Abstract

This contribution to the Vetenskapsrådet 2013 Årsbok emphasises artistic research at the intersecting domains of choreography and philosophy. The popular term 'relational aesthetics' is given a grounding in dance and choreography by reflecting upon the performance of "Small Acts" by British choreographer Ben Wright at Skånes Dansteater in Malmö. The perspective of an audience member is the vehicle for the scholarly discussion, thereby demonstrating how phenomenology can be a relevant methodological perspective for both audience members as well as performers.