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Adorno's Aesthetics of Music
Cambridge University Press (1997)
Abstract
This introduction to the aesthetics and sociology of music of the German philosopher and music theorist T. W. Adorno is the only book to deal comprehensively with this topic and it has quickly established itself as a classic text.Other Versions
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Similar books and articles
Music and its Social Mediation: The Concepts of Form and Material in T. W. Adorno's Aesthetics of Music.Max Halle Paddison - 1990 - Dissertation, University of Exeter (United Kingdom)
Adorno, Modernism and Mass Culture: Essays on Critical Theory and Music.Max Paddison - 1996 - Kahn & Averill.
Essays on Music.Richard Leppert & Susan H. Gillespie (eds.) - 2002 - University of California Press.
PART I. The Dynamics of Musical Mediation. 'Music is the Logic of Judgmentless Synthesis' : Adorno on Music, Language, and Mediation / Dietrich Mersch ; Beyond Mediation / Esteban Buch ; Radio Voices : Progressive Broadcasting between Aesthetics and Mass Pedagogy.Michela Garda - 2022 - In Gianmario Borio (ed.), Immediacy and the mediations of music: critical approaches after Theodor W. Adorno. New York: Routledge.
PART I. The Dynamics of Musical Mediation. 'Music is the Logic of Judgmentless Synthesis' : Adorno on Music, Language, and Mediation / Dietrich Mersch ; Beyond Mediation / Esteban Buch ; Radio Voices : Progressive Broadcasting between Aesthetics and Mass Pedagogy.Michela Garda - 2022 - In Gianmario Borio (ed.), Immediacy and the mediations of music: critical approaches after Theodor W. Adorno. New York: Routledge.
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Citations of this work
Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice.Panagiotis A. Kanellopoulos - 2012 - Educational Philosophy and Theory 44 (2):151-182.
Caring for Strangers: Can Partiality Support Cosmopolitanism?Pilar Lopez-Cantero - 2016 - Diacritica 30 (2):87-108.
Adorno and the Second Viennese School.Sherry D. Lee - 2019 - In Peter Eli Gordon, A companion to Adorno. Hoboken: Wiley. pp. 67–83.
Sismogramas do choque: considerações sobre o choque em "Teoria da vanguarda", de Peter Bürger, e em "Filosofia da nova música", de Theodor W. Adorno.Eduardo Socha - 2014 - Kriterion: Journal of Philosophy 55 (129):133-152.
Music as Secularized Prayer: On Adorno’s Benjaminian Understanding of Music and its Language-Character.Mattias Martinson - 2018 - Comparative and Continental Philosophy 10 (3):205-220.
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