Merleau-Ponty on the Mirror Stage: Affect and the Genesis of the Body Proper in the Sorbonne Lectures

Journal of Phenomenological Psychology 49 (2):135-163 (2018)
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Abstract

While Merleau-Ponty’sPhenomenology of Perceptionrelies on the descriptive register of the body proper, his Sorbonne lectures on child psychology investigate the genesis of the experience of a body as one’s own. I demonstrate the uniqueness of Merleau-Ponty’s account of the narcissistic affect and sociality involved in this developmental process, distinguishing his account vis-à-vis Wallon’s and Lacan’s studies of the mirror stage. I conclude that in Merleau-Ponty’s account, (1) the experience of the body proper is not singular, but encompasses a range of phenomenological variation; and (2) the genesis of the body proper is not confined to the mirror stage. The production of bodily boundaries is an ongoing process identified not only with its advent in childhood, but also with adult emotional life. The boundaries between inner and outer domains of perception are not merely discovered, but must be negotiated and cultivated in the intercorporeal affective dramas of adult life.

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Shiloh Whitney
Fordham University

Citations of this work

Anger and uptake.Shiloh Whitney - 2023 - Phenomenology and the Cognitive Sciences 22 (5):1255-1279.
Body schema dynamics in Merleau-Ponty.Jan Halák - 2021 - In Yochai Ataria, Shogo Tanaka & Shaun Gallagher (eds.), Body Schema and Body Image: New Directions. Oxford, United Kingdom: Oxford University Press. pp. 33-51.

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References found in this work

The Visible and the Invisible: Followed by Working Notes.Maurice Merleau-Ponty - 1968 - Evanston [Ill.]: Northwestern University Press. Edited by Claude Lefort.
Volatile Bodies: Toward a Corporeal Feminism.Elizabeth Grosz - 1994 - St. Leonards, NSW: Indiana University Press.
How the Body Shapes the Mind.Shaun Gallagher - 2007 - Philosophy 82 (319):196-200.
The Nature of Sympathy.Max Scheler - 1954 - Transaction Publishers.
Le visible et l'invisible: suivi de notes de travail.Maurice Merleau-Ponty - 1964 - Paris, France: Gallimard. Edited by Claude Lefort.

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