Abstract

classical pragmatism, particularly the work of John Dewey, has been foundational to the development of design as a discipline, although rarely directly acknowledged within the literature on design. Recognizing the ways in which the dominant design paradigm reproduces coloniality and modernity, I argue that going back to design’s roots in pragmatism can aid in building a more embodied, situated, and pluralistic design practice. In an attempt to counter the epistemic and ontological injustices perpetuated by design, I support the effort of redesigning design by drawing on pragmatist thinking to present alternative design practices aimed at building reflexivity. In doing so, I bring...