Abstract

The University of Perugia's Archivio storico preserves a sixteenth-century manuscript of the imprese of the Accademia degli Insensati, an institution which is well-known for its important members and affiliates in the ecclesiastical and poetic circles of Perugia and Rome. Largely unpublished, the manuscript collects forty-three imprese of academicians, drawn by different artists and miniaturists, including that of the painter and theorist Federico Zuccari. In later life Zuccari proudly made use of his Insensato nickname of Il Sonnacchioso, but here his impresa is unexpectedly given as Il Desioso. This article argues that the Il Desioso impresa represents Zuccari's application to join the Accademia. Drawn by the artist himself, featuring his device of the sugarloaf and accompanied by a prose description in his own hand, the impresa can be dated by comparisons with other works made around the time of Zuccari's move from Florence to Rome. It reflects a number of the theoretical ideas from this period of his life, concerning the role of Academies, the education of the artist, and classical culture.