Abstract

Resuming, for the very beginning, the thematic context in which Kant and then Husserl define the sense of the transcendental analytics, the author stops on the relation between description and reduction. He focuses on and monitors different analytical expressions of the description at the same time with different architectonic senses of reduction, insisting on the phenomenal, eidetic and thematic levels. In the center of his attention there are the architectonic characters from eidos ego to the transcendental ego, namely from the issue of subjectivity to that of the intersubjectivity