Abstract

In his seventieth year, paralleling Ezra Pound’s life work of 117 Cantos, Phil McShane began a long project of writing 117 essays, a new one to be published on the Web on the first day of every month. So far he has kept successfully to this gruelling schedule. He calls these essays ‘Cantowers’, the name involving a multi-levelled pun, partly on the word ‘canto’ itself, but also hinting at the notion that persons ‘can tower’ above the partial and confused perspectives of what McShane would describe as our interim ‘axial’ state, this long dark night in our thinking