Abstract

Using the philosophy of Paul Ricoeur as an interpretive matrix, this article suggests that critical theologies may be understood as an instantiation of the concrete unity of past and present in religious symbol. The intransigence of debates between critical and counter-critical theologies is thus disclosed as an inability to account for and remain within the past-future dynamic in religious symbol. Ricoeur’s Freud and Philosophy provides the philosophical terminology for unpacking the simultaneously archaeological and teleological character of symbol. The article then turns to Ricoeur’s accounts of metaphor and narrative to make the following observations: Reflecting the metaphorical capacity of language, critical theologies occur as a juxtaposition of known and unknown, here understood as a juxtaposition of past and present in religious expression; The inherently tensive character in critical theology gives way to a dialogical trajectory. Critical theologians engender Ricoeur’s reference to the pluralism of ontology in the ‘metaphorical is’; and Critical theology represents the very human capacity to create a new future out of a meaningless past by narrating the stories of the marginalized. These Ricoeurian themes are highlighted by examples drawn from the theologies of James Cone, Jürgen Moltmann, Mario Aguilar, David Tracy, and Johann Baptist Metz.