Abstract

The following essay has three main objectives. (1) By arguing that the connection between Schelling’s reception of Plato and Kant’s conception of genius is relevant for Schelling’s early development, I show that Schelling’s early Idealism brings to the general problem that plagues German Idealists, i.e., the search for an unconditioned principle that unites theoretical and practical reason, the solution that is genuinely his own. This original solution consists in Schelling’s conception of “creative reason [schöpfersiche Vernunft].” Because the scholarship on German Idealism has thus far been focused predominantly on the analysis of self-consciousness, Schelling’s conception of creative reason remained neglected. (2) I show that the theme of an absolutely free creative subjectivity is shared by many of Schelling’s early works and, hence, I argue that the early development of his Idealism can be interpreted as a beginning of a philosophical system or as a “proto-system” of what is later to become The System of Transcendental Idealism (1800). (3) I evaluate Schelling’s speculative extension of Kant’s notion of creative subjectivity and argue that, when compared to Kant’s notion of genius, Schelling’s ‘absolute I’ should be considered a regress rather than a progress.