Abstract

Darwin is well known for his wondrously ambiguous rhetoric. The author who used an ‘entangled bank’ as his metaphor for Nature and its complex relationships built up the substance of his text from a corresponding entanglement of unresolved theoretical relations. Ambiguous positions, arguments that seem to fold in on themselves, vacillations, contradictions, and pluralities of explanation suffuse Darwin's science and its constituent metascience. The Origin abounds in ambiguities with regard to the technical features of evolutionary biology. But the domain of ambiguity I wish to address is Darwin's metaphysical stance. I want to approach the question of Darwin and secularization through what might be called the trope of ambiguity. My principle concern is with the origins of that ambiguity. These lie in the conflicting cultural and ideological resources Darwin used to construct the theory of natural selection