Abstract

This article examines the epistemological role of the fable as used by Descartes in his Monde to present the idea of an entirely mechanical world. Rather than merely a dissimulative-literary device, putting the world into fable form actually turns out to be a real scientific instrument, making it possible for Descartes to re-create the world from a metaphysical and wholly geometrical point of view, based on the changelessness of the divine essence and creation. In this sense his fable du monde goes hand in hand with the ability of the human imagination to think up scientific models, that, by being plausible, can be applied to the interpretation of phenomena.