Abstract

This research is situated within an Islamic philosophical paradigm, with a series of experiments in studio art practice. In my investigation of Mulla Sadrā’s theory of systematic intensification, I was led towards Ta’wil, a unique method of interpretation, that is primarily used for interpreting the verses of the Quran. I extract this traditional Quranic method of interpretation, Ta’wil and translate it into a visual and collective dialogue, for a practice-oriented research. Keeping in view the traditional association of the method of Ta’wil towards the Quran, I suggest there is evidence that Ta’wil is a method that can be practised outside the interpretation of the text. It is a unique method of interpretation that performs in both physical and metaphysical worlds. Ta’wil is both a noun, as an object or happening in the physical, and a process of carrying a perceptible image towards higher and deeper understandings. I start my writing with a brief overview of my research area, moving towards Ta’wil in creative art practice.