Abstract

This article puts forth a perceptual–phenomenological defence of “thought theory” as a solid solution to the paradox of fiction. Arguing against Kendall Walton’s pretence solution to Charles’s fear and going along the lines of Peter Lamarque’s and Noël Carroll’s thought theory, my proposed defence makes use of the philosophy of a figure who is rarely discussed in the context of phenomenology and never discussed in the context of the paradox of fiction: Leopold Blaustein. To bring forth my proposed perceptual–phenomenological defence, I devise Blaustein’s descriptive account of “perception” and its role in shaping aesthetic experience. Within this line of thought, I further develop a perceptualist reading of Blaustein, paralleling Christine Tappolet’s version, that may be of service to proponents of the “perceptual theory of emotions.”