Abstract

This year I made an album with Jay Auborn. One of the tracks features a piano, a violin, a bass synthesizer, some vocals and the sound of me hitting two sticks rhythmically on the side of the piano. It is based on a previous piece of music which I wrote with Andrew Prior called Birdsong and is called Songbird. How did this happen? It started with the playing of a piano riff, a piano riff that was being played because we had just performed Birdsong at a performance in London with pianist, Dunstan Belcher. This piano riff was also being played because Jay had just been listening to Nick Cave and Warren Ellis, and I overlaid some violin because I was thinking about Warren Ellis and Alice Coltrane and the Mixolydian mode and In a Silent Way by Miles Davis. But I was probably thinking about Miles Davis because Jay and I were just doing impressions to each other of Miles Davis, imagining we were him writing his autobiography.... Have you ever read his autobiography? Jesus. I played some bass because I had a conversation in the week previously about how I was frightened of bass. So bass was added. In a riff. A bit like Miles Davis, but I was thinking about ‘Atoms for Peace’ and not being scared of bass...