The Force of Critique: Walter Benjamin's Concept of the Mimetic Redemption of Nature-History

Télos 2014 (166):42-55 (2014)
  Copy   BIBTEX

Abstract

"Because she is mute, fallen nature mourns [trauert]. Yet the converse of this statement leads still deeper into the essence of nature: her mournfulness [Traurigkeit] makes her mute." "Walter Benjamin, The Origin of German Trauerspiel"Adorno once wrote that “[p]hilosophy has perceived the chasm opened by the separation [of sign and image ] as the relation between intuition [Anschauung] and concept [Begriff] and repeatedly but vainly attempted to close it; indeed, philosophy is defined by that attempt.”1 Contrary to the common narrative about the difference between Adorno and Benjamin—one likely propagated by Arendt's introduction to…

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,518

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2014-03-25

Downloads
56 (#389,131)

6 months
10 (#436,689)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Joseph Weiss
Appalachian State University

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references