This essay promotes affective engagement with the texts we read, arguing that we should attend both to recognizing emotion within the texts and to allowing ourselves to feel emotion as we read. The essay thus aligns itself with contemporary theories of non-hermeneutic or surface reading. The argument is illustrated specifically by the relationship of Augustine of Hippo (354–430 CE) to the emotion of anger. The transcripts of the Council of Carthage, held in 411, show an eruption of anger on Augustine’s (...) part. The essay then traces his thinking on anger through various texts, notably the City of God, the Augustinian Rule, and the personal letters to Nebridius. Using the reflections on anger of the contemporary philosopher Agnes Callard, I argue that Augustine saw anger as a unique type of moral problem, something that, once experienced, was ineradicable and distorted a sense of justice and order. It is only through an emotionally engaged reading that such a position is perceptible. (shrink)

Augustine’s _Confessions_ is one of the most significant works of Western culture. Cast as a long, impassioned conversation with God, it is intertwined with passages of life-narrative and with key theological and philosophical insights. It is enduringly popular, and justly so. The Routledge Guidebook to Augustine’s Confessions is an engaging introduction to this spiritually creative and intellectually original work. This guidebook is organized by themes: the importance of language creation and the sensible world memory, time and the self the afterlife (...) of the Confessions. Written for readers approaching the _Confessions_ for the first time, this guidebook addresses the literary, philosophical, historical and theological complexities of the work in a clear and accessible way. Excerpts in both Latin and English from this seminal work are included throughout the book to provide a close examination of both the autobiographical and theoretical content within the _Confessions. _. (shrink)

Why was Eve created? In De Genesi ad litteram, Augustine notoriously gives the answer that it was only causa pariendi, “for the sake of childbearing.” Other late antique interpreters of Genesis emphasize the purpose of conjugal union and domesticity. But a fuller reading of Augustine’s thoughts on the subject reveals the moment between the creation of Eve and the fall as pregnant with extraordinary possibility. This moment, of indeterminate length—for humans had not yet fallen into time—provides an opportunity for Augustine (...) to unleash his theological imagination. This lecture is about paradise. It eschews the customary focus on Adam’s paradisal desire to think about Eve’s beginning. Augustine uses this beginning to emphasize the importance of sociality, and of marriage as its most perfect realization. He takes the quotidian miracle of childbirth as our closest intimation of God’s act of creation. And he imagines new meanings for the trinity of Villanova’s motto: ueritas, unitas, and caritas. (shrink)

The Irrational Augustine takes the notion of St Augustine as rigid and dogmatic Father of the Church and turns it on its head. Catherine Conybeare reads Augustine's earliest works to discover the anti-dogmatic Augustine, who values changeability and human interconnectedness and deplores social exclusion. The novelty of her book lies in taking seriously the nature of these early works as performances, through which multiple questions can be raised and multiple options explored, both in words and through their dramatic framework. The (...) theological consequences are considerable. A very human Augustine emerges, talking and playing with friends and family, including his mother - and a very sympathetic set of ideas is the result. (shrink)

This paper reads the surviving letters written by Augustine during the period between his return to North Africa in 388 and his elevation to the bishopric of Hippo in 395. In doing so, it explores Augustine’s complicated relationship with his native land and his new Christian role there, and with the career and associates that he has left behind; and it reveals some of the pressures inherent in the notion of “coming home.”.