Diogenes 40 (157):113-127 (
1992)
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Abstract
I do not propose to compare the esthetics of Kant and Wittgenstein or to show the sometimes very Kantian basis of some of Wittgenstein's reflections. I do not intend to take up the history of philosophy here (I will not, therefore, attempt to expound upon the relationship in Kant of the esthetic to the teleological or the moral, for example, or the relationship of art to ordinary language in Wittgenstein). That would not be without interest; quite the contrary, but I would prefer to compare the remarks of the one to those of the other in order to respond to a specific question: why is it said that there can be no rules for art, or more precisely, that the only rule is that there must be no rules? What authorizes art to play with the rules?