Abstract

This paper addresses a potentially major shift in environmental and landscape aesthetics, which reassesses the traditional view on landscape in light of the idea of global environment. Landscaping is thus rethought as a mode of creatively being on Earth. For this purpose, the paper begins by providing a definition of Earth as a completely semiotized and therefore “plastic” space which is continuously re-shaped by traces, semantic processes and human practices. Earth-shaping practices are then investigated as gestures of poetic overwriting, capable of inhabiting interconnected non-equilibrium landscapes. The paper concludes by examining the case-study of DOM-, an artistic collective that performs ways of dwelling in damaged territories and exploited environments.