- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Lipstick Traces: A Secret History of the Twentieth Century
Faber & Faber (1997)
Abstract
"This title is about a single, serpentine fact: late in 1976 a record called "Anarchy in the UK" was issued in London, and this event launched a transformation of pop music all over the world. The song distilled a critique of modern society once set out by a small group of Paris intellectuals." -- Provided by publisher.Other Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Part 4. Signs and Mediations. A Portrait of the Artist in a Pop Song : Images of James Joyce in Popular Music / Kevin Farrell ; "Hand in Glove" : Punk, Post-punk, and Poetry.Martin Malone - 2022 - In Ryan Hibbett (ed.), Lit-rock: literary capital in popular music. New York: Bloomsbury Academic.
Part 4. Signs and Mediations. A Portrait of the Artist in a Pop Song : Images of James Joyce in Popular Music / Kevin Farrell ; "Hand in Glove" : Punk, Post-punk, and Poetry.Martin Malone - 2022 - In Ryan Hibbett (ed.), Lit-rock: literary capital in popular music. New York: Bloomsbury Academic.
The End of the American Avant Garde: American Social Experience Series.Stuart D. Hobbs - 1997 - NYU Press.
Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde.Bernard Gendron - 2002 - University of Chicago Press.
Crass Art and Other Pre Postmodernist Monsters, 1961-1997.Gee Vaucher - 2012 - A K Pressdistribution.
The Transformation of the Avant-Garde: The New York Art World, 1940-1985.Diana Crane - 1987 - University of Chicago Press.
Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place.George Lipsitz - 1994 - Verso Books.
Aesthetics of pop music.Diedrich Diederichsen - 2023 - Hoboken: Polity Press. Edited by George Robarts.
Analytics
Added to PP
2015-02-13
Downloads
6 (#1,698,044)
6 months
4 (#1,258,347)
2015-02-13
Downloads
6 (#1,698,044)
6 months
4 (#1,258,347)
Historical graph of downloads
Citations of this work
The Icarus Project: A Counter Narrative for Psychic Diversity.Sascha Altman DuBrul - 2014 - Journal of Medical Humanities 35 (3):257-271.
Situated Pedagogy and the Situationist International: Countering a Pedagogy of Placelessness.John Kitchens - 2009 - Educational Studies: A Jrnl of the American Educ. Studies Assoc 45 (3):240-261.
4 Culture: Economy.Trevor Barnes - 2005 - In Paul Cloke & Ron Johnston (eds.), Spaces of geographical thought: deconstructing human geography's binaries. Thousand Oaks, Calif.: SAGE Publications. pp. 61.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-667477cd97-lv8mh dc2