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Theodor W. Adorno
Edited by Nicholas Joll
About this topic
| Summary | Theodor W. Adorno (1903–1969) was a first-generation member of the Frankfurt School For Social Research. As was the case with his fellow 'Critical Theorists' Horkheimer and Marcuse et al, his work was interdisciplinary and considerably Marxist. His task, as he saw it, was to use philosophy, sociology and other tools to understand the evils of the past and present, thereby helping to prepare the possibility – he thought one could do little more than that – of a better future. Adorno’s largest philosophical debts are to Kant, Hegel, Marx and Nietzsche. Adorno drew upon those thinkers, and others including Freud and Walter Benjamin, in creating a distinctive approach to metaphysics, epistemology, ethics, aesthetics, and political philosophy. |
| Key works | Adorno’s magnum opus, Negative Dialectics (first published 1966), is as much a critique of metaphysics, epistemology and of systematic philosophy in general as it is a contribution to those endeavours. Somewhat similar – and working via an account of Husserl’s phenomenology – is the earlier Metacritique of Epistemology (first published in 1956). The posthumously published Aesthetic Theory is also very important; given the centrality of aesthetics to Adorno’s philosophy, it is not ‘just’ a work on aesthetics. There are other important works. Dialectic of Enlightenment (co-written with Max Horkheimer; first published in 1947) presents a case that the Enlightenment has disastrously misfired. Minima Moralia (1951) is a careful and quintessentially Adornian aphoristic text, covering many subjects but especially social, political and ethical ones. Hegel: Three Studies (1963) is something of a preparation for Negative Dialectics. Among the recently translated lecture courses, Problems of Moral Philosophy is perhaps the most enlightening. |
| Introductions | Theodor Adorno: Key Concepts, edited by D. Cook, might be the most accessible introduction to this difficult thinker. Other introductions include works by B. O’Connor, G. Rose, S. Jarvis, and chapters 5 and 7 of D. Held. Adorno’s lectures (such as the aforementioned Problems of Moral Philosophy) are also useful as introductions. |
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- Karl-Otto Apel (0)
- Jürgen Habermas (1,998)
- Max Horkheimer (135)
- Walter Benjamin (605)
- Herbert Marcuse (0)
- Critical Theory, Misc (391)
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- An Applied Pathology of Bureaucratic Democracy.Morteza Shahram - manuscriptA Democratic-party counterstrategy against consolidation of power by the Republication party in the USA.
- Totalitarianist Promise of The Free Market (Nature as the Solo Artist of Violence).Morteza Shahram - manuscriptThe Free Market as the synthesis of totalitarianism and anarchism --- The most efficient market is the most politically-concentrated market --- There really needs to be a single consolidated global military as a result of eradicating the military other AND a single consolidated global police as a result of eradicating the military arsenal AND simply total internalization of relations of power as a result of eradicating the polis AND the principle of radical economic sustainability which is simultaneously that of radical (...)
- Governing through conflict: On Adorno's critique of postwar sociology.Yasmin Afshar - forthcoming - Constellations.
- Governing through conflict: On Adorno's critique of postwar sociology.Yasmin Afshar - forthcoming - Wiley: Constellations.
- The" Clatter of Triplicity". Adorno's Reception of Hegel.Daniel Althof - forthcoming - Hegel-Studien.Remove from this listExport citation
Bookmark - The Kantian origin of Adorno's concept of metaphysical experience.Farshid Baghai - forthcoming - European Journal of Philosophy.Metaphysical experience is one of the most obscure concepts in Adorno's Negative Dialectics. The obscurity stems partly from the way in which metaphysical experience is antinomic. To describe the antinomic character of metaphysical experience, Adorno situates it in relation to Kant's first Critique. He distinguishes two conceptions of antinomy in the first Critique: first, the explicit conception of antinomy that the transcendental dialectic exposes and resolves; and second, the implicit conception of antinomy that remains insoluble and structures the first Critique (...)
- Notes on Adorno's 'Resignation'.Aaron Bell - forthcoming - Telos: Critical Theory of the Contemporary:NA.Introduction to and critical examination of Theodor Adorno's essay "Resignation." Deals with the theory/praxis debate, Adorno's confrontation with the radical student movements in the 1960's, and the charge that Adorno was either politically conservative or an ineffective pessimist.
- Ben Watson, Frank Zappa: The Negative Dialectics of Poodle Play.W. Bonefeld - forthcoming - Radical Philosophy.Remove from this listExport citation Bookmark
- Critique et métacritique.R. P. Stanislas Breton - forthcoming - Les Etudes Philosophiques.
- Christoph Menke, The Sovereignty of Art: Aesthetic Negativity in Adorno and Derrida.A. Fisher - forthcoming - Radical Philosophy.Remove from this listExport citation Bookmark
- “A False Classless Society”: Adorno’s social theory revisited.Naveh Frumer - forthcoming - Philosophy and Social Criticism.Philosophy & Social Criticism, Ahead of Print. Adorno’s social theory is enjoying renewed attention, as is the debate to what extent is it Marxist. A central issue remains Adorno’s concept of social totality: capitalism as a fully integrated society in which every difference is levelled. One problem this raises is why is he still committed to the Marxist concept of class. And second, how to understand his critique of the idea of proletarian class-consciousness, which seems to leave his critical theory (...)
- Contra la moderación: El problema de la forma (musical) en Theodor W. Adorno.Marina Hervás Muñoz - forthcoming - Thémata Revista de Filosofía.En este artículo se trata de reconstruir el desarrollo de la idea de forma musical en el pensamiento adorniano a partir de tres textos fundamentales: “Evolución y formas en la nueva música”, “Vers une musique informelle” y “La forma en la nueva música”. A partir de ellos, se pone en relación la forma con la idea de libertad, la imaginación y el color, en cada caso, para mostrar la complejidad del término, así como la relación con otros aspectos clave de (...)
- (1 other version)Adorno's Aesthetic Model of Social Critique.Andrew Huddleston - forthcoming - In Peter E. Gordon, Espen Hammer & Maxim Pensky (eds.), Blackwell Companion to Adorno. Wiley-Blackwell.
- Blumenberg and Habermas on Political Myths.Tae-Yeoun Keum - forthcoming - Political Theory.Myths – symbolically dense narratives in wide cultural circulation that resist critical scrutiny – are often thought to be counterproductive to political discourse, but they are also ubiquitous in contemporary culture and society. Just two years apart, Jürgen Habermas and Hans Blumenberg developed contrasting visions of how we ought to respond to the myths in our society. By reconstructing their disagreement, this paper uncovers the distinctive challenge of balancing a commitment to political emancipation with the distinctive opacity of myths to (...)
- Theodor W. Adorno. Aesthetic Theory.S. Martin - forthcoming - Radical Philosophy.Remove from this listExport citation Bookmark
- JM Bernstein, Adorno: Disenchantment and Ethics.A. Morgan - forthcoming - Radical Philosophy.Remove from this listExport citation Bookmark
- Theodor W. Adorno, Hegel: Three Studies.P. Osborne - forthcoming - Radical Philosophy.Remove from this listExport citation Bookmark
- Beyond the Death-Drive: Psychoanalysis and Social Critique.Delia Popa & Iaan Reynolds - forthcoming - In Dustin Byrd & Seyed Javad Miri (eds.), Sigmund Freud as a Critical Social Theorist: Psychoanalysis and the Neurotic in Contemporary Society. Leiden: Brill.$179.00 new (collection) View on Amazon.comRemove from this list Direct downloadExport citation Bookmark
- Waiting for Godot: The Fragmentation of Hope.Benjamin Randolph - forthcoming - Angelaki: Journal of the Theoretical Humanities.Waiting for Godot’s many commentators have emphasized the absurdity of hope in the play, but there has not been an account of how the play reprises hope’s historical transformation and weakening in modernity. This essay provides that account, arguing that Beckett’s Waiting for Godot sponsors a form of hope appropriate to the predicaments of modern societies. Godot stages the blockage of hope by reflecting the obsolescence and fragmentation of the religious and progressive legitimations for the concept that used to be (...)
- Blaski i cienie idei postępu w filozofii – od Hegla po Adorno i Horkheimera.Karol Staśkiewicz - forthcoming - Archiwum Historii Filozofii I Myśli Społecznej.
- On How to Make Adorno Scream: John Holloway's Concept of Revolution against Class and Identity'.Marcel Stoetzler - forthcoming - Historical Materialism.Remove from this listExport citation Bookmark
- O conceito de identificação no pensamento de Adorno: entre o ajustamento social e a resistência em direção a uma existência mais humana.Rita de Cassia Thomaz - forthcoming - Aprender-Caderno de Filosofia E Psicologia da Educação.O artigo traz uma discussão acerca da utilização do conceito de identificação por Adorno. A partir disso procuramos dar ênfase para o tema da crítica e da negação da cultura possibilitadas pela apropriação da psicanálise realizada pelo autor. A aplicação do conceito permite analisar o processo de assimilação do indivíduo no capitalismo tardio. Uma vez que a cultura é transformada em mercadoria, e assim absorve o ritmo idêntico e repetitivo da produção mecanizada, que transmite aos indivíduos através dos produtos que (...)
- Brian O'Connor. Adorno's Negative Dialectic: Philosophy and the Possibility of a Critical Rationality. MIT Press 2004.Margherita Tonon - forthcoming - Yearbook of the Irish Philosophical Society.
- Presentación: Aspectos de la teoría estética de Theodor W. Adorno.Vanessa Vidal - forthcoming - Thémata Revista de Filosofía.
- Más allá del deseo sublimado y la satisfacción desinteresada: el arte como escritura inconsciente de las figuras de la consciencia en la estética de Th. W. Adorno. [REVIEW]Vanessa Vidal - forthcoming - Thémata Revista de Filosofía.El artículo expone la crítica de Adorno a las estéticas centradas en el sujeto y su relación afirmativa o negativa con el deseo en Kant y Freud desde una revisión de la concepción objetiva y dialéctica de la estética de Hegel que, a su vez, es criticada y ampliada desde una lectura del inconsciente freudiano como “posible saber”. Todo ello quiere contribuir a clarificar la concepción del arte de Adorno como escritura inconsciente de la historia.
- The Artwork as a Force Field: Theodor W. Adorno’s Aesthetic Configuration of Antagonisms.Elettra Villani - forthcoming - Studia Universitatis Babeş-Bolyai Philosophia:75-87.In this paper, my purpose is to take into serious consideration Adorno’s explicit conception of the artwork as a force field. With this expression he intends to emphasize the inner constitution of the artwork as a movement of antagonistic tensions, a dynamic of elements that are not simply juxtaposed, but dialectically interacting with one another. In a similar configuration, the aesthetic experience of the artwork consists in letting their friction explode to its extreme, achieving a balance which remains nevertheless substantially (...)
- Theodor W. Adorno, Beethoven: The Philosophy of Muxic.B. Watson - forthcoming - Radical Philosophy.Remove from this listExport citation Bookmark
- La teoría de la novela de Theodor W. Adorno.Claus Zittel - forthcoming - Thémata Revista de Filosofía.El artículo expone la teoría de la novela de Adorno, pero, en contra de lo que suele suceder en la recepción de la filosofía adorniana que suele conectarla con las reflexiones sobre la novela de Benjamin y Lukács, lo hace a partir del material sobre lo épico —todavía no investigado en profundidad— que Adorno hace presenta en su libro sobre Mahler. Una de las principales y novedosas tesis que se quiere mostrar es la interdependencia del lenguaje musical y el literario, (...)
- (3 other versions)Theodor W. Adorno.L. Zuidevaart - forthcoming - Stanford Encyclopedia of Philosophy.
- Coping with a Disenchanted World: The Portrayal of Enlightenment in Tolstoy’s War and Peace.J. Alfonso Correa Cabrera - 2025 - Literatura: Teoría, Historia, Crítica 27 (1):230-257.While traditional interpretations of War and Peace have snubbed its philosophical elements, and only a handful of scholars have taken seriously Tolstoy’s philosophical ideas, this paper claims that a sophisticated critique of the Enlightenment is the leitmotiv of his book. By means of a close reading of Tolstoy’s descriptions of some of the most controversial effects associated to the Enlightenment (i.e., the disenchantment of the world, concept fetishism, the decline of the individual, bureaucratization, the erosion of traditional solidarity, and the (...)
- Freedom and dialectics: On the critical theory of Moishe Postone and Theodor Adorno.Anke Devyver - 2025 - Philosophy and Social Criticism 51 (1):50-76.This article examines the relation between the critical theory of Moishe Postone and the philosophy of Theodor Adorno. While the former is clearly influenced by the latter, these influences mostly stay implicit. When explicit, he does not so easily put his own thought in line with Adorno’s and is highly critical of him. I will investigate the ways in which ideas from Adorno made their way into Postone’s work, but also where the latter diverts from them. As will be shown, (...)
- Séminaire d’été 1932 sur L’Origine du drame baroque allemand de Walter Benjamin. Comptes rendus.Theodor W. Adorno, Jean Tain & David Kretz - 2024 - Philosophie 160 (1):12-34.The minutes of Adorno’s aesthetics seminar, held during the summer term of 1932 at the university of Frankfurt, are a rare trace of the early philosophical reception of Walter Benjamin’s opus magnum, The Origin of German Tragic Drama (1928). Showcasing his critical spirit and pedagogy, Adorno and his students attempt a clarification, as well as a problematization, of this dense and difficult text, touching on such problems as the historicity of ideas or the concept of a ‘constellation’. This document is (...)
- Critical Theory and nature in the 21st century.Mark Jacob Amiradakis, Helen-Mary Cawood, Jean Du Toit, Anusharani Sewchurran & Gregory Morgan Swer - 2024 - Acta Academica 56 (2):1-14.From Karl Marx to the early Frankfurt School theorists, into other critical traditions through the twentieth and into the twenty-first century, critical social theorising has both implicitly and explicitly concerned itself with matters pertaining to nature as part of differing critiques of the destructive unfolding of late-industrial capitalism (and beyond). Horkheimer himself notes, in a defining essay that gave shape to Frankfurt School Critical Theory, Traditional and Critical Theory (1937), that “[the subject of critical thinking] is rather a definite individual (...)
- Os recônditos da modernidade: história e utopia em Kant e Adorno.Alan Duarte Araújo - 2024 - Aufklärung 11 (1):51-68.This paper aims to elucidate the meanings of the concept of modernity, highlighting its contradictory core and the theoretical and practical implications of this contradiction. To this end, we turn to the works of the German philosopher Immanuel Kant (1724-1804), as a paradigmatic intellectual expression of modernity, insofar as the author highlights notions that seem central to understanding the specificity of his time, which are brought together in his reflections on history and human progress, in the context of the enlightenment (...)
- Montage as a Space for Resonance. Between Dialectical Praxis and Theoretical Tensions.Vincenzo Cerulli - 2024 - Philm - Rivista di Filosofia e Cinema 3 (Comporre, scomporre, ricomporre.):31-49.The article employs the concept of the “Resonance Relationship” to examine the theoretical and practical tensions inherent in the process of artistic creation as it pertains to the practice of film montage. A re-reading of the film Blow-Up will facilitate an examination of the interplay between the two conceptual poles of control and uncontrollability as they manifest in artistic practices. The study will be supported by an analysis of various perspectives on interrelated issues, including the “photographic zoom” as described by (...)
- Critical study from the enlightenment thought to the cultural industry: from Adorno’s perspective.Yan Chen - 2024 - Trans/Form/Ação 47 (4):e0240054.Resumen: El negocio cultural proporciona a la gente productos culturales estandarizados y estilizados con fines políticos específicos, transformándose en un arma de gobierno ideológica falsa y engañosa que paraliza la conciencia pública y elimina la individualidad, así como en cómplice del gobierno centralizado. La industria cultural sofoca la creatividad cultural y la individualidad humana para apoyar la autoridad capitalista mediante la infiltración ideológica. El objetivo de este artículo es promover la cultura al tiempo que se critica la industria cultural. El (...)
- William S. Allen, Adorno, Aesthetics, Dissonance: On Dialectics in Modernity.Bryan Counter - 2024 - Philosophy Today 68 (1):199-201.
- Some notes on the relationship between Adorno and the Southern Epistemology.Gustavo Ruiz da Silva & Lopes Prado Matheus Daniel - 2024 - Ágora Filosófica 24 (2):225-248.This paper aims to develop an understanding of how the culture industry still operates in the postcolonial era. To this end, the first part of this paper will look at Adorno and Horkheimer’s reading of modernity, touching on how instrumental reasoning can lend itself to barbarism, along with an exposition of Adorno’s analysis of the culture industry. The second part will present decolonial theory, its critique of European modernity and, particularly, its focus on neo-imperialism. This theory will then be put (...)
- Review Essay of "Western Marxism: How it Was Born, How it Died, and How it Can be Reborn" by Domenico Losurdo.Zeyad El Nabolsy - 2024 - Journal of Labour and Society 28.Losurdo analyzes the debate which took place in 1954 between Galvano Della Volpe and Palmiro Togliatti (the General Secretary of the Italian Communist Party) over the relationship between Marxism and liberalism. Della Volpe championed the standard position that liberalism enshrined formal (negative) freedom which Marxism seeks to preserve while also extending social rights (or positive freedom). Togliatti recognized the main problem with this view: the majority of people who lived under the rule of states which purportedly adhered to Western liberalism (...)
- Como el papel secante con la tinta. La teología inversa de Walter Benjamin y Theodor W. Adorno, de Stephanie Graf.Cossette Galindo Ayala - 2024 - Revista de Filosofía (México) 56 (156):214-221.Tras la lectura de esta obra, reconocemos que su autora, Stephanie Graf, mantiene una signatura o estilo constante en cada parte, capítulo y subtítulo, pues le interesa plantear una trama, un tablero para dialogar con el trabajo de Walter Benjamin y de Theodor W. Adorno, ante uno de los desafíos más urgentes de nuestro tiempo: ¿Cómo entender la supervivencia de la teología en un mundo secular? En específico, ¿de qué forma el escándalo del mal, sobre todo del mal excesivo en (...)
- A precarious happiness: Adorno and the sources of normativity.Peter Eli Gordon - 2024 - Chicago: University of Chicago Press.Readers of Theodor Adorno often have understood him as a "totalizing negativist." If it truly is the case that Adorno saw modern society as a realm of complete falsehood, however, his own social theory is unintelligible. In A Precarious Happiness, Peter E. Gordon aims to redeem Adorno from this negativist interpretation by showing that it arises from a basic misunderstanding of his work. Pushing against entrenched interpretations, Gordon argues that Adorno's philosophy is animated by a deep attachment to a concept (...)
- From Criticizing Progress to Psychoanalyzing Critical Theory. An Interview with Amy Allen.Tobias Heinze & Judith-Frederike Popp - 2024 - Krisis | Journal for Contemporary Philosophy 44 (1):116-125.The importance of psychoanalysis for Critical Theory is unabated, but controversial. Regressive reactions to the crises of capitalism are currently reviving the debate about its relevance for the Frankfurt School. The interview with Amy Allen follows the focus of her book Critique on the Couch (2020) through questions about the significance of psychoanalysis for Critical Theory as well as the implications of her arguments for a theory of the subject and a critique of eurocentric concepts of progress.
- What is the Matter with Matter? Barad, Butler, and Adorno.P. Højme - 2024 - Matter: Journal of New Materialist Research 9.This article aims to read feminist new materialisms (Barad), together with ‘postulated’ linguistic or cultural primacy of Queer Theory (Butler), to show how both are engaged in similar critical-ethical endeavours. The central argument is that the criticism of Barad and new materialisms misses Butler’s materialistic insights due to a narrow interpretation of Butler's alleged social-constructivist position. There is, therefore, a specific focus on where they both make similar ethical appeals. Moreover, the article relies on Adorno's negative dialectic to highlight an (...)
- Je Adornova negativní dialektika naplněním existencialistického příslibu?Hynek Kaplan - 2024 - Filosoficky Casopis 72 (1):85-103.
- Contesting the Far Right: A Psychoanalytic and Feminist Critical Theory Approach.Claudia Leeb - 2024 - New York City: Columbia University Press.Why have so many people responded to the insecurity, exploitation, alienation, and isolation of precarity capitalism by supporting the far right? In this timely book, Claudia Leeb argues that psychoanalytic and feminist critical theory illuminates how economic and psychological factors interact to produce this extreme political shift. Contesting the Far Right examines right-wing recruitment tactics in the United States and Austria, where people discontented with the status quo have turned to far-right parties and movements that further cement capitalism’s adverse effects. (...)
- Negative Dialektik als Heterologie? Adorno und Rickert.Conrad Mattli - 2024 - In Felix Brandner & Till Seidemann (eds.), Zwischenwelten der Kritischen Theorie. Beiträge zu Systematik und Geschichte. Baden-Baden: Karl Alber. pp. 183-203.Der Beitrag untersucht den Zusammenhang von Kritizismus (qua Heterologie) und Kritischer Theorie (qua Dialektik) anhand der Konstellation Rickert-Adorno. Heterologie und Dialektik werden von der Forschung bislang als gegensätzliche Methodenkonzepte erachtet. Dagegen soll gezeigt werden, dass Adorno diesen Gegensatz gezielt infrage stellen und sich auf das heterologische Denkprinzip berufen muss, um die dialektische Tradition zu kritisieren. Die These lautet: Bei Adorno bildet Heterologie den Sinnhorizont der dialektischen Negation. Sonst wäre die negative Dialektik eine positive Dialektik – die Kritische eine traditionelle Theorie (...)$57.76 new (collection) View on Amazon.comRemove from this list Direct downloadExport citation Bookmark
- Segunda naturaleza y apariencia en el joven Th. W. Adorno. Anotaciones programáticas sobre “La idea de historia natural”.Osvaldo Montero Salas - 2024 - Trama, Revista de Ciencias Sociales y Humanidades 13 (1):25-45.El artículo explora el texto juvenil de Adorno “La idea de historia natural” como un protoprograma investigativo centrado en la problemática de la apariencia. A partir del marco teórico-metodológico y normativo de la teoría crítica, la hipótesis del artículo sostiene que el texto del joven Adorno brinda insumos importantes para entender su proyecto intelectual como una sofisticada teoría de la apariencia, capaz de desvelar las estructuras que soportan las formas aparentes de la realidad moderna. En primer lugar, se contextualiza la (...)
- Desgarramiento subjetivo y objetivo en las filosofías de Theodor W. Adorno y Walter Benjamin. Una tangente analítica de la modernidad.María Rita Moreno - 2024 - Ideas Y Valores 72 (182).Este trabajo muestra una concurrencia patente en la resonancia de las categorías ‘industria cultural’ [Kulturindustrie] –empleada por Theodor Adorno para indicar ciertas zonas de la dialéctica subjetiva– e ‘industria de recreo’ [Vergnügungsindustrie] –referida por Walter Benjamin en relación a la dialéctica objetiva–. Me detengo en esta poco explorada concomitancia para determinar por qué Adorno evidencia una dialéctica de la subjetividad administrada en la renuncia sacrificial y Benjamin elabora una dialéctica de la objetividad fetichizada signada por su carácter de fantasmagoría cadavérica. (...)
- Theorien des Nichtidentischen im Anschluss an Hegel und Adorno.Georg Oswald & Mariana Dimópulos - 2024 - Deutsche Zeitschrift für Philosophie 72 (1):36-55.This paper reevaluates Adorno’s theory of non-identity following from a critical examination of his reading of Hegel. The main discussion revolves around two theses central to both philosophers: 1. Conceptual thinking forms the centre of philosophical thought (identification). 2. Philosophical thought aspires to become everything (totality). The analysis of two distinct interpretations, one stricter and one more moderate, demonstrates that Adorno takes the hardline view. With the moderate view, however, not only do the limits of Hegelian philosophy become more pronounced, (...)
- Captive Enlightment.Patrizia Pedraza - 2024 - Fragmentos de Filosofía 21 (Monográfico Teoría y Crítica):51-59.In this paper, I propose a reflection on the motif of mana in the framework of the proto-history of Th. W. Adorno and Max Horkheimer’s Dialectic of Enlightenment (1944). The Melanesian concept will allow us readers to seek the philosophical potential of pain, and the memory of a living Nature, as elements proper to the captive part of enlightenment: The necessary counterpart of a dialectic that would ultimately lead us to treasure the will of the enlightened project and, therefore, the (...)
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