the seventeenth and early eighteenth centuries. The essay argues that the production of conventionalized drawings of antiquities during this period represents a fundamental shift in (...) the approach to ancient material culture, signifying the recognition of objects as evidence. As has been demonstrated in other scientific fields, the creation of a visual system for recording objects was central to the acceptance of artifacts as “data” that could be organized into groups, classified as types, and analyzed to gain knowledge of the past. (shrink)

Bible translation over the past half century has increasingly supplemented its traditional philological-linguistic approach with a wide variety of disciplines ranging from archaeology to cultural studies. This turn toward an interdisciplinary approach is especially true of new media Bible translation with its theory and practice now engaging virtually every digital and screen medium. Not surprisingly, (new media) Bible translation has discovered the field of semiotics, thanks in large measure to the work of translation scholars such as Dinda L. Gorlée and (...) Ubaldo Stecconi, whose pioneering research into Charles Sanders Peirce has unearthed a gold mine of conceptual and even practical applications of semiotics to translation research, training, evaluation, and production. In this essay, we set out some of the foundational elements of Peircean semiotics in its application to Bible translation, including new media Bible translation. In particular, the insights of semiotics into the process of sign production and meaning making will add exponentially to the resources for Bible translators. (shrink)

Insects reevaluated as archives foreground possible sites of multidisciplinary research, with multifaceted potential for the history of science. With different disciplinary approaches to the study of small animals and the production of collections, the history of science, archaeology, environmental history, and natural history are brought into conversation in this forum on “Collection Ecologies.” This exchange about collections as a web of relationships entailing regimes of value, epistemes of logistics, and bureaucratic and scientific practices explores how multidisciplinary knowledge of “natural” (...) bodies can be formed around insect collections. (shrink)

With the publication of The Use of Bodies (2016) Agamben's multi-volume Homo Sacer project has come to an end, or to paraphrase Agamben, has been abandoned. We now have a new vantage point from which to reread Agamben's corpus; not only his method but his political and philosophical thought can been seen in a clearer light. This timely book both assesses and contributes to the debates on the Homo Sacer project in its entirety. Rethinking the notions of life and power (...) - two of the central themes in Agamben's work - through a reconstruction of his philosophical method and the examination of his critique of Western metaphysics, this book argues that Agamben's thought cannot be fully grasped if we do not account for the intertwining of politics and ontology. This book argues that it is only by revisiting Agamben's critique of signification and metaphysics and examining his reconstruction of the archaeological method that we can understand his notions of life and power. By bringing together the two parts of the Homo Sacer project, the archaeology of the signature of Sovereignty and the archaeology of governmentality, this book provides an analysis of the production of Agambenian 'bare life'. In this sense this project re-articulates Agamben's works on signification, language and ontology with his archaeology of power. Offering an original examination of Agamben's notion of resistance, this is essential reading for any thoughtful consideration of his philosophical legacy. (shrink)

This book digs into the complex archaeology of empathy illuminating controversies, epistemic problems and unanswered questions encapsulated within its cross-disciplinary history. The authors ask how a neutral innate capacity to directly understand the actions and feelings of others becomes charged with emotion and moral values associated with altruism or caregiving. They explore how the discovery of the mirror neuron system and its interpretation as the neurobiological basis of empathy has stimulated such an enormous body of research and how in a (...) number of these studies, the moral values and social attitudes underlying empathy in human perception and action are conceptualized as universal traits. It is argued that in the humanities the historical, cultural and scientific genealogies of empathy and its forerunners, such as Einfühlung, have been shown to depend on historical preconditions, cultural procedures, and symbolic systems of production. The multiple semantics of empathy and related concepts are discussed in the context of their cultural and historical foundations, raising questions about these cross-disciplinary constellations. This volume will be of interest to scholars of psychology, art history, cultural research, history of science, literary studies, neuroscience, philosophy and psychoanalysis. (shrink)

From a largely Western phenomenon, the “animal turn” has, in recent years, gone global. Animals and Human Society in Asia: Historical, Cultural and Ethical Perspectives is just such a timely product that testifies to this trend.But why Asia? The editors, in their very helpful overview essay, have from the outset justified the volume's focus on Asia and ensured that this is not simply a matter of lacuna filling. The reasons they set out include: the fact that Asia is the cradle (...) of early human settlement and animal domestication; Asia encompasses an extreme diversity of closely connected ecosystems and human cultures; Asia is the place where the world's major religions originated; and, as in other parts of the world, Asia's use of animals for food and other utilitarian purposes constitutes a prominent feature of its culture. All of these factors, they argue, made Asia a unique lab for the exploration of major developments in human civilization and the complexities of human-animal interactions.Based on these premises, the book is divided into four parts, each concentrating on areas that the editors consider to have paramount significance in world history: Part I, “Hunting and Domestication”; Part II “Animals as Food”; Part III “Animals at War”; and Part IV “Animals in Culture and Religion.” As many good works on animal studies do, the volume adopts a truly cross-disciplinary approach, uniting scholars from disciplines as diverse as archaeology, history, anthropology, art, religion, literature, and cultural studies. It too takes an interregional approach and covers a vast geographical area, stretching from the western edge of Asia in the Levant to Central Asia, where once roamed the horses of the nomadic pastoral tribes, to the other end of Asia, including India, China, and Japan. Temporally impressive as well, the work takes us from the deep history of the Paleolithic period up to the contemporary world, exploring the diverse roles that a wide range of animals—horses, donkeys, camels, elephants, tigers, and so forth—have played in Asia's rich and unique past and present.Strong in archaeology, Part I, “Hunting and Domestication,” responds to the much-called for “deep” or “coevolutionary” history of human-animal relations in recent years. The three chapters discuss, respectively, the roles that proboscideans have played in the diet and culture of early societies in Paleolithic China and beyond; the ways in which animals of all sizes have been increasingly integrated into the diet, daily uses, trade, and warfare in Holocene Negev; and the diversifying roles played by donkeys in the early Bronze Age in Southern Levant as a food source, a means of transport and in ritual sacrifices. Together, they demonstrate, with reference to telling archaeological evidence how the early societies in this region have been highly dependent upon the increasingly sophisticated interactions with and uses of mega-herbivores in the protracted and by no means clear-cut transition from hunting and herding towards the agricultural way of life, affirming the co-existing and co-constituting relations between humans and other animals in the deep past of Asia.The chapters in the section on “Animals at War” equally reveal the crucial roles that animals have played in the military sphere, as either a practical war technology or a show of military power. “Elephants in Mongol History” revisits the thesis of elephant-mounted troops in South and Southeast Asia as a barrier to Mongol expansion. Through its lively account of the pivotal battles in Mongolian history, especially that against India and China, it illustrates with great success the complex interactions between animals (especially elephants, horses, and humans), technology, and the geographical environment, which jointly exercised their influence on the outcome of warfare and degree of success of political rule. Turning away from the dynamic of warfare, the following two chapters explore the biopolitical question of the management of the horse as a bio-resource in the Mamluk Sultanate of Egypt and Syria (1250–1517) and early Ming Dynasty China, respectively. The first one places its focus on the breeding, procurement, and feeding of the horse subjects in question, while the latter concentrates on the human organization of various resources for the upkeep of government horses—a conventional area of study called “horse administration” in the institutional history of the government in China.The last section, “Animals in Culture and Religion,” examines the changing images of apex predators, such as lions and tigers, in Buddhist perceptions from South Asia to East Asia; the cult of the Horse King in late Imperial China; and the significance of animal signs in Mongolian historiography. They represent an established approach in animal studies that seeks to understand different aspects of human culture through symbolic or metaphorical animals. Instead of treating the animals discussed as mere abstractions, which has been a frequent criticism of works that adopt this approach, the relations between the symbolic animals and their prototype in the natural world were attentively explored. The essay on the cult of the Horse King, for example, closely links the wax and wane of the cult since late imperial China with the changing use and subsequent disuse of the actual horses in agriculture, transportation, commerce, and quotidian life. Yet, classic as these essays on symbolic animals are, one does feel slightly unsatiated when coming to the end of this section, which also marks the end of this volume. Having been reminded early in the introductory essay that Asia was “a major site for the emergence of moral teachings and ethical guidance on the treatment of animals” and how this legacy “still affects the lives of billions of humans to this very day,” one feels naturally rather let down that no article in this volume directly addresses this vital ethical dimension, especially since it belongs to a series on “animal ethics.”Indeed, regarding the task of placing either the nonhuman animals or the ethical relations between humans and other animals center stage, the essays in this volume achieve only varying levels of success. Some authors exhibit a more acute awareness of what “animal studies” or “animal ethics” might entail epistemically and methodically and experiment by paying closer attention to the species-specific characteristics, experience, and agency of nonhuman animals in order to cast off the deified anthropocentrism previously ruled in humanist scholarship. However, others have made no such attempt. For example, in Part II of “Animals as Food,” an essay on the production and consumption of milk in contemporary China, albeit alert to the issue of health hazards to consumers, omits any consideration of the subject from the dairy cows’ perspective under the modern intensive farming system. Moreover, otherwise superb research on the tuna-fishing industry in Japan, with its insightful discussion of the nexus between knowledge economies and imperial politics, too passes over any discussion of the fate of the tuna, whether collectively as a group of living organisms containing 15 species or individually as animals with an embodied experience. One does ponder whether these essays would fit better in a volume on the cultural history of food or on the entwining history of knowledge production, economics, and politics, which conventionally position human interests at the center of research.Taken as a whole, this is an impressive volume that directs our attention to the hitherto understudied world of Asia in animal studies. The long durée, with its interdisciplinary and interregional approach, also most powerfully presents a past in Asia that could not have been the same without the participation of animals at every level, from everyday life to the shaping of cultural values, the construction of belief systems, the building of a national identity, and even the rise and fall of regimes. Scholars and students interested in expanding the frontier of our understanding of the world with a more inclusive “we” should find a wealth of interesting subjects on which to build further research. Finally, the volume also presents a fitting occasion for all scholars committed to animal studies to consider the grave challenge confronting the field that arose alongside its growing respectability and rapid expansion: Should it be oriented toward the destabilization of our previously anthropocentric conception of the world? Or should no such perimeter be imposed, as in this volume? The overall breadth and limitations of this volume leave one pondering this issue. (shrink)

This paper examines the inferential framework employed by Palaeolithic cognitive archaeologists, using the work of Wynn and Coolidge as a case study. I begin by distinguishing minimal-capacity inferences from cognitive-transition inferences. Minimal-capacity inferences attempt to infer the cognitive prerequisites required for the production of a technology. Cognitive-transition inferences use transitions in technological complexity to infer transitions in cognitive evolution. I argue that cognitive archaeology has typically used cognitive-transition inferences informed by minimal-capacity inferences, and that this reflects a tendency to (...) favour cognitive explanations for transitions in technological complexity. Next I look at two alternative explanations for transitions in technological complexity: the demographic hypothesis and the environmental hypothesis. This presents us with a dilemma: either reject these alternative explanations or reject traditional cognitive-transition inferences. Rejecting the former is unappealing as there is strong evidence that demographic and environmental influences play some causal role in technological transitions. Rejecting the latter is unappealing as it means abandoning the idea that technological transitions tell us anything about transitions in hominin cognitive evolution. I finish by briefly outlining some conceptual tools from the philosophical literature that might help shed some light on the problem. (shrink)

From 1827 to 1831 the German historian Leopold von Ranke travelled through Germany, Austria, and Italy, hunting for documents and archives. During this journey Ranke developed a new model for historical research that transformed the archive into the most important site for the production of historical knowledge. Within the archive, Ranke claimed, the trained historian could forget his personal predispositions and political loyalties, and write objective history. This essay critically examines Ranke's model for historical research through a study of (...) the obstacles, frustrations, and joys that he encountered on his journey. It shows how Ranke's archival experiences inspired him to re-evaluate his own identity as a historian and as a human being, and investigates some of the affiliations between his model for historical research and the political realities of Prince Metternich's European order. Finally, the essay compares Ranke's historical discipline to other nineteenth-century disciplines, such as anthropology and archaeology. (shrink)

In 1713 the scientific instrument-maker Jakob Leupold published designs for three machines were the first attempt to design machinery with internal moving parts that replaced human agency in creating original images. This paper first analyzes his text and engravings in order to explain how he proposed to do this, given contemporary materials and command of physical forces. Next, it characterizes the devices as a transition from concepts of incision to concepts of mirroring, taken as models of the history of mechanical (...) reproduction. And finally, Leupold’s replacement of the sighting grid with differential gears points to a set of problems appearing in contemporary philosophy represented in Rococo artistic production of this period as well. Taking the proposed devices in context, they help to theorize the complex notions of creative activity in Rococo visual culture. Taken as an episode in the history of communications, they instance the development of conceptions of personhood and of physical forces at stake in the invention of automated media. (shrink)

Prehistory is an invention of the later nineteenth century. It was in this moment of technological progress and the acceleration of production and circulation, that three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to reckon the age of the Earth; second, to find a point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki's Transfixed by Prehistory (...) considers the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if it was considered through these three, at once consecutive and interwoven, inventions of the longue durée? This book attempts to articulate such a history, which turns out to be more complex than that of an inevitable march of progress leading up to the "Anthropocene." Rather, it's a history of stupor, defamiliarization, regressive acceleration and incessant invention, since the "new" was also found in the deep sediments of the Earth. Composed as much of speed as of slowness, as much of change as of deep time, as much of confidence as of skepticism and doubt, modernity is a complex phenomenon that needs to be thought again. This book focuses on this intrinsic tension through major artistic practices (Cézanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Jünger) and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology. (shrink)

As study of knowledge, epistemology attempts at identifying its necessary and sufficient conditions and defining its sources, structure and limits. From this pointof view, until present, there are no applied approaches to the Romanian archaeology. Consequently, my present paper presents an attempt to explore the structural characteristics of the knowledge creation process through the analysis of the results of a series of interviews conducted on Romanian archaeologists. The interviews followed a qualitative approach built upon a semi-structured frame. Apparent data saturation (...) was reached after four interviews within initial target group (senior researchers with institutional authority). Under these conditions a decision was made to continue the interviews within a secondary control group (young doctoral or post-doc researchers guided by members of the initial target group) in order to both verify the observed data saturation and to assess the impact of the attitude of senior researchers towards scientific research on the younger generation. The preliminary results allow to assert that Romanian archaeology is still caught in a highly conservative and intradisciplinarian manner of knowledge production with a negative effect on both new knowledgeproduction and future specialists’ education. (shrink)

У статті підкреслене цивілізаційне значення відкриття перших виробничих металів, розкриті передумови освоєння руд й основні етапи освоєння металів, що пов'язані з багатовіковим досвідом попередньої гірничої діяльності людства. Авторами запропонована гіпотеза народження металургії в надрах сталих спільнот архаїчних гірників, умотивованих не тільки утилітарними, але й сакральними чинниками. Нова гіпотеза розглядається в порівнянні з усталеними версіями випадкового відкриття металів.

UNESCO Universal Declaration on Cultural Diversity (2 November 2001) defines culture with an emphasis on cultural features: “culture should be regarded as the set of distinctive spiritual, material, intellectual and emotional features of society or a social group”, encompassing, “in addition to art and literature, lifestyles, ways of living together, value systems, traditions and beliefs”. Cultural traits are also the primitive of mathematical models of cultural transmission inspired by population genetics, imported and refined by economics. Any serious evaluation of the (...) notion of “cultural trait”, however, requires the interrogation of many disciplines, from cultural anthropology to linguistics, from psychology to archaeology to musicology. The very possibility of assuming the existence of cultural traits is not granted. In order to start a wide interdisciplinary confrontation, we need a sufficiently loose definition of a cultural trait as any trait whose production in individuals depends, to some extent, on social learning; and we need a deflationary interpretive horizon where cultural traits are not expected to provide an exhaustive theory of culture and cultural change. But from there, we can go a long way if each of the involved disciplines enters the debate with a self-presenting attitude, emphasizing its own methodological practices, and explaining whether and how cultural traits have a role in its own research programs and epistemic goals. Are there differences in aspects of culture that are studied by different disciplines? What definitions of cultural traits are on the table? How do we delimit a trait? How is the problem declined at different observational scales, and which scales are most in focus? Do traits travel in geographical space, and how? Are there other relevant spaces? How are traits modified in their diffusion? Is it possible and useful to build models of this diffusion? Only a strong multidisciplinary perspective can help to clarify these problems about cultural traits, by means of which we understand our precious heritage, cultural diversity. (shrink)

The ethical issues facing archaeologists must be considered in close coordination with the legal framework governing their activity. Ethics is defined as a “set of principles and values that guide social and professional behaviour”. It can inspire both laws and professional practices, referring to duties inherent to the exercise of a specific activity. The link between ethics and law, built from these multiple sources, is therefore complex. This contribution aims to understand these multiple forms of normativities and their interactions. Several (...) examples are particularly interesting from this point of view: that of the treatment of funerary archaeology which puts under tension the scientific interest and the principle of human dignity, sometimes also the expression of collective rights; that of scientific production and the sharing of the results and data on which they are based; that of the diligence to be observed in a context of possible looting; and also that of the articulation between scientific and heritage interest. The particular nature of the archaeological heritage, as soon as it is revealed at the moment of a discovery, will give rise to specific rules in both domestic and international law at the intersection of law and deontology, a relationship in which there could be a breach of law by deontology. These forms of internormativity are doubly manifest in the process of patrimonialization and when there is question of the appropriation of tangible elements, such as data. (shrink)

Over three centuries after the 1711 discovery in the choir of Notre-Dame in Paris of a square-section stone bas-relief (the Pillar of the Boatmen) with depictions of several deities, both Gaulish and Roman, the blocks comprising it were analyzed as a symbol of Parisian power, if not autonomy, vis-à-vis the Roman Empire. Variously considered as local, national, or imperial representations, the blocks were a constant object of admiration, interrogation, and speculation among antiquarians of the Republic of Letters. They were also (...) boundary objects – products of the emergence of a Parisian archeology dated from 1711. If this science reflected the tensions and ambiguities of a local regime of knowledge situated in a national context, it also helped to coordinate archeological work between different institutions and actors. This paper would like to assess the specific role played by the Pillar of the Boatmen as a fetish object in this process. To what extent could an archeological artifact influence this reshaping of urban representation, this change of scales? By following the three-century career of the pillar’s blocks as composite objects, which some have identified as merely stones or a column, it is possible to understand the multiple dimensions that defined the object as archeological – as an artifact that contributed to the relocating of the historical city center – and the multiple approaches that transform existing remains into knowledgeable objects. (shrink)