Abstract

The article traces the motif of decomposition in Derrida’s Geschlecht III. It distinguishes Derrida’s understanding of the way decomposition affects sex, language, humanity and place through a logic of dissemination and divisibility from Heidegger’s reversal of decomposition in the polysemic gathering of the land. It shows how the working of the spectral figure of mother in its link to land through natality in Geschlecht III can be extended in its biodeconstructive formulation to a question of soil as multispecies ecology.