Pandora's Fireworks; or, Questions Concerning Femininity, Technology, and the Limits of the Human

Philosophy and Rhetoric 47 (4):386-399 (2014)
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Abstract

In Hesiod’s legendary account of how humans came to be, two extrahuman characters, Prometheus and Pandora, play decisive roles. Both figures intercede and intervene in man’s world and indeed inaugurate the series of events that culminates in the becoming human of man.1 Although neither Prometheus nor Pandora is human, they both participate actively in human life, and through their respective actions the race of men becomes not only alienated from the realm of gods and animals but also from its own prior, prelapsarian existence. The irrevocable and irreducibly self- alienated and internally contradictory status of the human emerges as a direct consequence of the actions of these two “extrahuman” figures. These two ..

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References found in this work

Technics and time.Bernard Stiegler - 1998 - Stanford, Calif.: Stanford University Press.
Hesiod and the Language of Poetry.William W. Minton & Pietro Pucci - 1978 - American Journal of Philology 99 (3):391.

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