Abstract

The architect who plans and designs our living environment in town and country can neither think exclusively technologically nor act completely independently. Rather, his designs and actions are always in moral relation to the environment, i. e. to nature and landscape as well as to the city/town or the people who live daily with and within the built space and thus have a kind of effective group affiliation. But to what extent does architecture – in the sense of Hegel’s phrase the “sensuous in the meaningful” – already possess ethical implications?