Abstract

In the conclusion, McGinn distinguishes the ‘commandment’ paradigm and the ‘parable’ paradigm of ethical reflection, and argues that analytical moral philosophy, despite its emphasis on moral language, tends to follow the former. In this book, McGinn has argued that the latter, as exemplified in fictional narrative, with its appeal to our aesthetic sensibility, is the true vehicle of moral thought and persuasion. The fictional world is ideal for the exploration of ethical questions and the acquisition of ethical knowledge.