This paper investigates ‘exterminous hypertime’, a model of time travel in which time travellers can change the past in virtue of there being two dimensions of time. This paper has three parts. Part one discusses the laws which might govern the connection between different ‘hypertimes’, showing that there are no problems with overdetermination. Part two examines a set of laws that mean changes to history take a period of hypertime to propagate through to the present. Those laws are of interest (...) because: (i) at such worlds, a particular problem for non-Ludovician time travel (‘the multiple time travellers’ problem) is avoided; and (ii) they allow us to make sense of certain fictional narratives. Part three discusses how to understand expectations and rational decision making in a world with two dimensions of time. I end with an appendix discussing how the different theories in the metaphysics of time (e.g., tensed/tenseless theories and presentism/eternalism/growing block theory) marry up with exterminous hypertime. (shrink)

Is there any witness to death? As detailed by Jacques Derrida, any testimony is detached from the direct perception of the event it reports. Thus, a testimony may report one’s encounter with death, not only with the death of the other, but also with one’s own death, even though it can never by experienced as such. In particular, reports from “survivors” ought to be taken un-metaphorically as they confront us with what Maurice Blanchot related as “the encounter of death with (...) death.” In line with such testimonies, Donald Woods Winnicott helps us here in considering an “anterior death,” a death that already happened without being experienced as such and which may haunt the subject until it remembers it. But how may one remember a past that has never been present? And how may one remember death without dying? In dialogue with Maurice Blanchot, we are guided toward a manner of considering silence as an oblivious remembrance of that which can be brought back from death. (shrink)

That surely includes the timing of the assault: shortly before noon, when children were returning from school and crowds were milling in the streets of densely populated Gaza City. It took only a few minutes to kill over 200 people and wound 700, an auspicious opening to the mass slaughter of defenseless civilians trapped in a tiny cage with nowhere to flee.1..

N'y a-t-il pas une contradiction dans l'oeuvre d'Arendt? On y trouve une description critique du totalitarisme national-socialiste, mais aussi l'apologie de Heidegger érigé, malgré son éloge de la "vérité interne et grandeur" du mouvement nazi, en roi secret de la pensée. L'étude des Origines du totalitarisme montre qu'Arendt développe une vision heideggérienne de la modernité. Dans Condition de l'homme moderne, la conception déshumanisée de l'humanité au travail et le discrédit jeté sur nos sociétés égalitaires procèdent également de Heidegger. En outre, (...) des lettres inédites montrent qu'Arendt a décidé de marcher sur les pas de Heidegger avant leurs retrouvailles de l'année 1950. Il s'agit d'une adhésion intellectuelle, irréductible à la seule passion amoureuse, et qui mérite d'être prise au sérieux. Certes, Arendt ne partage pas l'antisémitisme exterminateur de Heidegger confirmé par ses Cahiers noirs. Que devient cependant la pensée, instrumentalisée dans l'opposition - nouveau mythe moderne - entre Heidegger, le "penseur" retiré sur les hauteurs neigeuses de sa hutte de Todtnauberg, et Eichmann, l'exécutant sans pensée, le "clown" muré dans sa cage de verre? (shrink)

RESUMEN La modificación de la dialéctica que propone el planteamiento de Adorno despliega una crítica inmanente del principio identificatorio que emerge del conflicto entre componente somático y concepto, entre lo idéntico y lo no idéntico. Ello resulta fundamental para comprender la dominación como segunda naturaleza en las formaciones económico-sociales modernas/coloniales. En este trabajo proponemos, en primer lugar, examinar críticamente las relaciones de alteridad que estructuran la experiencia de lo político al interior de la modernidad/colonialidad, y la configuración de la subjetividad (...) en términos sociohistóricos. En segundo lugar, se explora, desde un abordaje decolonial del horizonte analítico de Adorno, la constelación de mecanismos ideológicos vinculados al principio identitario que se condensa en la alteridad colonial, y que, como exponemos en este análisis, convergen finalmente en una metafísica del exterminio, en donde lo particular resulta subsumido por lo universal, y, que se efectualiza como una matriz de dominación en la que se articulan la experiencia de lo abyecto y los procesos de estereotipia que vertebran la construcción simbólica y racial de América. ABSTRACT The modification of dialectics proposed by Adorno's approach displays an immanent critique of the identifying principle that emerges from the conflict between the somatic component and the concept, between identity and non-identity. This is essential to understand domination as second nature in modern/colonial social economic formations. In this paper, we propose, first of all, to critically examine the relationships of alterity that structure the experience of the political within modernity/ coloniality, and the sociohistorical configuration of subjectivity. Secondly, from a decolonial approach to Adorno's analytical horizon, we explore the constellation of ideological mechanisms linked to the identity principle that are condensed in colonial alterity, and, that, as we expose in this analysis, finally converge in a metaphysics of extermination, where the particular is subsumed by the universal, which is carried out as a matrix of domination in which the experience of the abject and the stereotyping processes that structure the symbolic and racial construction of America are articulated. (shrink)

The year 2001, the first of our twenty-first century, marks a turning point in the publication of the work of Martin Heidegger. That year, the very first courses he taught during the Third Reich were published. Under the seemingly noble title Being and Truth (Sein und Wahrheit), the double volume 36/37 of the complete works (Gesamtausgabe) grouped the 1933 summer course, The Fundamental Question of Philosophy (Der Grundfrage der Philosophie), and the 1933/34 winter semester course, On the Essence of Truth (...) (Vom Wesen der Wahrheit). Why was this a turning point? For one thing, these are among the most explicitly National Socialist and Hitlerian courses he taught. In them, we discover that Heidegger does not limit .. (shrink)

Dans son rapport sur le procès d’Eichmann, Hannah Arendt propose le concept de banalité du mal pour caractériser le comportement des fonctionnaires allemands qui ont rendu possible l’Extermination des juifs. La banalité du mal désigne la perte du sens de la responsabilité politique au profit d’un simple « sens du devoir » à l’égard de l’Etat quel qu’il soit. Pourtant, selon l’historien Raoul Hilberg, ce qui frappe dans le processus de l’Extermination c’est la remarquable autonomie des services administratifs impliqués par (...) rapport à la sphère politique. Comprendre comment cette autonomie peut se concilier avec un non-engagement politique, telle est la question philosophique ici posée.The concept of banality of evil, as proposed by- Hannah Arendt in her report on Eichmann’s trial, serves the purpose of understanding the role and attitude of german bureaucrats regarding the Extermination process. This concept relates to a sense of duty lacking of personal judgement and political responsability. However, the description Raoul Hilberg gives of the Bureaucracy of extermination reveals remarkably self-governing actions. How does this self-government and the absence of political intentions can coexist in a same person, in a same institution? (shrink)

Antonin Artaud's novelised biography of the 3rd-century Roman Emperor Heliogabalus is simultaneously his most accessible and his most extreme book. Written in 1933, at the time when Artaud was preparing to stage his legendary Theatre of Cruelty, Heliogabalus is a powerful concoction of sexual excess, self-deification and terminal violence. Translated by Alexis Lykiard and with an introduction by Stephen Barber.

Quel peut-il être, le rôle de la fiction dans la (re)construction des émotions liées à l’extermination de masse? Et que se passe-t-il au juste, quand ces émotions sont réactivées à partir du point de vue d’un bourreau? En revenant sur les questions suscitées par un cas singulier et symptomatique ( Les Bienveillantes, de J. Littell), puis en examinant certaines critiques affectant la référence à la tragédie antique en relation avec la littérature du génocide, j’essaie de mettre ici en regard deux (...) types de critiques de la notion de catharsis : l’une, contemporaine, qui conduit à la remise en cause éthique des usages qui en sont faits comparant les émotions liées à l’expérience de l’extermination à celles que la tragédie est censée pouvoir provoquer ; l’autre, issue d’une tradition libertine propre au xvii e siècle, faisant planer le doute sur la nature (et la possibilité même) du processus cathartique, et sur les « scénarios paradigmatiques » que certaines tragédies mettent en branle au sein d’une mise en commun de certaines émotions. Un tel détour ne pourrait-il pas conduire à interroger, dans une perspective différente, l’impact de l’art sur notre manière d’expérimenter, de caractériser et d’évaluer des émotions telles que la Terreur et la Pitié aujourd’hui même? (shrink)

Are massive violence and destruction a manifestation of ‘modernity’, even its very essence, or rather its total opposite: ‘a breakdown of civilization’? Although ostensibly Norbert Elias mainly occupied himself with the civilizing process, he was always, though mostly implicitly so, preoccupied with its complement and counterpart: violence, regression and anomie. In recent years, a number of his students have returned to these themes. Whether they wanted to or not, they were drawn into a debate that never subsided for long in (...) the last century. I shall argue a position that transcends this opposition between ‘modernization’ and ‘regression’: at the core of the civilizing process, another contrary current may manifest itself, allowing extreme violence on a mass scale to be perpetrated towards specific categories of people, while civilized relations and modes of expression are maintained in other sections of society. The concepts of identification, disidentification and compartmentalization should help to describe and explain these ‘dyscivilizing’ processes in their complex relations to processes of civilization. (shrink)

This article boards some of the central aspects of the philosophy proposed by Philip Mainländer. The intent is centered on glimpsing the implications that arise from the explored author’s thoughts, primarily in regards to the attitude that is derived from the contemplation of human extermination as a consequent solu­tion to the suicide and death of God. The intention of man in the world from said perspective is analyzed and links are offered to authors who have adopted for themselves the scabrous (...) and complex paths of committed Nihilism. The text ends with a series of human redemption alternatives through a philosophy about death and not as a function of death itself. (shrink)

The relationship between Rosa Luxemburg and Hannah Arendt has occasionally been noted but rarely systematically discussed. In fact, there is a profound sense in which Arendt's continuing preoccupation with the significance of the extermination camps owes much to Luxemburg's earlier expressed concern that barbarism was a real possibility. Luxemburg first raised this in the context of the First World War, which she saw as a catastrophe marking a fundamental break with the past and opening the way to terrible new possibilities. (...) The terms that Luxemburg used to describe this catastrophe apply better to subsequent events that Arendt was to analyse, particularly the extermination camps. In explaining how barbarism could occur, Arendt drew extensively on Luxemburg, emphasising the impact of world wars, imperialism and nationalism, though she was of course then to go further in analysing what barbarism meant when it took place. (shrink)

Security is cultivated and mobilized by enacting exclusionary practices, and exclusion is cultivated and realized on security grounds. This article explores the political dangers that lie in this connection, dangers which open the door to a fascist mobilization in the name of security. To do so the article first asks: what happens to our understanding of fascism if we view it through the lens of security? But then a far more interesting question emerges: what happens to our understanding of security (...) if we view it through the lens of fascism? Out of these questions it is suggested that the central issue might be less a question of "security and exclusion" and much more a question of "security and extermination.". (shrink)

La célébration du 70e anniversaire de la mort de Freud est l'occasion d'une réflexion sur sa théorie de la guerre et de la mort. Fondée sur le mythe de la horde primitive, le meurtre du père et la dette commune, la société, selon Freud, s'organise autour des interdits de meurtre et d'inceste. La guerre fondée dans la pulsion de mort est la conséquence de la levée collective de ces interdits. Freud bâtit ainsi ce que l'on pourrait nommer une " culture (...) du meurtre ". Mais dès la Première Guerre mondiale, il avait saisi qu'un bouleversement était en train de s'opérer avec la guerre totale, industrielle et informationnelle. Tout en restant fondamentalement et radicalement enraciné dans la pensée freudienne, ce travail tente de démontrer un "au-delà " de Freud dans l'apparition d'une " culture de l'extermination " qui trouve son origine dans les grands textes fondateurs des monothéismes, puis son champ de réalisation dans l'histoire occidentale principalement. Cette " culture de l'extermination " n'a pas disparu avec les horreurs du siècle dernier. Elle est toujours bien présente partout dans le monde et prête à ressurgir en Occident comme le laissent entrevoir quelques frémissements politiques dans de nombreux pays. Il faut donc demeurer lucide et vigilant. (shrink)

Less Than Human is a chilling indictment of our nature, and is as timely as it is relevant.

The article analyzes responses to Russia’s full-scale invasion of Ukraine by philosophers on the left, like Balibar and Zizek, and feminist philosophers, such as Butler and Hark. A large-scale war in Europe proved to be a challenge for a number of feminist, pacifist, and leftist certainties, and this challenge was presented in philosophy and feminist theory as a series of antinomies that do not imply a simple solution. Some leading contemporary philosophers believe that Ukraine should stop resisting aggression in the (...) face of the threat of a world nuclear war or if the conflict turns into a war of extermination. An alternative solution was suggested by some left and feminist philosophers who argued that a true Ukrainian victory over an authoritarian aggressor would amount to preserving and empowering democracy in Ukraine, and that this was possible only on the basis of building broad transnational anti-Putin alliances, including alliances with the representatives of all forces opposing Putin in Russia and Belarus. (shrink)

This essay explores the faultlines, poetic pressures and social structures of feeling determining poetry “after” Hiroshima. Nuclear bombs, accidents and waste pose theoretical and poetic challenges. The argument outlines a model of nuclear implicature that reworks Gricean conversational implicature. Nuclear implicature helps to describe ways in which poems “represent” nuclear problems implicitly rather than explicitly. Metonymic, metaphorical, and grammatical modes of implication are juxtaposed with recognition of social attitudes complicit with nuclear problems. Mushroom and lichen metaphors are analysed and distinguished. (...) There are brief accounts of The Chernobyl Herbarium, The Nuclear Culture Source Book and poems by Aidan Semmens, Lorine Niedecker, George Oppen, Denise Levertov, Adrienne Rich, Allen Ginsberg and Gerry Loose. The argument attempts to keep open the fragile agency of writing in poems that confront nuclear power. Poetry after Hiroshima is also contrasted with Adorno’s provocative questions about poetry after Auschwitz, amid Cold War arguments that have distorted recognition of the reality of nuclear production. The essay concludes by considering the emergence of poetry within E.P. Thompson’s theoretical account of “Exterminism,” sketching ways in which poetics and theory might inform both the nuclear imagination and the difficulties of nuclear song. (shrink)

v. 1. Exterminative medicine in Nazi Germany and contemporary America -- v. 2. The language of exterminative medicine in Nazi Germany and contemporary America.

Derrida wrote extensively on "the question of the animal." In particular, he challenged Heidegger's, Husserl's, and other philosophers' work on the subject, questioning their phenomenological criteria for distinguishing humans from animals. Examining a range of Derrida's writings, including his most recent _L'animal que donc je suis_, as well as _Aporias_, _Of Spirit_, _Rams_, and _Rogues_, Leonard Lawlor reconstructs a portrait of Derrida's views on animality and their intimate connection to his thinking on ethics, names and singularity, sovereignty, and the notion (...) of a common world. Derrida believed that humans and animals cannot be substantially separated, yet neither do they form a continuous species. Instead, in his "staggered analogy," Derrida asserts that all living beings are weak and therefore capable of suffering. This controversial claim both refuted the notion that humans and animals possess autonomy and contradicted the assumption that they possess the trait of machinery. However, it does offer the foundation for an argument-which Lawlor brilliantly and passionately defines in his book-in which humans are able to will this weakness into a kind of unconditional hospitality. Humans are not strong enough to keep themselves separate from animals. In other words, we are too weak to keep animals from entering into our sphere. Lawlor's argument is a bold approach to remedying "the problem of the worst," or the complete extermination of life, which is fast becoming a reality. (shrink)

My aims in this article are threefold. First, I evaluate attempts to drive a wedge between the human and the natural in order to show that destroyed natural environments and extinct species cannot be restored; next, I examine the analogy between aesthetic value and the value of natural environments; and finally, I suggest briefly a different set of analogies with such human associations as families and cultures. My tentative conclusion is that while the recreation of extinct species may be logically (...) impossible, the restoration of natural environments raises only (formidable, no doubt) technical difficulties. Opponents of destructive developments which do not exterminate species, therefore, had better look elsewhere, rather than relying on the claim that restoration is logically impossible. (shrink)

Virilio and Lotringer revisit their prescient book on the invisible war waged by technology against humanity since World War II. In June 2007, Paul Virilio and Sylvère Lotringer met in La Rochelle, France to reconsider the premises they developed twenty-five years before in their frighteningly prescient classic, Pure War. Pure War described the invisible war waged by technology against humanity, and the lack of any real distinction since World War II between war and peace. Speaking with Lotringer in 1982, Virilio (...) noted the “accidents” that inevitably arise with every technological development: from car crashes to nuclear spillage, to the extermination of space and the derealization of time wrought by instant communication. In this new and updated edition, Virilio and Lotringer consider how the omnipresent threat of the “accident”—both military and economic—has escalated. With the fall of the Soviet bloc, the balance of power between East and West based on nuclear deterrence has given way to a more diffuse multi-polar nuclear threat. Moreover, as the speed of communication has increased exponentially, “local” accidents—like the collapse of the Asian markets in the late 1980s—escalate, with the speed of contagion, into global events instantaneously. “Globalization,” Virilio argues, is the planet's ultimate accident.Paul Virilio was born in Paris in 1932 to an immigrant Italian family. Trained as an urban planner, he became the director of the École Speciale d'Architecture in the wake of the 1968 rebellion. He has published twenty-five books, including Pure War and The Accident of Art, both with Sylvère Lotringer and published by Semiotext. Sylvère Lotringer, general editor of Semiotext, lives in New York and Baja California. He is the author of Overexposed: Perverting Perversions, 2007) and other books. (shrink)

In The Years of Extermination, the second volume of Nazi Germany and the Jews, Saul Friedländer attempts to write an “integrated” history of the Holocaust that captures the “convergence” of German decisions and policies, the reaction of the surrounding world, and the perceptions and experiences of the Jews. Although several historiographical issues are studied in detail , the most innovative aspect of the book is its extensive use of excerpts from over forty diaries of Jewish victims, which are interspersed among (...) the statements of Nazi leaders and officials, Wehrmacht soldiers, churchmen, and various collaborators and bystanders in order to juxtapose “entirely different levels of reality.” What ultimately holds the book together, despite its intentionally disrupted narrative and Friedländer’s disclaimer that the history of the Holocaust can be encompassed within any “single conceptual framework,” is the overarching theme of the “crisis of liberalism.”. (shrink)

Aren't we actually sick of sex, of difference, of emancipation, of culture? With this provocative taunt, the indomitable sociologist Jean Baudrillard challenges us to face up to our deadly, technologically empowered renunciation of mortality and subjectivity as he grapples with the complex issues that define our postmillennial world. What does the advent and proliferation of cloning mean for our sense of ourselves as human beings? What does the turn of the millennium say about our relation to time and history? What (...) does the instantaneous, virtual realm of cyberspace do to reality? In _The Vital Illusion_--as always--Baudrillard leads his readers to some surprising conclusions. Baudrillard considers how human cloning--as well as the "cloning" of ideas and social identities--heralds an end to sex and death and the divagations of living by instituting a realm of the Same, beyond the struggles of individuation. In this day and age when everything can be cloned, simulated, programmed, and genetically and neurologically managed, humanity shows itself unable to brave its own diversity, preferring instead to regress to the pathological eternity of self-replicating cells. By reverting to our viral origins as sexless immortal beings, we are, ironically, fulfilling a death wish, putting an end to our own species as we know it. Next, Baudrillard explores the "nonevent" that was and is the turn of the millennium. He provocatively puts forward the thesis that the arrival of the year 2000 could never take place because we could neither resolve nor leave behind our history, nor could we stop counting down toward our future. For Baudrillard, the millennial clock reading to the millionth of a second on its way to zero is the perfect symbol of our time: history decays rather than progresses. In closing, Baudrillard examines what he calls "the murder of the real" by the virtual. In a world of copies and clones in which everything can be made present in an instant by technology, we can no longer even speak of reality. Beyond Nietzsche's symbolic murder of God, our virtual world free of referents is in the process of exterminating reality, leaving no trace: "The corps(e) of the Real--if there is any--has not been recovered, is nowhere to be found." Peppered with Baudrillard's signature counterintuitive moves, prophetic visions, and dark humor, _The Vital Illusion_ exposes the contradictions that guide our contemporary culture and rule our lives. (shrink)