Abstract

Biological, social, and technical causes of the splendor and decline of classical music are examined and found insufficient. Evidence shows that music involves unconscious motivation. The classical summit predominantly included part of the German Awakening, showing that this motivation was, at least in part, collective. The German Awakening was a phase of the Western turn from religion to a world view centered on conscious human experience and power. The decline of classical music parallels developments in literature, science, and history as this world view approaches a stage of exhaustion.