Abstract

When I recently read a little aesthetic manifesto by Alain Badiou, who is getting a lot of recognition in the intellectual scene in Berlin at the moment, I found myself disagreeing with nearly every single point that Badiou makes there – but it inspired me to present what I want to say today as a response to this piece, and in the form of a counter-manifesto, if you will. Not only because it is generally more fun to articulate the theses one might have on « Aesthetics and Contemporary Art » in a way that sounds a little apodictic and macho, but also because it is challenging to try and do this with theses that counter precisely the smart claims to universalism, truth, abstraction that have become so fashionable again today, especially, and not surprisingly, it seems to me, among young male intellectuals