Abstract

In taking up the question of translation as its guiding thread, this essay considers the extent to which deconstruction consists in a radical calling into question of the type of thought and practice of translation implied in what Derrida has called "the passage into philosophy." At the same time, a whole other thought of translation —of the very kind that Derrida put into practice—is demanded insofar as something like the survival of works and the very possibility of a tradition are at stake