Abstract

For most people in the world of cinema, ‘film’ still means ‘feature-length narrative film’, while so-called ‘shorts’ fill another, neglected, undervalued category. However, there appear to be more short films around than ever before – more opportunities to make and also to show them, thanks particularly to digital technology. This article takes the usual reductive characterizations of short audio-visual work – as being, variously, a training ground for future ‘professionals’, a free space where young people can indulge in anarchy for a little while before growing up, or as a calling card for the film industry – and interrogates them in the context of a rapidly changing and evolving media culture.