Composite Photographs and the Quest for Generality: Themes from Peirce and Galton

Critical Inquiry 42 (3):547-579 (2016)
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10.1086/685604

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Chiara Ambrosio
University College London

Citations of this work

From Fingers to Faces: Visual Semiotics and Digital Forensics.Massimo Leone - 2020 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 34 (2):579-599.
Experimental Psychology and the Practice of Logic.Claudia Cristalli - 2017 - European Journal of Pragmatism and American Philosophy 9 (1).

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References found in this work

Questions concerning certain faculties claimed for man.Charles Sanders Peirce - 1868 - Journal of Speculative Philosophy 2 (2):103 - 114.
Peirce and Photography: Art, Semiotics, and Science.Alexander Robins - 2014 - Journal of Speculative Philosophy 28 (1):1-16.
Galton's 100: an exploration of Francis Galton's imagery studies.David Burbridge - 1994 - British Journal for the History of Science 27 (4):443-463.

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