Abstract

“What I like in a work of art, is when one finds the very subject of the work transposed, with specific reference to the characters in it. […] Thus, in certain paintings by Memling or by Quentin Metzys a small convex dark mirror reflects on its own the interior of the room where the painted scene occurs. […,] Then, indeed, in literature, in Hamlet, the scene of the play; and in a lot of other theatre plays as well. […] In The Tall of the House of Usher, the story that is read to Roderick, etc. Not one of these examples is totally accurate. What would be far more so, [….] is to compare it to a coat of arms where one image places a second one in a subjugated position (en abyme).”