Phenomenology

In 1986, Gadamer was invited to Britain by The British Society for Phenomenology (BSP) and the Goethe Institute London. During these visits, he presented a talk on the topic of Ancient Philosophy a...

Gadamer offered a paradigm of hermeneutic experience and understanding as a humanist alternative to the scientific rationality that dominates Western modernity. He derived his perspective in great part from the philosophy of his mentor, Martin Heidegger, but he was grounded less in ontology than in his own humanistic training in classical philosophy, art, and literature. It was only somewhat late (in his debates with Habermas) that he grappled with the political relevance of his theory, but even in that context, he (...) continued to insist on its universal applicability. This paper takes the position that Gadamer’s account of hermeneutic understanding provides an inadequate approach to the political dimensions of modernity, but that there is a radical kernel in his theory of experience that is relevant to political engagement. I suggest a way to reconfigure his model of hermeneutic experience that highlights this radical feature as the basis for viable political hermeneutics. (shrink)

Providing a summary history of the reception of Gadamer's work in English across a range of disciplines from literature to philosophy, this essay also explores elements of both influence and convergence connecting Gadamer's thinking with that of several key figures in twentieth century analytic philosophy.

My paper aims to highlight the presence of a social conception of art in Gadamer’s thought by analysing his reading of Hegel’s aesthetics. In an initial section I reconstruct the core of Gadamer’s reading of Hegel’s aesthetics as a paradigm to reassess art against the limits of aestheticism. I subsequently focus on the analysis Gadamer provides of the fundamental topic of the “past-character of art”, by stressing how this is reassessed as a “presence of the past”. On this basis, I (...) show how Gadamer’s reading of Hegel helps him focus on the role of contemporary art forms. If in modernity art lost its self-evident character, this does not prevent it from establishing a sense of community. Contemporary art is a search for a communal and social element. Gadamer’s characterization of contemporary art as a work-in-progress and intrinsically linked to the audience’s participation lays the basis for rethinking Gadamer’s aesthetics in a performative direction. (shrink)

The legacy of Hans-Georg Gadamer’s philosophical hermeneutics includes not only several positions that continue to influence current debate in the field. He also leaves the legacy of an important philosophical tension based in the way he conceives of understanding. On the one hand, Gadamer maintains that genuine understanding remains true to matters themselves. On the other hand, though, he acknowledges that understanding is always mediated by language, and, thereby, meaning inherited from tradition. After a brief consideration of this tension in (...) Gadamer’s thought, the author argues that this tension leads to a divide between two post-Gadamerian approaches in hermeneutics, one postmodern and the other new-realist. Postmodern hermeneutics is shown to give priority to the role played by language in understanding while new-realist hermeneutics is shown to stress the focus of understanding on the matters themselves. The author concludes with a brief consideration of the normative implications of this legacy. (shrink)

This paper follows the implications of Gadamer’s hermeneutics after Truth and Method in which the forming of social life, and with it the idea of worldly understanding, receives greater attention. I argue that the emphasis in his later writings on worldly understanding draws less on the idea of the hermeneutic circle and problematic of the Geisteswissenschaften in which the concept of tradition is prominent than on the movement in language and the encounter with the other. As in the example of (...) translation, I argue that this movement has the character of passage from one place to another that holds within it an element of opacity. The development of this issue draws on a comparative analysis with the work of the Caribbean philosopher Édouard Glissant. From this analysis I show how Gadamer’s hermeneutics addresses the issue of understanding across cultures and in mixed cultures. (shrink)

Hans-Georg Gadamer argues that language is the medium of all understanding and thus that it is the medium through which we can reach understanding with one another. Yet many today are sceptical of this claim and worry that Gadamerian hermeneutics ignores at its own peril the limits of the particular discourses that people utilize to reach understanding with one another. I argue here that this criticism rests on the assumption that, for Gadamer, it is the semantic features of a language (...) alone that allow it to function as the medium for shared understanding. I argue that focusing solely on semantic agreement as the source of understanding ignores the role that mutual recognition plays in allowing language to serve as a medium for shared understanding. I turn to discussions in several of Gadamer’s later essays to examine how he conceives of the mutual recognition that is essential for communicative understanding. (shrink)

When we find ourselves in this era of rapid and continuous changes in teachinglearning processes, it is pertinent to review what is essential in learning; That which however much change things can’t change so that the phenomenon of learning, can continue to call learning. This is the objective of this article, and from a phenomenological perspective, a description is proposed that captures the essence of human learning. This description has been arranged in a way that is valid for any time (...) in the history of education, and serves as a contrast to ensure that the educational innovations that arise in each place and time, respond to the phenomenon of learning in all Its dimensions. (shrink)

La meta de este trabajo estriba en sacar a la luz el subsuelo ontológico que sostiene el abordaje y el tratamiento de la interexistencialidad en el capítulo IV de la primera sección de Ser y Tiempo. Primero, esclarecemos conceptualmente las indicaciones sobre la cotidianidad y la “absorción” en el mundo que aparecen en la introducción general del capítulo mencionado, lo que despeja el camino para demostrar que la interexistencialidad de ninguna forma está enso-gada necesariamente con la impropiedad. Segundo, mostramos que (...) el (primer) subsuelo ontológico es la “diferencia radical” entre la existencia y el ser-dado-delante [Vorhandenheit] en sentido amplio como “objetualidad”; sobre ella sostiene la necesidad de plantear la pregunta por el quién del Dasein en una forma que corresponda al dinamismo ínsito al “sí mismo”, el cual puede concretarse en un yo-mismo apropiado o un uno-mismo impropio que se pierde en los “otros”. Tercero, se patentiza que el desarrollo de la interexistencialidad entronca en el (segundo) subsuelo ontológico de la “variedad del ser”, argumentando que los tres aspectos fun-damentales de la interexistencialidad, a saber, el ser-con, el mundo compartido y la latente comprensión preontológica de los otros Dasein, solo son visibles y comprensibles al amparo de la interpretación ontológica del Dasein propio y del ajeno en cuanto existencias, distinguiendo especialmente a este último de determinaciones ontológicas que no le pertenece originariamente a su “ser”. (shrink)

In contemporary debates in philosophy of medicine medical humanities are gaining ground in a discipline that was for many years dominated by bioethics. Phenomenology, with its focus on human experience, and a long history of interest in illness as boundary cases of human existence, turns up as a tradition with a lot to offer in this context. In their introduction to the Edinburgh Companion in Critical Medical Humanities Whitehead & Woods thus mention phenomenology as one of two key traditions within (...) what can be called second wave medical humanities (Whitehead & Woods 2016, 11). In this spirit, the collection of essays in Kevin Aho’s inspiring publication is an invitation to join the exploration of phenomenology and existential medicine and find new potentials for philosophy of medicine within these traditions. (shrink)

This article analyses the phenomenology and ontology of videogames through the lens of semiotics. The difference between games and more traditional narrative models (such as those found in books and movies) lies on the structural level. The game narrative needs to be ‘written’ (played) before it can be ‘read’ (interpreted). Games provide fluidity of interactive immersion: the interface as the place of the merger between the player and the game. A connection, without delay, is established between the movement of the (...) player’s hands and the virtual movement across virtual space-times of the virtual characters/events on the screen. The connection is cybernetic, of course, and real. The actuality of the virtual is established as the action of the finger movements of the player. Games require at least a minimum degree of interaction. The player has a role as the master of the code, as the last string of code attached to complete the sequence. Such is the definition of the Cinematic under the formal demands of the Ludic: the defining-delimiting-restricting background which nonetheless, by its very (fixed) presence, provides the nurturing ground for the appearance and presence of (fluid) malleability as the ‘gap’ or ‘lack’ in the structure to be filled – in whatever manner – by the player in the act of his or her (world-constitutive) existential engagement. (shrink)

This short article is an introduction to Blumenberg's philosophical metaphorology. Metaphorology is presented as an idiosyncratic variant of a conceptual history that draws attention to the fact that what intellectual historians examine as historically influential “concepts” are less clearly defined ideas than a kind of - pragmatically effective - images. Blumenberg calls these background images “metaphors.”.

Zeami Motokiyo 世阿弥 元清 (1363–1443) gilt als Schöpfer des klassischen Nō-Theaters und war nicht nur ein herausragender Darsteller, sondern auch Autor vieler Stücke, die noch heute aufgeführt werden. Neben diesen Stücken hat Zeami aber auch theoretische Traktate zur Übungspraxis des Nō-Theaters verfasst, die über viele Jahrhunderte hinweg geheim überliefert wurden und als Anweisungen für seine Nachfolger gedacht waren. In diesen Traktaten reflektiert Zeami auf seine Kunst und stellt sie als einen Übungsweg nach buddhistischem Vorbild dar, als eine ästhetische, aber auch (...) spirituelle Praxis, einen Lebensweg (道 dō, michi), der auf die Verkörperung grundlegender Prinzipien abzielt. Im Folgenden möchte ich vor allem anhand dieser theoretischen Schriften nachvollziehen, welche Rolle der Ausdruck „von-selbst-so“ (自然 jinen, chin. zìrán) bzw. „von selbst“ (onozukara), der heutzutage als Übersetzung für den europäischen Natur-Begriff verwendet wird, in Zeamis Konzeption der leiblichen Übungspraxis spielt und dies mit Stellen aus anderen Schriften vergleichen. Zunächst werde ich aber in knapper Weise zurückverfolgen, was leibliche Praxis vor dem Hintergrund des Daoismus und des Zen-Buddhismus im Kontext der japanischen Übungswege bzw. Wegkünste bedeutet. (shrink)

En los textos hermenéutico-fenomenológicos de Heidegger, aprox. 1919-1932, el fenómeno de la huida acusa una presencia constante. Sin embargo, su dimensión ontológica permanece tácita, por lo que nuestra tarea presente radica en esclarecer el carácter esencialmente ontológico de la huida en tanto que opera un encubrimiento modal sobre la existencia. En un primer paso exponemos la propiedad e impropiedad desde la perspec-tiva del concernimiento ontológico a priori que determina al Dasein en relación a su existencia, mostrando que la huida es (...) una forma modalmente encubridora de tenerse a sí mismo. En un segundo paso investigamos el carácter parcial del encubrimiento modal de la existencia que toma lugar en la huida, pues la completa anulación de la existencia eliminaría el motivo de la huida y, por lo tanto, la huida misma, abriéndose en ello una inconsistencia. En un tercer paso aclaramos que la finitud tridimensional que determina a la existencia “cuidadora” funge como el desasosiego amenazante a priori que, en cuanto determinación esencial del Dasein, motiva tendencialmente la eventual huida ante la propia existencia. En un cuarto paso revelamos, a la luz de la finitud, los rasgos de independencia contextual y de constancia del movimiento que le pertenecen esencialmente al fenómeno de la huida. En un quinto paso esclarecemos que todos los diversos correlatos ante los que se huye confluyen en un punto nuclear que consiste en la existencia en cuanto el “ser” más propio y específico del Dasein. (shrink)

Bernard Stiegler est né en philosophie comme l’on construit un édifice de sable à marée montante : toujours déjà un sacrifice. D’emblée l’expérience de la beauté et de sa perte. Son suicide marque la fin d’une vie qui n’aura eu de cesse de lutter contre les faux-semblants, les sur-codages, les symptômes accablant de vérités toutes faites. Pour quelqu’un qui, comme moi, a eu la chance de côtoyer Bernard, il est difficile de ne pas se rendre compte de la force qu’il (...) nous laisse après son départ. Lui qui s’attela contre les effets de l’industrialisation de nos mémoires et de la synchronisation accélérée de nos consciences,1 lui qui lutta pour que l’âme soit l’axiome de nos politiques industrielles et digitales,2 lui qui pensa la transmission et l’adoption quand d’autres prônaient la transaction et l’adaptation. Bernard nous a quittés. Comme un marin quitte son navire. Seul. (shrink)

The battlefield of the Anthropocene is a tragic one. It begins at the end. It emerges out of melancholy, in the locality of being not-dead-yet. As an Epoch dating the human impact on earth, the Anthropocene looks like a graveyard-to-come, one in which the story of humankind is writing its own epitaph in real time. The tragedy of our moment, or the tragic moment of our action means having to act despite knowing it is too late, searching for hope in (...) the dark. This tragedy produces the sensation that humankind must necessarily face its own limits. And these limits are telling a story that is not a happy one: we cannot keep up with the pace of such an entropic boneyard. When it comes to the massive eradications of people and species, no one can justify the feelings of sympathy that proliferate against a back- ground of intellectual numbness. The battlefield of the Anthropocene is one that demands action. (shrink)

The textbook presents the problematic aspect of historical and modern representations of the phenomenology of religion in academic discourse. The most important topics of the course are presented in a form that is easy to understand, questions for self-assessment and problems for analysis are formulated, and recommendations for organizing independent work of students are given. The textbook's material is systematized according to the principle of a problem to a specific example of its installation in religion, culture, science, and philosophy. The (...) textbook explores the interdisciplinary connections between philosophy, the philosophy of religion, and religious studies. The publication is addressed to students studying in the field of training "Religious Studies", and recommended to students studying philosophy, as well as to anyone interested in issues of understanding religion taking into account the achievements of the phenomenology of religion. (shrink)

This paper delves into the concept of the uncanny, a theme that has fascinated scholars across multiple disciplines, including psychology, philosophy, literature, and film studies. The study’s primary goal is twofold: to examine the theoretical foundations of the uncanny as explored by Jentsch, Freud, and Heidegger, and to propose a new perspective on the uncanny within the context of modern technological and urban developments. The paper argues that urban, technologically advanced environments foster conditions in which the uncanny can easily emerge, (...) and suggests that the adoption of a techno-scientific worldview plays a central role in the rise of uncanny experiences. Through an analysis of Hoffmann’s The Sandman, this paper revisits classical theories of the uncanny and connects them with contemporary realities. Jentsch’s emphasis on cognitive uncertainty, Freud’s exploration of repressed traumatic memories, and Heidegger’s focus on the broader atmospheric conditions of the uncanny are all examined. The paper concludes by reflecting on how urbanization, technological dependency, and scientific reductionism contribute to a profound sense of alienation, increasing the likelihood of uncanny experiences in the modern world. (shrink)

From the phenomenological perspective, intentionality is an important concept for understanding consciousness. The idea was introduced into psychology by Brentano in the 19th century who got it from Scholasticism. Husserl modified its meaning and made it a key concept in his philosophy. This paper shows one way in which intentionality can help clarify psychological phenomena.

Inspired by Husserl’s (1913/1962, 1925/1977, 1931/1960, 1948/1973, 1954/1970) long term interest in problems of “constitution” at transcendental, psychological, and intersubjective levels, this study originally took up the question of the constitution of social perception in the context of the psychodiagnostic interview. More simply, the research question was: how do psychologists participate in forming a clinical impression? As reported earlier (Churchill 1984a, 19984b, 1998, 2006), data consisted of descriptions obtained from two clinical psychologists reflecting upon their experience during the interview phase (...) of a diagnostic assessment, each of which was videotaped for later reference. These descriptions were obtained in writing, and served as a basis for further elaborating and clarifying their experience through a series of collaborative interviews. The descriptions and interview data were collated into a text of statements for each participant representing different perceptual “moments” distinguishable within the psychologist’s experience. The researcher performed an “intentional analysis” of these experiential moments within the data, posing the following question: What does this statement reveal about the meaning-constituting activity of the psychologist during this moment of the clinical encounter? The “intentional structure” of clinical impression formation was articulated in terms of three interconnected and essential constituents – constitutive projects and interests, modes of attention, and modes of explication – all characteristic of the psychologist’s presence to a patient. The current paper offers a further reflection upon the methodological virtues of the phenomenological method of intentional analysis with an aim to clarify how psychologists can fruitfully apply this philosophical psychological method in qualitative research investigations on perception, cognition, attention, attribution, reflexivity, and psychological understanding. (shrink)

The experience error is the fallacy of attributing to our experience of a thing what we know to be true of that thing from an objective point of view. This paper argues that the “method of purification” advocated by Edmund Husserl for psychology is nothing other than avoidance of the experience error. The purity of psychology is not philosophical (transcendental) purity. Psychology remains in the natural attitude; it is pure if it is true to the subjective, psychical, genuinely lived content (...) of experience and thus is purely descriptive. But that is easier said than done. Due to the dominance of the modern scientific outlook, the experience error is so insidious that, as the paper argues in a final section, Husserl himself was not immune to it. (shrink)

Body dysmorphic disorder (BDD) poses a significant challenge to an individual’s mental well-being. The obsessive preoccupation with perceived defects in one’s appearance affects individuals’ daily functioning and can result in serious risks, including suicidal ideation and self-surgery. While treatments such as cognitive behavioural therapy and serotonin reuptake inhibitors can provide relief, they do not achieve complete remission. It has been suggested that therapy should not only interrupt the harmful behaviour, but should also address their sense of self, and that after (...) addressing their internalised values, individuals with BDD will be able to incorporate their perceived defect in a manner similar to how individuals with real deformities often do. Phenomenology of psychopathology analyses subjectivity in cases of pathology, and analyses of BDD show that the perceived defect has become a locus of shame. This implies that individuals with BDD have permanently incorporated the gaze of the Other and constantly experience their body as a body-for-others. This paper further explores the sense of self in individuals with BDD through Jenny Slatman’s interpretation of bodily integrity: bodily integrity as a never-ending process of identification. By comparing the experiences of individuals with BDD to those with real deformities and to those who have undergone cosmetic surgery, I will show that re-identification does not occur in individuals with BDD. This suggests that their bodily integrity is fundamentally disturbed and that addressing their internalised values alone will probably not be sufficient for the disorder to go into remission. (shrink)

This paper examines the ontological and epistemological implications of artificial intelligence (AI) through posthumanist philosophy, integrating the works of Deleuze, Foucault, and Haraway with contemporary computational methodologies. It introduces concepts such as negative augmentation, praxes of revealing, and desedimentation, while extending ideas like affirmative cartographies, ethics of alterity, and planes of immanence to critique anthropocentric assumptions about identity, cognition, and agency. By redefining AI systems as dynamic assemblages emerging through networks of interaction and co-creation, the paper challenges traditional dichotomies such (...) as human versus machine and subject versus object. Bridging analytic and continental philosophical traditions, the analysis unites formal tools like attribution analysis and causal reasoning with the interpretive and processual methodologies of continental thought. This synthesis deepens the understanding of AI’s epistemic and ethical dimensions, expanding philosophical inquiry while critiquing anthropocentrism in AI design. The paper interrogates the spatial foundations of AI, contrasting Euclidean and non-Euclidean frameworks to examine how optimization processes and adversarial generative models shape computational epistemologies. Critiquing the reliance on Euclidean spatial assumptions, it positions alternative geometries as tools for modeling complex, recursive relationships. Furthermore, the paper addresses the political dimensions of AI, emphasizing its entanglements with ecological, technological, and sociopolitical systems that perpetuate inequality. Through a politics of affirmation and intersectional approaches, it advocates for inclusive frameworks that prioritize marginalized perspectives. The concept of computational qualia is also explored, highlighting how subjective-like dynamics emerge within AI systems and their implications for ethics, transparency, and machine perception. Finally, paper calls for a posthumanist framework in AI ethics and safety, emphasizing interconnectivity, plurality, and the transformative capacities of machine intelligence. This approach advances epistemic pluralism and reimagines the boundaries of intelligence in the digital age, fostering novel ontological possibilities through the co-creation of dynamic systems. (shrink)

This paper examines the ontological and epistemological implications of artificial intelligence (AI) through posthumanist philosophy, integrating the works of Deleuze, Foucault, and Haraway with contemporary computational methodologies. It introduces concepts such as negative augmentation, praxes of revealing, and desedimentation, while extending ideas like affirmative cartographies, ethics of alterity, and planes of immanence to critique anthropocentric assumptions about identity, cognition, and agency. By redefining AI systems as dynamic assemblages emerging through networks of interaction and co-creation, the paper challenges traditional dichotomies such (...) as human versus machine and subject versus object. Bridging analytic and continental philosophical traditions, the analysis unites formal tools like attribution analysis and causal reasoning with the interpretive and processual methodologies of continental thought. This synthesis deepens the understanding of AI’s epistemic and ethical dimensions, expanding philosophical inquiry while critiquing anthropocentrism in AI design. The paper interrogates the spatial foundations of AI, contrasting Euclidean and non-Euclidean frameworks to examine how optimization processes and adversarial generative models shape computational epistemologies. Critiquing the reliance on Euclidean spatial assumptions, it positions alternative geometries as tools for modeling complex, recursive relationships. Furthermore, the paper addresses the political dimensions of AI, emphasizing its entanglements with ecological, technological, and sociopolitical systems that perpetuate inequality. Through a politics of affirmation and intersectional approaches, it advocates for inclusive frameworks that prioritize marginalized perspectives. The concept of computational qualia is also explored, highlighting how subjective-like dynamics emerge within AI systems and their implications for ethics, transparency, and machine perception. Finally, the paper calls for a posthumanist framework in AI ethics and safety, emphasizing interconnectivity, plurality, and the transformative capacities of machine intelligence. This approach advances epistemic pluralism and reimagines the boundaries of intelligence in the digital age, fostering novel ontological possibilities through the co-creation of dynamic systems. (shrink)

Is it possible to conceptualize the sound image? How can we talk about the intertwined between visual image and sound? When precisely is there a sound image? In this article, I specify what is not a sound image, and I analyze three forms of what should be considered a sound image. Understood as a form of experience, the sound image is linked to a subject, but at the same time is independent from him: it is a world manifestation.

Translator's introduction -- Paths -- Valleys -- Birds -- Rain -- The cedar in the park -- Cows -- Grass -- Fingers -- The moon -- Mountains -- The false spring -- Meadows -- Winds -- Wonders -- Buds -- Fog -- Natural:Mind.

How did immigrant scholars such as Rudolf Carnap, Max Horkheimer, and Alfred Schütz influence the development of American philosophy? Why was the U.S. community more receptive to logical empiricism than to critical theory or phenomenology? This volume brings together fifteen historians of philosophy to explore the impact of the intellectual migration. -/- In the 1930s, the rise of fascism forced dozens of philosophers to flee to the United States. Prominent logical empiricists acquired positions at prestigious U.S. universities. Critical theorists moved (...) their Frankfurt School to Columbia University. And a group of phenomenologists taught at the New School for Social Research. Though many refugee scholars acquired some American following, logical empiricism had the biggest impact on academic philosophy. The exiled empiricists helped the country turn into a bastion of ‘analytic philosophy’ after the war. Phenomenology and critical theory became prominent schools from the 1970s onwards and continue to be influential in American philosophy today. -/- This is the first book to investigate to the migration from an integrated perspective, bringing together historians of American philosophy, logical empiricism, phenomenology, and critical theory. (shrink)

The much-anticipated second edition of this celebrated introduction to phenomenology.

The Phenomenological Mind, Third Edition introduces fundamental questions about the mind from the perspective of phenomenology. One of the outstanding books in the field, now translated into eight languages, this highly regarded exploration of phenomenology from a topic-driven standpoint examines the following key questions and issues: what is phenomenology? phenomenology and the cognitive sciences consciousness and self-consciousness time and consciousness intentionality and perception the embodied mind action knowledge of other minds situated and extended minds phenomenology and personal identity. This third (...) edition has been revised and updated throughout. The chapter on phenomenological methodologies has been significantly expanded to cover qualitative research and there are new sections discussing important, recent research on topics including phenomenology and emotion, social cognition, race and gender, collective intentionality and selfhood. Also included are helpful features such as chapter summaries, guides to further reading, and a glossary, making The Phenomenological Mind, Third Edition an ideal introduction to key concepts in phenomenology, cognitive science and philosophy of mind. (shrink)

Phenomenology has enjoyed an animal turn in more recent years, though authors involved in the movement often refuse to conduct phenomenological descriptions for fear of “projecting” human qualities onto non-human animals. Following Sara Ahmed’s Queer Phenomenology, this paper argues that such a refusal maintains a straight line between “human” and “animal” and thus fails to dwell with the messiness inherent in humananimal relations. It is in this sense that posthuman phenomenology focused on animals could benefit from “queering.” To queer posthuman (...) phenomenology would be to embrace the risk that we might not always get animals “right,” and to openourselves up to that which is oblique. This paper details two potential methods for a queer phenomenology - “performing” the animal and recognizing moments of everyday world-sharing - and explore the latter by providing a preliminary phenomenological description of the Texas field cricket. (shrink)

Le présent ouvrage élabore une théorie phénoménologique des objets, en complétant l'approche husserlienne par des contributions venant de différents auteurs qui se sont confrontés à ce thème. Nous étudions ainsi les formes objectives, à partir de leur donation, en soulevant les questions relatives à la vérité, aux jugements et aux essences, selon leurs caractéristiques propres, leur mode de représentation, leur rapport à la réalité et leur signification. Ces considérations ont une influence sur la conception de la logique, de la science (...) et de l'ontologie. Nous montrons qu'il existe un domaine où la science doit s'appuyer sur une esthétique capable de fournir les éléments objectifs à la logique, ce qui implique une triple ontologie."--Page 4 of cover. (shrink)

In the first English language translation of this classic late 20th-century text within French Catholic thought, Poetics of the Sensible brings together insights from Neoplatonism and phenomenology with a distinctive and innovative approach. Taking a stance within the generative conception of human language represented by continental thinkers such as Humboldt and Herder and powerfully articulated today by Charles Taylor, Stanislas Breton expands the sense of the "poetic"-the constructive meaning-bearing capacity that is a core characteristic of humanity-to include the body and (...) its senses phenomenologically intertwined with the world. Defying Heidegger's prohibition on the question of God alongside contemporary thinkers such as Jean-Luc Marion, Jean-Louis Chrétien and Emmanuel Falque, he boldly writes of God, of the angel, of the icon, and of prayer in a refusal to bracket his religious faith. Against a Neoplatonic backdrop, Breton promotes the dense material dimensions of embodied signification as paradoxically harbouring meaning that is greater than that of conceptual abstraction alone. Illuminating Breton's poetic and allusive discourse, Poetics of the Sensible showcases his unique voice in French philosophy, phenomenology and the philosophy of religion and is essential reading for scholars and students alike. (shrink)

This is an open-access book which is devoted to rediscovering the early history of phenomenology in confrontation with the legacy of Franz Brentano by discussing Leopold Blaustein’s philosophy. It offers a unique perspective on the history of the phenomenological movement by presenting the development of Blaustein’s theory. Blaustein was a philosopher educated by Kazimierz Twardowski in Lvov, but he also held research stays in Freiburg im Breisgau (where he studied under Edmund Husserl) and in Berlin (where he met Carl Stumpf). (...) Blaustein’s work is usually classified as phenomenology yet some scholars question this by claiming that Blaustein was radically critical of Husserl’s phenomenology. This text addresses these divergent opinions by claiming that Blaustein was both a descriptive psychologist and a phenomenologist. Moreover, the book shows that these two motives were intertwined in Blaustein’s writings and require a reference to other traditions such as the Gestalt theory of Stumpf, and the humanistic psychology of Dilthey. This volume examines sources, context, and applications of the methods used by Blaustein in his original philosophy. It appeals to philosophers, especially phenomenologists, epistemologies, and historians. The more specialized chapters are also relevant to historians of the phenomenological movement and the Brentanian tradition. (shrink)

We investigate the formal cause of diagrams, initially realizing that diagrams have no obvious form. It is argued their form is to mimic expert perspectives. This perspective provides a organizational structure that represents the relations important in understanding the worldly situation. We then shift to a study of how we are to understand an expert perspective. Using the distinction between intuitive and formal logic, logica utens versus logica docens, we identify games of habituation: games of focus and distraction. The skills (...) required for games of focus and distraction are phenomenological in regulating the way we see, i.e., how we approach and analyze different situations. This unique phenomenological skill is characteristic of diagrammatic reasoning. (shrink)

This essay explores the possibility of a metaphysical concept of continuity, which seems to have an implicit though decisive presence in Deleuze’s thought. It exposes a peculiar continuity that animates the indiscernibility of borders without making its constitutive elements homogenous or convergent, a zone of indiscernibility, wherein the borders vanish between the virtual and actual, expressed and expression, incorporeals and corporeals, sense in the proposition and event in states of affairs. Continuity conditions a fundamental indiscernibility but a heterogeneous one, a (...) disjunctive synthesis that does not compromise or negotiate the heterogeneity of its terms. This divergent continuity is explored in Logic of Sense, through a dialogue with Leibniz’s syncategorematic account of calculus and Dedekind cut. (shrink)

Contrary to many contemporary readings of Plato and Aristotle, Hans-Georg Gadamer sees harmony in their thought. A challenge to this reading is that Aristotle criticizes Plato’s forms and the good. Aware of these criticisms, Gadamer understands these two thinkers as having significant commonalities and pursuing related goals. Gadamer’s interpretation is less a historical approach than an attempt to explain and justify aspects of his own philosophical views, in particular those regarding the relation between metaphysics and practical thought. We critically examine (...) Gadamer’s interpretation and consider tensions between its more radical conclusions and a more conventional Platonism. (shrink)

Ostensibly, Husserl’s work doesn’t seem to allow for a conceptualization of a properly collective memory, i.e. a shared memory, common to all members of a somewhat tightly unified group. Indeed, Husserl’s view of a collective, at least the one most often presented in his works, appears to be one of a collective equivalent either to an “anyone and everyone” or to an aggregate sum of parts, to a loosely unified composite. All memory of members of such a collective would itself (...) be adjusted accordingly. However, Husserl also develops an idea of a collective, the “personality of a higher order” – as well as an idea of correlative social acts – which might present good candidates for authentic collectives and collective acts, including memories. This paper will attempt to clarify the constitution of said collectives and acts based on the model of Husserlian generativity understood stricto sensu and “from within”. (shrink)

The paper answers the title question via its methodological commitment to a Husserlian description of the acts of consciousness which we cannot but perform when we engage in linguistic communication. Familiarizing the reader with the central terms of the German Vorstellung and Vorstellbarkeit (imaginability) and their prominence in phenomenological inquiry in the Introduction, the paper addresses major uses of Vorstellung from Kant to Husserl, before identifying imaginability as the hidden core of natural language, captured in a re-definition of language and (...) linguistic meaning. The observation that imaginability affects all linguistic aspects from phonology to pragmatics is followed by the claim that it is primarily a communally shared form of. The last Section offers a speculative, radically gradualist thesis of language evolution in opposition to dominant catastrophe theories, with the conclusion summarising the answer to the title question in terms imaginable, schematized resemblance relations. (shrink)

Contrary to many contemporary readings of Plato and Aristotle, Hans-Georg Gadamer sees harmony in their thought. A challenge to this reading is that Aristotle criticizes Plato’s forms and the good. Aware of these criticisms, Gadamer understands these two thinkers as having significant commonalities and pursuing related goals. Gadamer’s interpretation is less a historical approach than an attempt to explain and justify aspects of his own philosophical views, in particular those regarding the relation between metaphysics and practical thought. We critically examine (...) Gadamer’s interpretation and consider tensions between its more radical conclusions and a more conventional Platonism. (shrink)