Adorno and Jazz: Reflections on a Failed Encounter

Telos: Critical Theory of the Contemporary 1991 (87):85-96 (1991)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,139

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Adorno, Jazz and Racism: "Uber Jazz" and the 1934-7 British Jazz Debate.E. Wilcock - 1996 - Telos: Critical Theory of the Contemporary 1996 (107):63-80.
The Dionysian Free Jazz of John W. Coltrane.Dharmender S. Dhillon - 2020 - Telos: Critical Theory of the Contemporary 2020 (190):136-156.
Back to Adorno.Robert Hullot-Kentor - 1989 - Telos: Critical Theory of the Contemporary 81 (81):5-29.
Introduction to Adorno.Elizabeth Rapaport - 1974 - Telos: Critical Theory of the Contemporary 19:2.
Critical Theory in the Flesh: Adorno and Foucault in San Francisco.Kyle Baasch - 2021 - Telos: Critical Theory of the Contemporary 2021 (196):101-123.
Adorno and Fritz Lang.Detlev Claussen - 2005 - Telos: Critical Theory of the Contemporary 130:127.

Analytics

Added to PP
2014-01-17

Downloads
31 (#730,306)

6 months
2 (#1,687,048)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Why did Adorno "hate" jazz?Robert W. Witkin - 2000 - Sociological Theory 18 (1):145-170.

Add more citations

References found in this work

No references found.

Add more references