Abstract

Contemporary art, which explodes from the borders and identifiable genres, the dance requires to be discussed in a perspective that exceeds the narrow of the sector. It is a microcosm of the world, a privileged space for observing the displacements and tensions of the contemporary world whose stake is a new posture that redesigns the body map in the society of capital and in the era of relations mediated by the mechanisms of the network. The result is a unique field of analysis to explore with the work of Michele Di Stefano, one of the most interesting figures in the advanced front of contemporary choreography. Space, time and aesthetic categories mark this path of reflection.