Abstract

Bioartists Oron Catts and Ionat Zurr define many of their tissue-based artworks as semi-living, and use an ethical framework to contextualize their care for these semi-living creations, claiming that their work inspires reflection on our responsibilities toward the continuum of life. There are ways in which Catts and Zurr’s relation to the semi-living does meet the standards of an ethics of care, as defined in particular by political scientist Joan Tronto, but only within certain constraints—namely, the performative and participatory spaces of their installations. When their claims, as they frequently do, extend beyond these circumstances, their statements become mired in contradictions and inconsistencies, even as their work points to an original artistic practice that provokes thought about the nature of the body, of life, and of the living.