Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place

Verso Books (1994)
  Copy   BIBTEX

Abstract

Dangerous Crossroads surveys an extraordinary range of these musical fusions: Puerto Rican Bugalu in New York; Algerian rai in Paris; Chicano punk in Los Angeles; Indigenous rock in Australia; chanson Quebecois in Montreal; swamp pop in Houston and New Orleans; reggae, bhangra, and juju in London; and zouk, rap, and jazz in Europe, Africa, and the Americas. Throughout, Lipsitz highlights the issues that unite inter-ethnic music fusions across geographic boundaries.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,270

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2015-02-13

Downloads
49 (#450,040)

6 months
6 (#873,397)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

No references found.

Add more references