The Philosopher and The Dancer

Abstract

The Philosopher and The Dancer is an act of spontaneous, solo, movement improvisation; offered here as one particularized instantiation and re-enactment of the corporeal situatedness and interrelatedness of self and world that characterizes Merleau-Ponty’s philosophy. The improvisation can take place in any indoor studio/space, ideally with a suitable floor - the ostensibly static nature of an indoor space/place serving as a clear context for the embodiment and modeling of some of Merleau-Ponty’s core philosophical constructs. As an improvised event, The Philosopher and The Dancer can last for a few minutes or for longer and is unaccompanied by music; it is the embodied weave of dancer and immediate environment - a cultivated sensitivity and practised responsiveness to one’s spatial and temporal inherence in a particular world - that is foregrounded. This demonstration/performance is offered as a place in which an alternative articulation of Merleau-Ponty’s thought will be evident.

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References found in this work

Phenomenology of Perception.Maurice Merleau-Ponty - 1945 - New York: Routledge. Edited by Donald A. Landes.
The Visible and the Invisible: Followed by Working Notes.Maurice Merleau-Ponty - 1968 - Evanston [Ill.]: Northwestern University Press. Edited by Claude Lefort.
Signs.Maurice Merleau-Ponty - 2018 - Chiasmi International 20:231-231.
Signs.Maurice Merleau-Ponty - 1964 - Evanston, USA: Northwestern University Press.
Eye and Mind.Maurice Merleau-Ponty - 1964 - In The Primacy of Perception. [Evanston, Ill.]: Northwestern University Press. pp. 159-190.

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