Abstract

Zhuang said the book is man and gas generation and change everything so cosmology are discussed. Gas corresponding to said body, structure and function of human life constitute the form of God, run by the relationship, with its theory of the universe is generated on the structural context. The officer of the Zhuangzi, greed and spirit between the executive and led astray Ruoyin in the pursuit of worldly possessions, and breakage and alienation present crisis. Of the existing form of alienation alienation between God the fact that when I practice how to self-digestion in life crisis, into elevated to God-shaped blind date, the rate form of God, together with the channel offerings of real or typical character, is the effort on the Zhuangzi. This basis of this theory, try to explore the spectacular on the Chuang-tzu's Tao on artistic creation and aesthetic inherent meaning, and protruding his "God and the things travel 'mental state and its impact on the beauty of artistic creation in the art of beauty limitations at. Zhuang Zi's doctrine of Tao and Qi is a cosmological discourse about the genesis and transformation of human beings and all creatures. In correspondence to the character, structure and function of Tao and Qi, the relationship between body and spirit, which constitutes human life, has its own theoretical and structural context of cosmogony. For Zhuang Zi, body and spirit would be on the brink of fragmentation and alienation as long as they were plunged into the pursuit of materials. Regarding the given alienation between body and spirit, Zhuang Zi's doctrine of cultivation claims that one must resolve the crisis in the practice of life, sublimate it into the state of mind of a true man or ultimate man: closeness between body and spirit, spirit leading body, and combing with Tao. Based on this theory, this paper is meant to explore the significance of Zhuang Zi 'doctrine of Tao and Object in artistic creation and aesthetics, highlighting the aesthetic state of "spirit wandering with nature" along with the limitation it imposes on human beings in terms of artistic beauty