Entanglement and Ecstasy in Dance, Music, and Philosophy: A Reply to Carrie Noland, Nancy S. Struever, and Thomas Rickert

Philosophy and Rhetoric 54 (1):63-80 (2021)
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Abstract

ABSTRACT Dance and music serve in this essay to exemplify both the looping entanglement of art and life as well as the account of art and philosophy developed in Strange Tools. This essay replies to criticisms of Carrie Noland, Nancy S. Struever, and Thomas Rickert and also offers a briefer restatement of the general approach.

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10.5325/philrhet.54.1.0063

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Alva Noë
University of California, Berkeley

Citations of this work

The enactive approach: a briefer statement, with some remarks on “radical enactivism”.Alva Noë - 2021 - Phenomenology and the Cognitive Sciences 20 (5):957-970.
Künste als Technologien der Selbst-Transformation.Simone Mahrenholz - 2023 - Deutsche Zeitschrift für Philosophie 71 (5):731-751.

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References found in this work

Varieties of presence.Alva Noë - 2012 - Cambridge: Harvard University Press.
An Autobiography.F. G. Marcham & R. G. Collingwood - 1941 - Philosophical Review 50 (5):546.
Action in Perception by Alva Noë. [REVIEW]Alva Noë - 2005 - Journal of Philosophy 102 (5):259-272.
The Writerly Attitude.Alva Noë - 2017 - In Sabine Marienberg (ed.), Symbolic Articulation: Image, Word, and Body Between Action and Schema. Boston: De Gruyter. pp. 73-88.
Art as Experience. [REVIEW]D. W. Prall - 1935 - Philosophical Review 44 (4):388-390.

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