Primal Philosophy: Rousseau with Laplanche by Lucas Fain (review)

Substance 53 (2):92-98 (2024)
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In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Primal Philosophy: Rousseau with Laplanche by Lucas FainGray Kochhar-LindgrenFain, Lucas. Primal Philosophy: Rousseau with Laplanche. Rowman & Littlefield, 2021. 216pp.In Primal Philosophy: Rousseau with Laplanche, Lucas Fain sets out to explicate the very possibility of philosophy, with its origins in wonder and its end in happiness. He moves toward these goals through a comprehensive reading of Jean-Jacques Rousseau’s “Socratism” intercalated with Jean Laplanche’s psychoanalytic intervention focused on the universality of untranslatable “enigmatic messages” that shape the (un)conscious of each individual. Through this combination of trajectories, Fain hopes both to deconstruct philosophy’s metaphysical origins along the lines of thinkers from Descartes through Badiou, and also return this fundamental question back to the emergence of the wisdom of eudaimonia, the flourishing of happiness, as a libidinal object.When the teaching, historical periodization, and explication of philosophy takes Rousseau under its wing, it is usually as a political theorist, but, as Fain reminds us, Rousseau explicitly asserts that he is “neither a philosopher nor austere,” but instead a “man of paradox,” a “friend of virtue,” or a “friend of the truth” (qtd. in Fain 5). This is important for it is related to the claims that paradox is an irrevocable trait of thinking, that philosophy requires friends both within and outside its rather blurry boundaries, and that reason cannot, in the end, claim self-grounding knowledge of its own origins and ends. Fain, like Rousseau, writes as a friend of the love of wisdom and “[a]gainst all the odds, the combination of Rousseau with Laplanche amounts to something of a double-dog dare against the ruling conventions of academic philosophy” (ix). The wager has been laid on the table, but it will extend far beyond the contemporary academy.A certain image of Socrates is the central figure around which Fain’s reading of Rousseau is organized. This is Socrates as that oddball Athenian irritant who works to demonstrate, succinctly put, that “virtue is knowledge; happiness is knowledge of the good” (4). This Socrates—and [End Page 92] Socrates is always multiplying—knows the irony of the unknowing and the joy of the virtuously beautiful. Phronēsis will be more foundational than epistēmē and philosophy, in itself—however that “in itself” is construed—will not be sufficient to explain itself. It has a constitutive blind-spot that will need looking into from different perspectives. It will need Rousseau and Laplanche, for instance, as external supports in order to get it into gear, with Laplanche being the psychoanalyst who most systematically brings this “support” of Freud’s Anlehnung—often translated as “anaclitic”—as a relation between the Instinkt of biology and the Trieb of the psyche, into sharper critical relief.Plato, in Theaetetus, succinctly states the origin of philosophy is “wonder” at a point in the conversation focused on questions of becoming and definition, which have already made the Theaetetus “dizzy.” (We all know what that is like.) Socrates replies to this confession, noting that “It looks as though Theodorus’s sketch of your character was accurate my friend. I mean, this feeling—a sense of wonder—is perfectly proper to the philosopher: philosophy has no other foundation, in fact. Whoever said that Iris was the offspring of Thaumas was no mean genealogist” (155d, 37). The genealogist in question is Hesiod, who, in the Theogony (265–6), observed that Iris (the rainbow as a ‘shining wonder’) was the daughter of Thaumas (‘wonder’) and Electra (‘shining’). Let me limit my comments here to simply observing that Theaetetus’s character, not just his ratiocination, matters. The dizziness becomes an opening to the shining wonder “beneath which” there is no other foundation.Socrates, as he so often does, translates the poetic into the philosophical, but without losing sight of the former. The mythopoetic—for both Plato and Rousseau—is inseparable from logic’s explanatory force and cannot be extirpated by that force. This relationship is active throughout Primal Philosophy and binds together the philosophical, the artistic, and the psychoanalytic. Although genre distinctions are generally useful, Freud points out thedream-thoughts which we first come across as we proceed with our analysis often strike us by...

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Gray Kochhar-Lindgren
University of Hong Kong

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