Abstract

My intention in this paper is to answer two quite separate questions in a single interpretational narrative: a) about the philosophical content of Gernot Böhme’s expressis verbis—and, at times, “between the lines”—reference to the legacy of critical theory, and b) Böhme’s use of interesting mediatory devices to combine three different philosophical discourses: the philosophy of science, ethics and aesthetics. The three are in fact related—after all, Horkheimer ran comparisons between “traditional” and “critical” theory, Adorno is the father of the original aesthetical theory, and Habermas laid the ground for what we call “discursive ethics”—but this is a matter for separate and broader treatment. In this perforce shorter paper I will only attempt some initial reflections on the subject.