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Prisms
Theodor W. Adorno (ed.)
MIT Press (1981)
Abstract
The eminent critic and scholar analyzes a wide range of topics, including Aldous Huxley's Brave New World, jazz, the music of Bach, and museumsOther Versions
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Citations of this work
Hegel, Adorno and the Origins of Immanent Criticism.James Gordon Finlayson - 2014 - British Journal for the History of Philosophy 22 (6):1142-1166.
Adorno, Ethics and Business Ethics.Craig Reeves, Jaakko Nevasto & Matthew Sinnicks - 2025 - In Carolina Machado (ed.), Ethics in Management and Business. Springer. pp. 1-20.
Panels and faces: segmented metaphors and reconstituted time in Art Spiegelman's Maus.Liam Kruger - 2015 - Critical Arts: South-North Cultural and Media Studies 29 (3):357-366.
Corporate social responsibility as cultural meaning management: a critique of the marketing of 'ethical' bottled water.Vinicius Brei & Steffen Böhm - 2011 - Business Ethics, the Environment and Responsibility 20 (3):233-252.
“Moral Distance” in Organizations: An Inquiry into Ethical Violence in the Works of Kafka.Christian Huber & Iain Munro - 2014 - Journal of Business Ethics 124 (2):259-269.
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