Abstract

If contemporary art is the memory of the end, of its end, making art consists in the sinking of its "representation". His “last sense” consists in the event of the "dissolving" of the symbolic horizons. This event is the archeology of his destiny. The artistic language, "reflecting" its "impossibility", reveals itself as the threshold of farewell. There is, in the body of art, a "metamorphosis of the time" that calls into question the sublimation of artistic languages through their "ontological" destitution, crossing the broken to question the remains, the remains of sense. The language thus fringes itself in the prophecy of its sunset, but listening to the immemorial.